EarlyWord

Paula Hawkins’s sophomore effort, Into the Water (PRH/Riverhead; RH Audio/BOT; OverDrive Sample). has landed at #4 on the USA Today Best-Selling Books list, making it the second best selling adult novel on the list. Expect it to debut at #2 on the upcoming NYT‘s list after James Patterson’s 16th Seduction (Hachette/Little Brown; Blackstone Audio; OverDrive Sample).

It’s not being propelled by the reviews. As we have been tracking (and here), they are pretty damning, but they are outweighed by considerable interest in the author.

The #2 and #3 best-selling books are middle grade and YA series, reflecting the strength of those series, something that is masked by lists that divide their rankings by age/category.

The Trials of Apollo Book Two The Dark Prophecy by Rick Riordan (Hachette/Disney-Hyperion; Listening Library; OverDrive Sample) debuts at #2. It is the second in Riordan’s Trials of Apollo series.

Riordan released a series of tongue-in-cheek book trailers:

A Court of Wings and Ruin by Sarah J. Maas (Macmillan/Bloomsbury USA Childrens; Recorded Books; OverDrive Sample) is the third book in the Court of Thorns and Roses trilogy. It makes a significant leap over the first two books in the series, landing at #3 this week. The first book did not make the USA Today list and the second only rose as high as #41. Maas tells Entertainment Weekly that she is planning another trilogy set in the same world, although with different characters.

Half of the top 10 titles are new this week. The other debuts are media darling Neil deGrasse Tyson is at #5 with Astrophysics for People in a Hurry (Norton; BlackStone Audio; OverDrive Sample) and Danielle Steel at #9 with Against All Odds (PRH/Delacorte Press; RH Large Type; Recorded Books; OverDrive Sample)

Further down the list, a much older title has returned.

At #26 is The Dark Tower I: The Gunslinger by Stephen King (S&S/Scribner; S&S Audio; OverDrive Sample) powered by last week’s release of the long awaited and highly anticipated trailer for the movie, set for release on August 4th.

Dropping down the list is Bill O’Reilly’s Old School: Life in the Sane Lane (Macmillan/Holt; Macmillan Audio). It debuted at #2 on the April 5th list and began falling after his firing from Fox News.

Librarians traveling to Chicago this summer for ALA Annual, have a new tourist site to add to their sightseeing list.

The American Writers Museum opens on May 16 on N. Michigan Avenue, not far from Millennium Park.

The museum’s mission is to “engage the public in celebrating American writers and exploring their influence on our history, our identity, our culture, and our daily lives.”

Media coverage indicates it is a book-lovers dream come true.

The Chicago Tribune applauds it for giving the impression of “something hot off the presses and eager to be read … [it feels] ambitious, far-reaching and wise in its appreciation of writers and writing.”

The NYT says it features “a mesmerizing ‘Word Waterfall,’  in which a wall of densely packed, seemingly random words is revealed, through a constantly looping light projection.” Another 85-foot long wall highlights 100 notable writers and illustrates how American writing developed over time, with audio commentary by NPR book critic Maureen Corrigan.

The opening temporary exhibits include a plant-filled exhibition on poet W.S. Merlin, who loved horticulture, and the original scroll on which Jack Kerouac wrote On the Road.

Authors such as Billy Collins, Nicholas A. Basbanes, Stuart Dybek, Nikki Giovanni Jr., Alice McDermott, and Scott F. Turow are on the advisory council. Booklist‘s adult books editor, Donna Seaman, is on the curating team and NPR’s Corrigan is a subject specialist.

Read our chat with Gin Phillips, below.

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The last look viewers will have before the expected summer blockbuster Wonder Woman has just been released. The film arrives in theaters on June 2nd.

The trailer aired during the MTV Movie & TV Awards and has received media scrutiny. Offering a shot by shot analysis, Screen Rant says the trailer “reveals why a hero like Diana is needed now more than ever. Not just in the DCEU [DC Extended Universe], but the superhero genre as a whole.”

Two leveled readers have already published: Wonder Woman: I Am an Amazon Warrior, Steve Korte, Lee Ferguson (HC; OverDrive Sample) and Wonder Woman: Meet the Heroes, Steve Korte, Lee Ferguson, Jeremy Roberts (HC; OverDrive Sample).

More tie-ins are on the way including Wonder Woman: The Official Movie Novelization by Nancy Holder (PRH/Titan Books) and Wonder Woman: The Junior Novel by Steve Korte (HC/HarperFestival).

After the film premieres, DC begins a new series called DC Icons, written by best-selling YA authors.

It kicks off in August with Leigh Bardugo’s Wonder Woman: Warbringer (PRH/RH Books for Young Readers; Listening Library). Following that, Marie Lu takes on Batman (January 2018), Matt de la Pena tackles Superman (May 2018), and Sarah J. Maas stalks Catwoman (September 2018).

The Salt Lake Tribune reports that the comics artist Andie Tong, known for his work on various DC series, sent Bardugo a sketch of Wonder Woman “sitting atop a pile of defeated criminals, rewarding herself with another chapter of Bardugo’s Six of Crows novel.”

Co-authors James Patterson and his son Jack, sat down with CBS This Morning to discuss their first book together, released last week, Penguins of America, (Hachette/ Little, Brown).

Described as a “childrens book that illustrates the humorous connection between Penguins and humans,” the authors say the inspiration came from Jack’s obsession as a kid with seeing the world as if it were populated by penguins. Asked who the audience is, Patterson replies it will appeal to anyone “from 2 to 102. Kids are going to like it. They won’t get some of them, but they will get a lot of them. That’s the way kids are, they’re used to not getting everything, but they will love the illustrations.”

Asked about the novel he is currently working on with his latest collaborator, Bill Clinton, James Patterson says they are about “halfway through it.” Asked whether they will work on more books together, Patterson replies with a somewhat hopeful “Maybe.”

Vote Team Macmillan for the July 2017 LibraryReads List

Download, read, and nominate these Macmillan titles (Lisa Scottoline! B.A. Paris! Linda Castillo!) for the July 2017 LibraryReads list!

Don’t forget, votes are due by May 20.

The announcement of the publication date of the new book by the author of The Martian, Andy Weir, set SF sites ablaze and the book rising on Amazon’s sales rankings.

Unsurprisingly, given the success of the adaptation of the author’s previous book, film rights have been acquired by the same team that produced that blockbuster adaptation.

Described as a “crime novel set on the moon,” the book is listed on wholesaler catalogs.

Artemis: A Novel
Andy Weir
PRH/Crown, November 14, 2017
Hardcover, 384 pages
$27.00 USD, $36.00 CAD
ISBN 9780553448122, 0553448129

James Patterson’s newest co-author is getting top billing. According to the Associated Press, Patterson and former president Bill Clinton are writing a thriller together, appropriately titled The President is Missing.

The Amazon listing shows that it will be released on June 11, 2018, ISBN 978-0316412698. In an unusual move, it will be published jointly by PRH/ Knopf, which has published Clinton’s most recent books, and Patterson’s publisher, Hachette/Little, Brown.

In a the press release announcing the book, the publishers say it will be “a unique amalgam of intrigue, suspense and behind-the-scenes global drama from the highest corridors of power. It will be informed by details that only a president can know.”

Clinton adds, “Working on a book about a sitting president — drawing on what I know about the job, life in the White House and the way Washington works — has been a lot of fun. And working with Jim has been terrific. I’ve been a fan of his for a very long time.”

The Hill adds that Clinton and Patterson will go on a national book tour to promote their novel.

Hearing the news, we had to check the date, but April Fools Day was over a month ago. Further backing it up, the story is being reported by several other sources, including the Washington Post. and the New York Times, which quotes unnamed sources saying the idea was cooked up by the agent the two men share.

Two very different adaptations begin airing this week, both on streaming services.

Anne with an E begins its eight-week run on Netflix starting May 12, with a two-hour premiere. It is a new version of L.M. Montgomery’s beloved childhood classic, Anne of Green Gables.

As we summarized last week, advance publicity indicates the new version will be grittier than readers remember.

As the show’s creator, Moira Walley-Beckett tells the CBC News, “I feel that this Anne is entirely different … We’re off-book … This is a very grounded, real version of the story. Life in Prince Edward Island in the late 1800s was a hard, gritty, scrappy life. It was messy, it was covered in red mud … It’s not doilies and teacups, it’s life.”

The relatively unknown Irish-Canadian actress, Amybeth McNulty, plays the title role. R.H. Thomson (Chloe) and Geraldine James (Sherlock Holmes) play Matthew and Marilla Cuthbert.

The few advance reviews are raves. The Globe and Mail say it is “striking and fresh … It imagines rather than remembers or reveres previous versions, no matter how beloved they were. This Anne should be approached and appreciated in the same spirit – it’s a sublimely reinvigorated Anne of Green Gables.” The Cleveland Plain Dealer, writes “With an ‘e’ for exceptional, Walley-Beckett got it right.”

There is no tie-in, but the book is in print in multiple editions from various publishers.

Based on a cult novel by Chris Kraus, published by the indie press Semiotext(e) (reprinted by MIT press in 2006), I Love Dick starts airing on Amazon on May 12.

Jill Soloway, who created the Emmy-winning Transparent for Amazon, returns as co-creator and director. The series stars Kevin Bacon and Kathryn Hahn.

The press release details the plot: “Chris (Kathryn Hahn) is a frustrated New York filmmaker who finds herself marooned in Marfa, Texas, where her academic husband, Sylvère (Griffin Dunne), has a writing residency. Amid the dusty silence, art snobs, and tumbleweeds, she meets renowned scholar Dick (Kevin Bacon). An infuriating and beguiling exchange with this enigmatic, macho character unleashes in her a dramatic awakening.”

It debuted at Sundance and reviews thus far are generally strong. The Guardian says it is “innovative, well-acted and visually sumptuous.” Variety says it is “a treasure trove of charged moments, an intriguing dance of provocation, creation, and self-reflection. It digs to the roots of desire with unflinching curiosity. It is a daunting show to step into, with its scathing critiques and blunt personalities. But there is something cleansing and freeing about its unvarnished intimacy.” Reflective thought pieces are also piling up, from Slate, New York magazine and The New Republic.

There are some naysayers. The Hollywood Reporter calls it “Messy and not very likable,” summing it up with, “You might want to commit to something/someone else.”

There is no-tie in. For those who want to know more about the ground-breaking book, The Guardian wrote about it when it was published in the UK, saying it is “the book about relationships everyone should read.” The New Yorker wrote about it in 2015, calling it a “white-hot text.”

The film adaptation of the beloved and bestselling memoir by Jeannette Walls, The Glass Castle (S&S/Scribner, 2005), finally has a debut date, set to open in wide release on August 11.

The film stars Academy Award winner Brie Larson as Walls with Woody Harrelson and Naomi Watts as her dysfunctional,  sometimes homeless parents, Rex and Rose Mary.

The memoir spent over 250 weeks on NYT best seller lists, in both hardcover and the trade paperback, where it had its most enduring success. Also a constant in book groups, the memoir is assigned reading in schools, and even has its own Cliff Notes.

Deadline Hollywood reports that Lionsgate plans to pitch the film to women hoping to create the kind of appeal and word of mouth power enjoyed by Eat Pray Love, The Help, and Julie & Julia, all of which also had August release dates.

As we have noted, readers have been waiting for some time for the film version. In 2012, Paramount announced plans to adapt the film with  Jennifer Lawrence in the lead, but that project fell through. In 2015, Lionsgate bought the rights and cast Larson in the title role. Director Destin Daniel Cretton, who worked with Larson on her breakout film, Short Term 12, has stayed the one constant in the adaptation’s ups and downs.

UPDATE: In a blog post, Martin corrects several details in these stories.

HBO is searching for a way to keep viewers tuned in and paying subscription fees once Game of Thrones, their landmark and most popular show, ends sometime next year.

Entertainment Weekly reports that the network has “taken the highly unusual step of developing four different ideas from different writers …  a potentially massive expansion of the popular fantasy universe.”

George R.R. Martin is involved with two of the four projects, teaming up with Jane Goldman (Kingsman: The Secret Service, X-Men: First Class) on one and with Carly Wray (Mad Men) on the other. The other two are being worked on by Max Borenstein (Kong: Skull Island, Fox’s Minority Report) and Brian Helgeland (A Knight’s Tale, L.A. Confidential).

None of the projects are finalized or greenlit yet and HBO will only say that the potential follow-ups will “explore different time periods of George R. R. Martin’s vast and rich universe.” The NYT warns “The earliest a new season of ‘Thrones’ could come would likely be 2019.”

In March, Mashable reported that showrunners David Benioff and Dan Weiss have no plans to write any of the follow-ups but will serve as executive producers on any further GOT project. Martin will serve as EP as well.

That role, as well as his active involvement writing and developing two of the potential projects, raises the question of when Martin’s print series will be completed. He has previously admitted that other duties and events take time away from novel writing. After failing to meet several deadlines, he finally told his fans “it will be done when it’s done.” Vanity Fair goes so far as to say “even if he has, as some suspect, turned in his manuscript for The Winds of Winter, the final book in the A Song of Ice and Fire series—A Dream of Spring—may be deferred indefinitely.”

Meanwhile, Game of Thrones returns on July 16 for its seventh season.

Kate Moore’s The Radium Girls: The Dark Story of America’s Shining Women (Sourcebooks; HighBridge Audio; OverDrive Sample) is catching on.

Holds are topping 7:1 ratios and spiking as high as 34:1. Bases on that, and Amazon’s sales rankings, it is headed for bestseller lists.

Already a hit with librarians, it is a LibraryReads selection for May and a GalleyChat title. Booksellers are on board as well, making it an Indie Next pick.

Catherine Coyne, Mansfield Public Library, Mansfield, CT provided the LibraryReads annotation:

This is the story of hundreds of young, vibrant women who were sentenced to death by their employers. The so-called “Radium Girls” painted luminescent faces on clock and watch dials using a paint mixture that contained radium. Instructed to “lip-point” their brushes as they painted, they absorbed high doses of radium into their bodies. When the effects of the radium led to horrific disfigurement and pain, the company refused to take responsibility. This heartrending book was one I could not put down.”

For GalleyChat, library director Nicole Steeves, Fox River Grove (IL), said the elements are perfect for readers’ advisory (readable non-fiction, women’s stories, and science writing) and would also recommend it to teens. She added, “It is also is a timely example of good research and careful attribution, relevant to librarians’ concerns about news literacy.”

Coverage is wide ranging. The Spectator introduces the book with the creepy headline, “The Radium Girls — still glowing in their coffins.” BuzzFeed runs an illustrated feature written by Moore, NPR’s Weekend Edition Saturday has an interview, as do the NYT and Jezebel. Bustle, The Atlantic, the NY Post, and Nature offer stories, with Nature calling the book “harrowing.”

Reviews are pouring in for Paula Hawkins’s second novel, Into the Water (PRH/Riverhead; RH Audio/BOT; OverDrive Sample). So far, seven are pans, as Literary Hub’s Book Marks characterizes them, with just one rave, one positive and one mixed.

In The Guardian, crime writer Val McDermid gives Hawkins some sympathy, “The second novel is a notorious challenge to a writer. Hawkins had a mountain to climb after the success of The Girl on the Train and no doubt the sales of her second thriller will be massive. I suspect her readers’ enjoyment may be less so.”

Entertainment Weekly offers a rare life raft, giving the novel a B-, writing, “The book’s piled-on storylines lack the feverish, almost subdermal intimacy of Train, and Hawkins’ pulp psychology has only the soggiest sort of logic. Still, buried in her humid narrative is an intriguing pop-feminist tale of small-town hypocrisy, sexual politics, and wrongs that won’t rinse clean.” (They gave The Girl on the Train an A-).

USA Today is also on board, writing,”The various plot currents eventually converge, and when they do Into the Water takes off with a rush … So do dive in. The payoff is a socko ending. And a noirish beach read that might make you think twice about dipping a toe in those dark, chilly waters.”

Reviews are predictors of popularity only to the extent that they anticipate word of mouth an this book has legs. Movie rights were sold to Dremaworks, it is rising on Amazon’s rankings, and is currently in the top ten. Although holds were light prepub, they have risen dramatically in several libraries, jumping from ratios of 2:1 to 5:1, and in one case from 4:1 to 12:1.

We expect it to to hit the NYT bestseller list in the top five next week and stay there the next month or so, sliding down and settling in for the rest of the summer. In other words, while not at the level of The Girl on the Train, it will do as well as most books by established best selling authors.

UPDATE: Hawkins was interviewed today on ABC’s Good Morning America.

The BBC has announced that it has put into production 11 new series. Several are adaptations of favorite books.

Variety reports that the creator of Call the Midwife, Heidi Thomas, will adapt Louisa May Alcott’s beloved classic Little Women. The group that created Wolf Hall is producing.

A joint project with PBS Masterpiece, The Huffington Post reports the three-hour miniseries will start production this July.

In a press release, Thomas, said the story’s “humanity, humor and tenderness never date, and as a study of love, grief and growing up it has no equal. There could be no better time to revisit the story of a family striving for happiness in an uncertain world … we hope to deliver a new screen version that will speak to contemporary audiences, meet the expectations of the book’s ardent fans and bring a whole new generation to this great classic.”

Also in the works at BBC Drama, the producers who created Victoria will take on a new adaptation of H.G. Wells’s SF masterpiece, The War of the Worlds. The writer who created the TV version of Jonathan Strange and Mr Norrell is on board. Filming will begin in early 2018.

Vikram Seth’s critically acclaimed novel, A Suitable Boy is also being adapted. Set in India, the story revolves around efforts to create an arranged marriage.

Announced earlier, the BBC is currently producing a four-part adaptation of E.M. Forster’s Howard’s End, set to air on the Starz channel in the US some time this year.

The other shows are not likely to appear until 2018 or later.

One of the autopsies of the 2016 election might be made into a limited TV series reports the NYT.

Shattered: Inside Hillary Clinton’s Doomed Campaign by Jonathan Allen and Amie Parnes (PRH/Crown; RH Audio/BOT; OverDrive Sample) has been optioned by Sony’s TriStar Television.

The paper says it has become “a mainstay in dinner-party chatter in political circles since its publication.” In library circles it is doing well too, as we reported earlier, holds soared on light ordering.

It hit the  NYT  Hardcover Nonfiction list at #1 last week, slipping to #2 this week, displaced by Sheryl Sandberg’s Option B

The daily NYT‘s chief book critic Michiko Kakutani calls it “compelling”and The Globe and Mail writes that the authors “may be credited with banging the first hot-tipped galvanized spiral-shank nail into her historical coffin … [it is] an unfavourable – no, an unforgiving – look inside the Clinton presidential campaign of 2016.” Staff from the Clinton campaign are pushing back.

Deadline Hollywood reports that this would make the fourth TV project focused on the election. Mark Halperin and John Heilemann have a project with HBO. Annapurna and Mark Boal (Zero Dark Thirty) have one in the works they are keeping under wraps, saying only it will be “Trump-centric.” Tomorrow Studios is making what they hope will become an ongoing series, called Trump: It Happened Here.

The NYT says of this newest project that no writers or stars have been chosen for the project and a network “is not yet attached.”