EarlyWord

Rupi Kaur will publish a new book in October, reports USA Today. Publisher Andrews McMeel describes the as yet untitled book as “a collection of non-traditional and deeply personal poems and original illustrations, focusing on growth, love and healing, ancestry and honoring one’s roots, expatriation and rising up to find a home within yourself.”

Kaur self-published her debut collection, Milk and Honey (S&S Audio; OverDrive Sample), in 2014. It become a sensation and was picked up by Andrews McMeel in 2015.

It has been on the NYT Trade Fiction list for over a year, currently #3 (after three non-consecutive weeks at #1). It is a fixture among Amazon’s Top 100 (currently #8) and has been on USA Today’s list for 61 weeks, rising as high as #3. Every library we checked still has an active holds list.

On her website Kaur writes Milk and Honey is about “the experience of violence. abuse. love. loss. femininity … each chapter serves a different purpose. deals with a different pain. heals a different heartache.”

The Guardian ran a profile of the author in 2016. Below are videos of Kaur, in a TEDx talk and reading from her first book.

In an unusual vote of confidence for a film with no stars attached so far, Sony has announced a release date for Tri-Star’s adaptation of Kristin Hannah’s NYT bestseller, The Nightingale (Macmillan/St. Martin’s; Macmillan Audio, OverDrive Sample). Deadline Hollywood reports that it is set to debut on August 10, 2018.

The movie also features a first-time film director, Michelle McLaren. However, she has had wide-ranging experience in television, directing episodes of hit shows such as Game of Thrones and Modern Family.

The book also represents a first for author Kristin Hannah. Her first historical novel, after several best selling contemporary romances, the change in genre brought her to a new level of sales. The Nightingale was on the NYT best seller for almost two years, much longer than any of her previous novels. After its paperback release, it went immediately onto the NYT Paperback Trade Fiction list where it is currently #7.

Auggie gets a face in the just released first full trailer for the film adaptation of R.J. Palacio’s Wonder (RH/Knopf Young Readers, 2012; Brilliance Audio; OverDrive Sample).

Directed by Stephen Chbosky (The Perks of Being a Wallflower), the film stars Jacob Tremblay (Room) as Auggie, a young boy with a facial deformity who enters a new school. Julia Roberts plays his mom, Owen Wilson, his dad, and Daveed Diggs (Hamilton), his classroom teacher.

The novel has spent 92 weeks on the NYT Children’s Middle Grade Hardcover list, where it is currently #2.

A tie-in comes out November 7, 2017, Wonder Movie Tie-In Edition by R. J. Palacio (PRH/Knopf Books for Young Readers). The cover is not yet finalized.

The film premieres November 17.

Minutes after it was released yesterday the first full trailer for Game of Thrones became the #1 trending video on YouTube, where it remains today.

Hollywood Life breaks down of the key elements and Entertainment Weekly uncovers new revelations. Even a brief animated gif of the leader of the White Walkers gets a thorough analysis.

Season seven begins on July 16 and will consist of seven episodes.

Beginning with the previous season, the TV series has now moved beyond the books. As a result, there is no tie-in.

Sofia Coppola’s The Beguiled got its moment in a screening at Cannes Wednesday morning. Entertainment Weekly calls it “a film that radiates with thrilling, deliciously dark southern gothic flair.” Starring Nicole Kidman, Colin Farrell, Elle Fanning, and Kirsten Dunst, it is based on the 1966 Thomas Cullinan novel, A Painted Devil (see our earlier post for a more on the novel and its adaptations).

The Guardian writes “With its hilariously fraught psychodynamic, the film has hints of Black Narcissus and the famous Diet Coke ad about office workers admiring a perspiring worker slaking his thirst” and continues, “Coppola tells the story with terrific gusto and insouciant wit.”

On Twitter, New York Magazine’s senior editor wrote that the film was “ravishingly shot, with a ‘damn she’s good’ MVP performance from Kirsten Dunst”

Others were not as impressed. Variety misses the pulp aspects of the 1971 adaption and writes “If you’re the sort of moviegoer who favors good taste over sensation, restraint over decadence, and decorous drama over porno leering, then you may actually like Coppola’s coolly pensive and sober new version of The Beguiled. But anyone else may wonder what, exactly, the movie thinks it’s doing.”

The Independent says it is Coppola’s “worst work.”

Set during the Civil War, the plot involves a group of women sequestered in a girls boarding school in the South, whose lives are turned upside down by the appearance of a wounded Union soldier. The movie is scheduled to debut in theaters on June 30th. A tie-in will be published on June 6, The Beguiled: A Novel (Movie Tie-In) by Thomas Cullinan (PRH/Penguin Books, Trade Paperback; OverDrive).

IndieWire explores Coppola’s adaptation and her jitters about appearing at Cannes for the first time since 2006, when her movie Marie Antoinette was poorly received.

Pamela Paul who oversees all of the New York Times book coverage, including the Book Review, was featured on NPR’s Fresh Air yesterday, ostensibly to talk about her new book My Life with Bob: Flawed Heroine Keeps Book of Books, Plot Ensues (Macmillan/Henry Holt and Co.; OverDrive Sample), but most of the interview focused on her day job.

Explaining the differences between reviews in the daily paper and the Sunday Book Review, she says that the daily reviews begin with the critic, who chooses which books to review. For the Book Review, the editors choose the books, but more importantly who will review them. Trying to imagine who New York Times readers would most want to read on a particular book is the  most creative and “delicious” part of the process, she says, resulting in pairings such as Bill Clinton on Bob Caro‘s fourth book on LBJ, or Michael Lewis on former Treasury Secretary Timothy F. Geithner’s memoir.

As to her own book, it’s based on Paul’s reading diary which she dubbed “Bob,” or “Book of Books.” What titles shaped the most powerful book review editor in the country? A large diet of Nancy Drews and frequent trips to the library to make up for a home not filled with books. As we noted earlier, prepub reviews were strong, with LJ saying, “Titles about reading and books abound, but this memoir stands in a class by itself. Bibliophiles will treasure, but the addictive storytelling and high-quality writing will vastly increase its audience.”

Libraries ordered the title very lightly. All that we checked are showing active holds lists.

Add the billionaire philanthropist and co-founder of Microsoft to those with summer reading recommendations.

Bill Gates posts five picks to his blog, gatesnotes, saying that “The books on this year’s summer reading list pushed me out of my own experiences, and I learned some things that shed new light on how our experiences shape us and where humanity might be headed.”

He offers an animated tour of each pick, detailing its pleasures:

As happened with his summer reading list from last year, several of the books are rising on Amazon as a result of his attention. Just a few weeks ago Gates took to Twitter to push Steven Pinker’s 2010 book, The Better Angels of Our Nature: Why Violence Has Declined, and it soared to the top of the Amazon sales charts.

The five picks:

Born a Crime: Stories from a South African Childhood by Trevor Noah (PRH/Spiegel & Grau; Brilliance Audio; OverDrive Sample). Gates says “I loved reading this memoir about how its host honed his outsider approach to comedy over a lifetime of never quite fitting in.” It has jumped from #275 to #67 on Amazon.

The Heart by Maylis de Kerangal (Macmillan/FSG; OverDrive Sample). Gates admits he primarily reads nonfiction, but was very glad his wife gave him this novel about a heart transplant and all the lives it connects. He says “what de Kerangal has done here in this exploration of grief is closer to poetry than anything else.”

J.D. Vance, author of Hillbilly Elegy: A Memoir of a Family and Culture in Crisis (Harper; HarperAudio; OverDrive Sample). Used as THE book to explain the 2016 election, Gates writes it also explains the impact of a chaotic childhood and says “the real magic lies in the story itself and Vance’s bravery in telling it.” Already doing just fine, the Gates mention moved it from #18 to #10 on Amazon’s rankings.

Homo Deus: A Brief History of Tomorrow by Yuval Noah Harari (HC/Harper; HarperAudio; OverDrive Sample). Calling it “provocative … challenging, readable, and thought-provoking,” Gates says he does not agree with everything Harari says but thinks it is “a smart look at what may be ahead for humanity.” Another rising title on Amazon, it moved from #354 to #125.

A Full Life: Reflections at Ninety by Jimmy Carter (S&S; S&S Audio; OverDrive Sample). Gates writes that this presidential memoir “feels timely in an era when the public’s confidence in national political figures and institutions is low.”

In time for making summer plans this Memorial Day weekend, Entertainment Weekly has released their ranked list of the 20 must-read books of the season. It’s in the new issue featuring Wonder Woman on the cover, but not yet online.

You can play along by reading the digital review copies of the chosen titles to see if you agree. Our spreadsheet of all the titles notes which are available for direct download or request.

Entertainment Weekly, Summer Reading, 2017

The top pick is a debut, See What I Have Done by Sarah Schmidt (Atlantic Monthly Press; RH Audio/BOT; Aug. 1; DRC available). It was inspired by a dream in which Lizzie Borden poked the author in the leg and said “I have something to tell you about my father. He has a lot to answer for.” EW says, “The resulting novel is compelling, scary – and gruesomely visceral.” The Guardian is on board too, calling it “a surprising, nastily effective” work with “irresistible momentum and fevered intensity … part fairytale, part psychodrama.”

Arundhati Roy’s return to the novel form, twenty years after The God of Small Things, is #2, The Ministry of Utmost Happiness (PRH/Knopf; RH Audio/BOT; June 6). The magazine calls it “gorgeously wrought.” Vogue says “From the novel’s beginning—’She lived in the graveyard like a tree’—one is swept up in the story.”

At #3 is New People by Danzy Senna (PRH/Riverhead; Penguin Audio; Aug. 1; DRC available). Offering a killer invitation to run out and pick it up, EW says: “You’ll gulp Senna’s novel in a single sitting but then mull it over for days.” Kirkus stars and offers a rare three exclamation points, writing “A great book about race and a great book all around.!!!”

The new graphic novel by Jillian Tamaki is #4, Boundless (Macmillan/Drawn and Quarterly; May 30): EW says the book “dazzles” and that it is “lush, vibrant, and packed with emotion.” The Comics Journal opens their review with “It’s said that great works of art are meant to be viewed at a distance from eye-level. Jillian Tamaki’s Boundless, inspires this same viewing condition.”

Dean Koontz wraps up the top 5 with The Silent Corner: A Novel of Suspense (PRH/Bantam; Recorded Books; June 20; DRC available). It is the launch of a new series and features an FBI agent trying to understand what is causing happy people to kill themselves, including her husband. The Hollywood Reporter says it is already optioned for a TV series and writes that Koontz plans to write at least five more in the series.

Several other summer previews have also been released, see our links at the right, under Season Previews. We will add to it as new lists appear.

Neil Gaiman’s short story, “How to Talk to Girls at Parties,” which John Cameron Mitchell adapted into a feature film of the same name, has had its moment at the Cannes Film Festival, including a spectacular runway and spectacularly bad reviews.

Mitchell describes his adaptation to The Hollywood Reporter as “a Romeo and Juliet story between a punk and an alien.” He says he filled in the very short story with his own stance: “We brought in the punk element, because it wasn’t really in the story. Then I kind of plumped up the Romeo and Juliet story. The punks and the aliens are fighting to keep the lovers apart.”

The few reviews so far are withering. Variety calls the “lifeless punk-meets-alien romance … the biggest dud I’ve seen at this year’s Cannes Film Festival.”

The Guardian writes ” What an extravagantly muddled, borderline incontinent film this is … If you only see one gritty punk-rock coming-of-age sci-fi kids fantasy caper in this lifetime, maybe double-check the listings before you alight on this one.”

The Hollywood Reporter calls it “Close encounters of the absurd kind … there’s too little narrative cohesion or persuasive subtext to make this much more than a low-budget folly that’s outre without always being terribly interesting.”

However, there was still some fun to be had. The film’s stars, Nicole Kidman and Elle Fanning, lead a dramatic runway show when the cast showed up in their movie outfits, made of colorful latex (starting at :56):

Below is the trailer:

Gaiman’s story was nominated for the 2007 Hugo Award for Best Short Story and won the Locus Award in that category. It is collected in Fragile Things: Short Fictions and Wonders (HC/Harper, 2010) and is posted on Gaiman’s website. The audio is there as well, read by Gaiman. It has also been adapted as a comic, Neil Gaiman’s How to Talk to Girls at Parties by Neil Gaiman, Gabriel Bá, and Fábio Moon (PRH/Dark Horse, 2016). There is no US release date yet for the movie.

At the box office over the weekend, the YA adaptation Everything Everything brought in $12 million, outpacing the fourth in the established childrens franchise, Wimpy Kid, a disappointment with just $7.2 million.

A single adaptation airs this week. Netflix’s War Machine starring Brad Pitt begins streaming on May 26.

The film fictionalizes  Michael Hastings’s The Operators: The Wild and Terrifying Inside Story of America’s War in Afghanistan (PRH/Plume; Tantor Audio; OverDrive Sample). Pitt’s character is based on General Stanley McChrystal who was fired after Hastings’s exposé ran in  Rolling Stone.

The movie details how the fictional general, Glen McMahon, is given command of the coalition forces in Afghanistan and, because of his ego and hubris is wildly unpredictable. Written and directed by David Michôd (Animal Kingdom), it is produced by the team that created the Oscar-nominated The Big Short. Tilda Swinton, Sir Ben Kingsley, Anthony Michael Hall, and Topher Grace star alongside Pitt.

The Hollywood Reporter writes that Neflix paid $60 million to finance the film after its original supporters backed out, fearful the movie’s arch black comedy slant might anger conservative audiences.

The single review to date is a rave. The Star-Telegram says “Brad Pitt, we salute you” and goes on to say “Pitt chews scenery in this dark comedy, a spiritual cousin to such films as Dr. Strangelove and Catch-22.”

To qualify for awards, in addition to streaming on Netflix, the film will also play in a few theaters in Los Angeles and New York.

io9 co-founder Charlie Jane Anders wins the Nebula award for Best Novel for her genre-stretching book All the Birds in the Sky (Macmillan/Tor; Recorded Books; OverDrive Sample).

It received attention in advance of publication in January 2016,  got three prepub stars and was a Feb. Indie Next pick. It went on to being picked as a best book of the year by Amazon, Kirkus, The Washington Post, and Time, where it was #5 on their list of “Top 10 Novels” of 2016. Critics praised the novel’s story, characters, and writing, but were particularly taken with Anders was re-working of the genre. NPR wrote “With All the Birds in the Sky, Anders has given us a fresh set of literary signposts — and a new bundle of emotional metaphors — for the 21st century, replacing the so many of the tired old ones. Oh, and she’s gently overturned genre fiction along the way.”

Seanan McGuire wins Best Novella for Every Heart a Doorway (Macmillan/Tor.com; Macmillan Audio; OverDrive Sample).

The opening of the Wayward Children series was a LibraryReads selection in April 2016 (the second, Down Among The Sticks and Bones, is a LibraryReads pick for this June). In a literary loop, Charlie Jane Anders sets up an excerpt that ran in io9, writing in the headline that it “Is So Mindblowingly Good, It Hurts.” NPR’s reviewer wrote, “Tight and tautly told, Every Heart grabs one of speculative fiction’s most enduring tropes — the portal fantasy, where a person slips from the real world into a magical realm somewhere beyond — and wrings it for all the poignancy, dark humor, and head-spinning twists it can get.”

David D. Levine wins the Andre Norton Award For Young Adult Science Fiction and Fantasy for Arabella of Mars (Macmillan/Tor.com; Macmillan Audio; OverDrive Sample).

Having won a Hugo for his short stories, this is his debut novel. Locus said “It is a straight-up tale of incredible yet believable adventures fit to have flowed from the quill of Robert Louis Stevenson. It is old-school Planet Stories SF without snark, smarm or apologies. At the same time it is utterly state-of-the-art, 21st-century in its sensibilities and technics. It’s an intriguing counterfactual slightly reminiscent of Novik’s Temeraire series. It’s nuts-and-bolts gadgetry SF that John Campbell would have proudly adopted. It has gravitas and humor, romance and battle, sacrifice and victory in large measures. In short, I can’t see this book—and its intended successors, since it’s labeled Volume 1—as being anything but a huge triumph.” The reviewer was spot on. Book 2, Arabella and the Battle of Venus, comes out July 18th.

Both Anders and McGuire are also finalists for the other two important SF/Fantasy awards still to be given, the Hugo and the Locus. Levine is a finalist for the Locus.

The Locus Awards will be announced the weekend of June 23-25; the Hugo on August 11.

Amazon announced today that it has launched a “reimagined weekly bestseller list,” which they claim, unlike any of the many lists already available, is “A Bestseller List for What People are Really Reading and Buying.” They don’t point out that it is also unique in that it tracks only the books that people buy through Amazon.

There are two Amazon Charts, each divided between fiction and nonfiction. “Most Sold” tracks the top 20 books “sold and pre-ordered through Amazon.com, Audible.com and Amazon Books stores and books borrowed from Amazon’s subscription programs such as Kindle Unlimited, Audible.com, and Prime Reading.” A separate list, “Most Read,” claims to reveal which titles people actually read by tracking the “average number of daily Kindle readers and daily Audible listeners each week.” In Big Brother fashion, Amazon can also track Kindle titles according “to how quickly customers read a book from cover to cover,” noting which are literally “unputdownable.”

The goal, they say, is to help customers “discover their next great read,” but a look at the actual lists reveals that they offer precious little “discovery.” The majority of the 20 titles on each list are already fixtures on other best seller lists. The rest are published by Amazon’s own imprints (e.g., Lake Union Publishing, Thomas & Mercer, Montlake Romance) or are digital editions available on Kindle (e.g., four titles in the Harry Potter series published by Pottermore). And since Kindle sales and readership are included, the lists can be influenced by special promotions, such as those from Amazon itself and from BookBub.

More useful, as an early indicator of titles grabbing public interest, is the Amazon’s Movers and Shakers list, updated hourly.

ABC News chief national correspondent and Nightline co-anchor Byron Pitts just published a book about teens who overcome horrible circumstances ranging from bullying to abuse, addiction, and getting caught up in wars, Be the One: Six True Stories of Teens Overcoming Hardship with Hope (S&S; S&S Books for Young Readers; OverDrive Sample).

It is soaring on Amazon thanks to segments on The View and other shows, moving from #52,295 to #54.

Pitts knows the ground he covers. He tells The View he was raised by a very young single mother, did not learn to read until he was 13, and struggled with stuttering well into college. He says the teens he met were all dealt a bad hand. They opened a new world to him, illustrating the African proverb, “When you pray, move your feet.”

Booklist says the book “reads like an engrossing news program…Uplifting in its message and captivating in its content.”

Golly Gumdrop! Julian Fellowes, Downton director Michael Engler, and Elizabeth McGovern are teaming up again in Masterpiece’s production of The Chaperone, based on Laura Moriarty’s 2012 novel of the same name (PRH/Riverhead; Thorndike Large Print; Blackstone Audio; Penguin Audio; OverDrive Sample).

The novel was a hit, landing on the NYT Best Seller list, getting strong coverage, and triggering hold queues that topped 10:1.

It is a historical set in the 1920s that traces the story of a Kansas woman named Cora (played by McGovern and coincidentally the name of the character she played on Downton), who acts as the chaperone of Louise Brooks, a 15-year-old girl who becomes the famous 1920’s movie star (played by Julia Goldani Telles, The Affair).

The movie is set to open first in theaters and then will be aired on PBS stations nationwide. Deadline Hollywood notes this will be the first time Masterpiece has produced a feature film.

McGovern is very familiar with the novel. She read the audiobook version, getting an AudioFile Earphones Award in the process. In their review, Audifile writes, “McGovern’s soft-spoken performance is utterly entrancing. Her careful use of emotion and mastery of expression pull listeners into this period piece about a young woman on the road to self-discovery and a girl on the brink of fame … an outstanding audio experience.”

A premiere date has not been announced.

Moriarty talked about the book at 2012’s BEA: