EarlyWord

Way back in 2011, the title Go The F@@K to Sleep by Adam Mansbach (Akashic; Brilliance Audio; OverDrive Sample) had a certain shock value. After that, the word you still can’t say on TV began to show up on multiple book jackets. Even tidying up got the treatment with the recent Unf*ck Your Habitat by Rachel Hoffman (Macmillan/St. Martin’s Griffin), described by the publisher as “Marie Kondo meets Thug Kitchen.” Once swear words hit coloring books, the shock value seems to have worn off.

Not so says the Wall Street Journal, which reports that bookstores face a dilemma about whether to display these titles (subscription may be required to view). Some do, others keep them behind the counter, or make sure they are not displayed at kid-friendly heights.

That may not be an issue for libraries, since books like The Subtle Art of Not Giving a F*ck by Mark Manson (HC/HarperOne; HarperAudio; OverDrive Sample) are still showing holds lists and therefore are not available for display.

Few would have predicted that Donald Trump’s presidency would give a boost to book sales. Even fewer would have predicted that it would bring back into vogue several classic titles. 

There have been many news stories on the phenomenon, as we reported earlier, after several older books, including George Orwell’s 65-year-old title, 1984 began rising on Amazon’s sales rankings, Today, the USA Today best seller list confirms that these books are selling well across all outlets, and Orwell’s dystopian novel is #1.

A spokesman for mass market publisher Signet puts that into perspective, telling USA Today, “we have printed in one week more copies of 1984 than we sell in a typical year.” 

Several other titles are also getting boosts. At #25 is Hannah Arendt’s 1951 examination of the rise of Nazi Germany and Stalinist Russia, The Origins of Totalitarianism, (Houghton Mifflin Harcourt).

On the other hand, somewhat further down the list at #38 is Trump’s own book, Trump: The Art of the Deal, (PRH/Ballantine). 

Last night, Trump helped to fuel sales of the upcoming Dangerous by Milo Yiannopoulos (S&S/Threshold, March), currently at #5 on Amazon’s rankings, by jumping into the controversy that surrounds that book. The author, a senior editor at the right wing site Breitbart, who has been accused of hate speech, was set to speak at  at UC Berkeley, but that appearance was cancelled due to violent protests. Trump tweeted the threat, “If U.C. Berkeley does not allow free speech and practices violence on innocent people with a different point of view – NO FEDERAL FUNDS?”

A new hybrid live-action/animated film based on the Newbery Medal-winning Mrs. Frisby and the Rats of Nimh by Robert C. O’Brien, illustrated by Zena Bernstein (S&S/Atheneum Books for Young Readers, 1971) is in development by MGM.

Variety reports it will be titled The Rats Of Nimh, led by first time director James Madigan who has won Emmys for special effects and worked on such films as Iron Man 2 and The Da Vinci Code.

The “hope is to create a franchise” using O’Brien’s two sequels, O’Brien wrote two sequels. reports Deadline.

MGM produced a previous adaptation, the 1982 animated film The Secret of NIMH. CinemaBlend says this new project is part of MGM’s “recent business strategy of rebooting their most classic franchises.” 

No word yet on stars or a premiere date.

In a high-profile prime-time announcement last night, Donald Trump delivered on his promise to nominate a conservative to the Supreme Court, Neil M. Gorsuch. As a result, Gorsuch’s 2006 book, The Future of Assisted Suicide and Euthanasia (Princeton University Press) is rising on Amazon’s sales rankings.

As might be expected for a book written primarily for the legal profession, it is widely held in college and law libraries but few public libraries own copies, mostly in ebook format.

In it, Gorsuch argues against laws that allow patients the right to physician-assisted suicide, such as those in Oregon, which gained national attention when Brittany Maynard chose that path. A book on her story was published late last year.

The Washington Post writes of the Gorsuch book:

“The front cover looks almost like a Tom Clancy novel, with purple all-caps block text set against a black background. But the book itself is a deep, highly cerebral overview of the ethical and legal debate surrounding the practices. In it, Gorsuch reveals that he firmly opposes assisted suicide and euthanasia … “

Jodi Picoult’s most recent novel, Small Great Things (PRH/Ballantine; RH Audio/BOT; OverDrive Sample), is movie-bound with an attention-getting all-star cast.

Deadline Hollywood reports that Viola Davis and Julia Roberts will star and that a producer for La La Land will help shepherd the project.

As we noted at the time it hit shelves, the LibraryReads selection generated media attention.  It debuted on the NYT Hardcover Fiction list at #1 and is currently at #8 after 14 weeks.

NPR Weekend Edition Saturday featured the author, opening with a gripping summary:

“Ruth Jefferson, a labor and delivery nurse at a hospital in Connecticut … is barred from tending to a newborn baby by the baby’s parents. Ruth Jefferson is African-American. Brittany and Turk Bauer are white supremacists. But Davis, their baby, goes into cardiac distress while Ruth is on duty, briefly alone in the nursery. Should she disobey the order she’s been given by the hospital or touch the baby to try to save him? And does her slight hesitation doom the newborn boy?”

Picot also appeared on CBS This Morning. Host Gayle King noting that the book is “thought-provoking … interesting … and so timely,”asked Picoult how a “white woman of privilege” writes a book confronting racism.

It is early days yet so there is no word on when filming will begin. The paperback edition comes out in June from PRH/Ballantine.

A memoir from a MIT mathematician who beat the casinos at their own game is building reserve lists in libraries and climbing Amazon’s sales rankings, moving from #424 to within the Top 100.

A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market, Edward O. Thorp (PRH/Random House; RH Audio/BOT; OverDrive Sample) recounts Throp’s life in finance, distilling advice as well as mob-tinged tales.

The Wall Street Journal says the memoir “delightfully recounts his progress (if that is the word) from college teacher to gambler to hedge-fund manager. Along the way we learn important lessons about the functioning of markets and the logic of investment.”

Thorp, says the New York Post, invented the art of card counting, and incurred the wrath of the casino industry, so successfully that he was targeted for harm when he proved he could beat the house at blackjack. His 1962 guide, Beat the Dealer, sold over a million copies and is still in print.

After his careers in academia and the casinos, Thorp started hedge funds and tangled with Rudy Giuliani, who at the time was the US Attorney for the Southern District of New York. Thorp prevailed and continued his successful career making money. 

Holds range from almost 5:1 to 47:1 on modest ordering in systems we checked.

Getting rave reviews, a TV movie adaptation of Agatha Christie’s short story and play, The Witness for the Prosecution, comes to the small screen January 30th when Acorn TV begins streaming the BBC movie. The Wall Street Journal says it has “character … depth and startling bitterness … [the] times are vividly evoked in this splendidly written work whose surprise ending is the kind worth waiting for.”

The Guardian reviewer calls it “Perfectly crafted, expertly cast and beautifully scripted … I doubt there has ever been more brought by a cast, crew and writer to Agatha Christie. It is the most gorgeous gift to the viewer.”

The two-episode series stars Sex and the City’s Kim Cattrall along with Toby Jones and Andrea Riseborough.

We may see yet another version. Ben Affleck is planning his own adaptation according to Variety, and “will produce with Matt Damon, Jennifer Todd and the Agatha Christie estate.” Of course, he may bow to fan press to do the next Batman movie first.

It was famously adapted into the 1957 film directed by Billy Wilder, starring Tyrone Power and Marlene Dietrich. That production eared six Oscar nominations.

There is no tie-in, but the book is still in print, published by HarperCollins (HarperAudio; OverDrive Sample).

I Am Not Your Negro is a documentary based on James Baldwin’s unfinished manuscript Remember This House, which reflects on the lives and assassinations of Medgar Evers, Malcolm X, and Martin Luther King, Jr. Samuel L. Jackson narrates.

The film is nominated for an Oscar in the Best Documentary category and opens on Feb. 3.

Entertainment Weekly gave it an A-, writing “it’s impossible not to think: The more things change, the more they stay the same. It’s enough to make you weep.” The New Yorker says it is “incisive” and Variety calls it “transcendent.”

There is a companion book: I Am Not Your Negro: A Companion Edition to the Documentary Film Directed by Raoul Peck, James Baldwin, Raoul Peck (PRH/Vintage; OverDrive Sample).

The fourth in the Ring horror franchise, Rings, premieres on Feb. 3.

The first US version of the story, about a cursed videotape, debuted in 2002. The series is based on the Japanese horror novel Ring by Koji Suzuki, originally published in 1991.

This new version stars Vincent D’Onofrio, Laura Wiggins, and Aimee Teegarden.

There is a tie-in edition: RINGS, Koji Suzuki (PRH/Vertical).

It had seemed that Outlander season 3 would air in February but that now looks unlikely and a premiere date has yet to be announced.

The show just won four People’s Choice Awards, for Favorite TV Show, Favorite Premium Sci-Fi/Fantasy Series, and Favorite Sci-Fi/Fantasy TV Actor and Actress.

We do know season three will be based on Voyager (PRH/Delacorte; OverDrive Sample), the third book in Diana Gabaldon’s long-running series. TV Guide has an article on what to expect and Movie Pilot offers a catch-up. Entertainment Weekly offers a first look, with Brianna as a baby.

The holds leader for the week, Lisa Gardner’s Right Behind You, (PRH/Dutton; RH Large Print; Brilliance Audio; OverDrive Sample) marks the return, a welcome one, according to both PW and Booklist, of series characters last featured in 2008’s Say Goodbye.

Each week seems to bring a new Gone Girl/Girl on the Train contender. This week’s candidate is My Husband’s Wife, a debut by Jane Corry (PRH/Pamela Dorman; BOT; Thorndike; OverDrive Sample).

A best seller in the UK, it is showing high holds ratios in advance of its release here.  Parade Magazine features it this week,  predicting, “If you loved Gone Girl and The Talented Mr. Ripley, you’ll love My Husband’s Wife …It’s got every thriller’s trifecta: love, marriage and murder.” It received strong reviews from Booklist and PW, but Kirkus panned it. Note that holds are heavier, on another contender,  The Girl Before by JP Delaney (PRH/Ballantine; RH Audio/BOT; OverDrive Sample), as we wrote last week.

The titles highlighted in this column, and several other notable titles arriving next week, are listed with ordering information and alternate formats, on our downloadable spreadsheet, EarlyWord New Title Radar, Week of Jan 30,2017

Media Attention

Rest in Power: The Enduring Life of Trayvon Martin, Sybrina Fulton, Tracy Martin,  (PRH/Spiegel & Grau; Random House/BOT Audio; OverDrive Sample)

The parents of 17 year-old Trayvon Martin, an African American high school student who was shot and killed by a neighborhood watch volunteer in Florida in 2012, an incident that helped spur the Black Lives Matter movement, will appear on several shows this week.

USA Today –  video interview, today
ABC Nightline – 1/27
ABC The View  – 1/30
Comedy Central Daily Show w/ Trevor Noah – 1/30
ABC Good Morning America – 1/31

I Don’t Belong to You: Quiet the Noise and Find Your Voice, Keke Palmer (S&S; S&S Audio; OverDrive Sample)

Actress (Scream Queens) and singer Palmer offers advice to young women. She is scheduled for appearances on the following shows

NBC Today Show — 1/31
ABC The View — 1/31
Fox Wendy Williams — 2/1
NBC Harry — 2/1

Peer Picks

One LibraryReads selection comes out this week, Behind Her Eyes: A suspenseful psychological thriller, Sarah Pinborough (Macmillan/Flatiron Books; Macmillan Audio; OverDrive Sample).

“Louise meets a charming man in a bar and is smitten. The attraction is mutual, but David confesses he is married. They go their separate ways…until the next morning when Louise goes to work and realizes that the new psychiatrist who has been hired by the practice is David. Adele, David’s wife, is struggling to keep their marriage alive, but David has tired of her lies. A friendship begins between Adele and Louise. David and Louise are still attracted to each other and the triangle is complete. This is not your average thriller. It is absolutely riveting!” — Mary Vernau, Tyler Public Library, Tyler, TX

Additional Buzz: The Guardian includes it in a recent thrillers round up review, leading with a description of the author as a woman “prepared to move decisively beyond the parameters of the possible – but who somehow disable[s] our scepticism.” The paper continues, calling the book a “lively … Hitchcockian thriller.” The Stylist includes it on their list of the “Best New Books for 2017,” pointing out its most used hashtag is #WTFthatending. It is also an Indie Next February selection and a GalleyChat pick.

One additional Indie Next title arrives this week, 4 3 2 1, Paul Auster (Macmillan/Henry Holt; Macmillan Audio).

“I celebrate whenever there’s something new by Paul Auster. I wasn’t prepared, though, for just how moved, awed, and astonished I found myself while immersed in his inventive and grand novel 4 3 2 1. About a life lived fully, about possibility in love and finding a path to take that’s the right one, this is a large novel in all respects, but, most importantly, in spirit. In its writing, Paul Auster has created nothing short of a masterpiece.” —Mitchell Kaplan, Books & Books, Coral Gables, FL

Additional Buzz: The Guardian offers a review and interview. It is on BuzzFeed‘s list of “27 Brilliant New Books You Need To Read This Winter” and on The Millions “Most Anticipated” list. It is one of the five books LitHub say is “making news this week.” They write “Critics are intrigued, occasionally baffled.” Two examples of those reactions: The Washington Post calls it “a multitiered examination of the implications of fate” and says “what’s compelling always is its sense that the most important time exists within us, the time of memory and imagination, out of which identity is forged.” New York Magazine is not impressed, saying of the 900 page novel, “what really defeats Auster in 4321 is his decision to write against his strengths. His B-movie plots and narrative sleights of hand thrive on elision, and this book is overstuffed. The one thing he always seemed to know was the power of brevity.”

Tie-ins

Disney’s live-action version of Beauty and the Beast opens in theaters on March 17. The film stars Emma Watson as Belle, Luke Evans as Gaston, and Downton Abbey‘s Dan Stevens as the Beast. Ewan McGregor is Lumiere and Emma Thompson plays Mrs. Potts.

Variety reports the film is getting lots of buzz and Forbes predicts it will be one of the “three biggest domestic grossers of the year.”

Arriving this week are six tie-ins:

Beauty and the Beast Novelization, Disney Writers (Hachette/Disney Press)

Tale as Old as Time: The Art and Making of Disney Beauty and the Beast (Updated Edition): Inside Stories from the Animated Classic to the New Live-action Film, Charles Solomon (Hachette/Disney Editions)

World of Reading: Beauty and the Beast Something More: Level 2, Eric Geron, illustrated by the Disney Book Group (Hachette/Disney Press)

Beauty and the Beast Read-Along Storybook and CD, Disney Book Group, illustrated by the Disney Storybook Art Team (Hachette/Disney Press)

Beauty and the Beast: Lost in a Book, Jennifer Donnelly (Hachette/Disney Press)

Beauty and the Beast: Belle’s Library: A collection of literary quotes and inspirational musings, Brittany Rubiano, illustrated by Jenna Huerta (Hachette/Disney Press)

The live-action version of the Archie comics, Riverdale, premiered last night on the CW.

In their rave review of the first four episodes, Den of Geek! calls the show “highly addictive” and writes “Yes, this is a show that mixes sex and murder and noir with Archie, but it does so in a way that is self-aware and instantly ready to shatter expectations … And you know what? It is magnificent.”

The tie-in comes out at the end of the month: Road to Riverdale, Mark Waid, Chip Zdarsky, Adam Hughes, Marguerite Bennett (PRH/Random House; OverDrive Sample).

Debuting in theaters on March 31 is The Ghost in the Shell, a SF film based on Masamune Shirow’s manga series of the same name, which Movie Pilot calls “a pioneer of cyberpunk.” Over a decade ago, it was adapted as an animated version, which IndieWire reports will run in a limited release this February.

The live-action adaptation stars Scarlett Johansson, Pilou Asbæk, Takeshi Kitano, Juliette Binoche, and Michael Pitt. It is already getting criticized for whitewashing, and TasteofCinema wonders if it will succeed.

The tie-in comes out on Jan 31: The Ghost in the Shell 1 Movie Tie-In Edition, Shirow Masamune (PRH/Kodansha Comics).

For our full list of upcoming adaptations, download our Books to Movies and TV and link to our listing of tie-ins.

Daphne du Maurier’s moody Gothic romances have been adapted by many directors. Alfred Hicthock was a particular fan, basing two of his movies on her novels Rebecca and Jamaica Inn and a third, The Birds on one of her short stories.

One that escaped him was 1951’s My Cousin Rachel (republished in 2009 by Sourcebooks Landmark; Hachette Audio; OverDrive Sample). Adapted as a film in 1954, it starred Olivia de Havilland and Richard Burton, winning him a Golden Globe award as “Most Promising Newcomer, Male.” 

The international trailer for a new adaptation, set to debut on July 14, has just been released.

Director Robert Michell (Notting Hill) tells The Telegraph that his version, starring Rachel Weisz (The Mummy) and Sam Claflin (Hunger Games), will be “detailed, dark, sexy, cinematic and full of surprises.” 

Variety summarizes the Cornwall-set story as that “of a young Englishman who plots revenge against his mysterious, beautiful cousin, believing that she murdered his guardian. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.” As Slate notes, the sex between cousins angle was toned down for 1950’s sensibilities. It seems that will not be an issue this time around.

Several NYT best seller list are no longer being updated. With little advance notice, the NYT announced that it is eliminating “a number of their print and online bestseller lists,” starting with this week’s lists, dated Feb. 5.

PW reports the lists for “graphic novels and manga, as well as the lists for mass market paperbacks, middle-grade e-books, teen e-books have been eliminated.” Entertainment Weekly says those books will be eligible for the remaining fiction lists.

The comic world is outraged. Eric Reynolds, an editor at Fantagraphics Books, told the New York Magazine “Good comics have forever had to scratch and claw for legitimacy and resist marginalization, and this feels like a step backwards.”

A spokesperson for the NYT told New York magazine that “The discontinued lists did not reach or resonate with many readers … This change allows us to expand our coverage of these books in ways that we think will better serve readers and attract new audiences to the genres … [the change] allows us to devote more space and resources to our coverage beyond the best-seller lists.”

“Comics need to be measured against themselves, not the larger whole of books,” Charles Kochman, editorial director of Abrams ComicArts, the graphic novel imprint of Abrams, told PW.

The comics site The Beat reports that the decision came from New York Times Book Review editor Pamela Paul, who took to Twitter to say, across three tweets:

“Quick note to fellow comics/graphic novel fans: The Times is not cutting back on coverage of these genres/formats but rather expanding on coverage in ways that reach more readers than the lists did. To wit: new graphic reviews by comic artists, more reviews and more news and features about then [sic] genre and it’s [sic] creators. We are big fans, and want to recognize growing readership. Stay tuned.”

On the mass market side, PW quotes Steven Zacharius, CEO of Kensington Publishing, saying cuts were “enormously troubling … [it] effects sales, and not having this list will hurt authors tremendously.”

Click here for the NYT‘s full statement.

After a flirtation with the big screen, Justin Cronin’s post-apocalyptic horror/fantasy trilogy is now headed to the small screen via a pilot order by Fox for a possible 10-episode series adaptation.

Liz Heldens (Friday Night Lights) will write the pilot and Matt Reeves (Cloverfield) will direct. Cronin is on board as a co-producer.

Deadline Hollywood reports “The Passage‘s road to the screen started in 2007 when, in a fierce bidding situation … Fox 2000 landed the first book — then half-written — for $1.75 million … Originally developed as a feature, the producers eventually determined that the property would be better served as a TV series.”

Scott Free Productions is behind the series. Founded by Ridley Scott (Blade Runner, The Martian) and his brother Tony Scott (Top Gun), the production company is no stranger to high concept adaptations. They are the team responsible for The Man in the High Castle based on Philip K. Dick’s classic 1954 SF title and AMC’s upcoming The Terror, based on Dan Simmons’s historical horror novel.

The trilogy consists of:

The Passage (PRH/Ballantine, 2010; RH Audio/BOT; OverDrive Sample)

The Twelve (PRH/Ballantine, 2012; RH Audio/BOT; OverDrive Sample)

The City of Mirrors (PRH/Ballantine, 2016; RH Audio/BOT; OverDrive Sample)

Netflix’s new series 13 Reasons Why will premiere on March 31. Singer/actress Selena Gomez, an executive producer for the show, posted a clip on Instagram Thursday, which quickly took off. It is now the #1 trending video on YouTube:

Paste says the clip “gives off Gone Girl vibes.”

The series is based on Jay Asher’s 2007 YA novel TH1RTEEN R3ASONS WHY, (Penguin/RazorBill; Listening Library; OverDrive Sample), about a high school student who commits suicide and leaves behind several tapes, telling classmates how each contributed to her decision. The novel is a YALSA Best Books of 2008, and was a NYT best seller in hardcover for over two years.

It stars a relatively unknown cast, including Katherine Langford, Christian Navarro. and Michael Sadler. Oscar Winner Tom McCarthy (Spotlight) directs. Tony and Pulitzer Prize Winner Brian Yorkey (Next to Normal) wrote the script.

A tie-in comes out in March:

13 Reasons Why, Jay Asher
Razorbill (Penguin Publishing Group)
On Sale Date: March 7, 2017
ISBN 9780451478290, 0451478290
Trade Paperback | 336 pages 
$10.99 USD, $14.99 CAD

The author of a true-life espionage tale about the murder of Alexander Litvinenko, a Russian secret service officer and enemy of Putin, Luke Harding was the guest on NPR’s Fresh Air yesterday. He discussed his book on the subject, A Very Expensive Poison: The Assassination of Alexander Litvinenko and Putin’s War with the West (PRH/Vintage; RH Audio; OverDrive Sample).

Due to his reporting on the murder while he was the Moscow bureau chief for The Guardian, Harding was expelled from Russia.

He has also written about Edward Snowden (The Snowden Files) and Julian Assange (WikiLeaks: Inside Julian Assange’s War on Secrecy). Both books were sources for films, Snowden, directed by Oliver Stone, and The Fifth Estate starring Benedict Cumberbatch as Assange.

The book is rising on Amazon’s sales rankings today, skyrocketing from #116,292 to just outside the top 100. Libraries have been slow to order, or have bought in low numbers, perhaps due to a lack of pre-pub reviews.

The full interview also addresses possible Russian hacking of the US Presidential election, fake news, and Putin’s end game.

UPDATE: Another older title experiencing a sudden boost is Margaret Atwood’s The Handmaid’s Tale (Houghton Mifflin, 1985). As the NYT reports, several signs spotted at the recent Women’s Marches made reference to the book. In addition, producers of the upcoming Hulu TV adaptation, which debuts April 26 starring Elizabeth Moss, say it  intentionally parallels the current political atmosphere.

George Orwell’s 1949 classic dystopian novel, 1984 (PRH/Berkley; Blackstone Audio; PRH/Signet mass market) is making headlines and is the bestselling book on Amazon.

Its popularity has brought a 75,000 copy reprint from Penguin USA, and a possible additional printing.

The NYT reports that demand for the novel rose on Sunday, after Trump advisor Kellyanne Conway, used the phrase “alternative facts” during a contentious interview on Meet the Press about White House press secretary Sean Spicer’s first press briefing.

Entertainment Weekly reports “The connection between ‘alternative facts’ and Orwell’s dystopian novel was made on CNN’s Reliable Sources, where Washington Post reporter Karen Tumulty said, “Alternative facts is a George Orwell phrase.’ ”

The Guardian writes that readers and reporters were quick to make comparisons to the novel’s “fictional language that aims at eliminating personal thought.”

Outside of the United States interest is strong for the novel as well. The NYT reports that this January “sales have risen by 20 percent in Britain and Australia compared to the same period a year ago.”

As we posted earlier, 1984 is not the only classic getting increased attention since the election. Sinclair Lewis’s 1935 novel, It Can’t Happen Here (PRH/Signet; Blackstone Audio; OverDrive Sample), is also selling well, both in the US and the UK. Penguin re-printed it in Britain last Friday for the first time since its original publication date and adds that they are “already on to our third printing.”

The NYT published a new essay on Lewis’s novel, which Jon Meacham also mentioned in his newly launched book essay series for the paper,”The Long View.”

Other dark political classics doing well on Amazon include Aldous Huxley’s Brave New World (HC/Harper Perennial; Blackstone Audio; OverDrive Sample), Ray Bradbury’s Fahrenheit 451 (S&S; Tantor; OverDrive Sample), and Orwell’s Animal Farm (PRH/Berkley; Blackstone Audio).

An Inconvenient Sequel: Truth to Power, the follow-up to Al Gore’s Oscar-winning An Inconvenient Truth, got a standing ovation at Sundance when it opened the festival last week.

Variety says the film depicts the “dire consequences of a warming earth — from flooding in Miami and the Philippines, to the worst drought on record in Syria, bringing human suffering there that predated the ongoing civil war, to air pollution so bad in some parts of China that life expectancy has declined by six years.”

Critical reaction to the screening is mostly positive. Slashfilm says “If An Inconvenient Truth was an eye-opening disaster movie, then An Inconvenient Sequel: Truth To Power is the heartbreaking post-apocalyptic follow-up … You can sense Al Gore’s frustration, and he is certainly angrier this time around, but still as passionate as he ever has been.” The Hollywood Reporter adds “this fine film is a match for the first.”

Several critics found it tedious, however. The Guardian writes it is “desultory and surprisingly vainglorious.”

A companion book will be published in May, An Inconvenient Sequel: Truth to Power, Al Gore (Macmillan/Rodale Books).

The documentary will open in theaters on July 28, 2017.