Called by Laura Miller of Slate part of “a new and still fairly accidental genre: the on-the-ground Trump explainer,” Glass House: The 1% Economy and the Shattering of the All-American Town by Brian Alexander (Macmillan/St. Martin’s Press; OverDrive Sample) jumped into the top 100 on Amazon’s sales rankings today.  

Yesterday, Alexander was interviewed on NPR’s Fresh Air about his book on Lancaster, Ohio and the Anchor Hocking glass factory which powered the city through the 40s, 50s, and 60s. He explains that the wives of the company’s executives “threw themselves into the town … they made sure the sidewalks got repaired, the streets got paved, they attended city council meetings. This was a core of civic leadership.”

Then, in the 1980s, Carl Icahn began a highly profitable move to extract money from the company. As a result, details Alexander, it eventually suffered a hostile takeover. The first thing the new owners did was “fire all of the executives and close down the headquarters … So you’ve taken away the executives, you’ve taken away their wives, their families. … [It was] devastating for the town.”

Miller calls the book part of a genre of nonfiction “illuminating the desperation driving white small-town Americans, as told by a native son. The vanguard title in this pack is J.D. Vance’s surprise success Hillbilly Elegy.”

Glass House she says “is less personal, less tortured, a work of journalism far more willing to indict … This book hunts bigger game … [it] reads like an odd—and oddly satisfying—fusion of George Packer’s The Unwinding and one of Michael Lewis’ real-life financial thrillers.”

The debut novel by acclaimed short story writer George Saunders,  Lincoln in the Bardo (PRH/RH; RH Audio/BOT; Overdrive Sample), is rising on Amazon in advance of its release next week.

It has enjoyed an enviable range of critical coverage, including the cover of in the upcoming NYT Book Review written by Colson Whitehead. He says:

“It’s a very pleasing thing to watch a writer you have enjoyed for years reach an even higher level of achievement … George Saunders pulled that off with The Tenth Of December, his 2013 book of short stories. How gratifying and unexpected that he has repeated the feat with Lincoln in the Bardo, his first novel and a luminous feat of generosity and humanism.’’

The novel centers around the death of President Lincoln’s 11 year-old son Willie, who is laid to rest in a crypt in a DC graveyard populated by a number of people in a kind of limbo, including the President himself. Whitehead explains “The bardo of the title is a transitional state in Buddhism, where consciousness resides between death and the next life.”

Michiko Kakutani, in a NYT daily review published today, says the novel is like:

“a weird folk art diorama of a cemetery come to life. Picture, as a backdrop, one of those primitively drawn 19th-century mourning paintings with rickety white gravestones and age-worn monuments standing under the faded green canopy of a couple of delicately sketched trees. Add a tall, sad mourner, grieving over his recently deceased son. And then, to make things stranger, populate the rest of the scene with some Edward Gorey-style ghosts, skittering across the landscape — at once menacing, comical and slightly tongue-in-cheek.”

Critics compare it to multi-voiced works such as Edgar Lee Masters’s Spoon River Anthology, Thornton Wilder’s Our Town, and Sherwood Anderson’s Winesburg, Ohio. New York magazine, however, says that “polyphonic approach can be dizzying … it can be hard to follow and tricky to keep in your head” and calls the book “very, very weird” with a “premise loaded with pathos but thin on dramatic tension.”

In his ultimately positive review, Washington Post critic Ron Charles says it is “a strikingly original production, a divisively odd book bound either to dazzle or alienate readers … an extended national ghost story, an erratically funny and piteous seance of grief … [it] confounds our expectations of what a novel should look and sound like.”

Expect more to come. Already Zadie Smith has called it a “masterpiece” in a “By the Book” column in the NYT and the WSJ provides a mix of review and interview.

For such a heavily anticipated novel, libraries have ordered surprisingly few copies and are showing 1:1 holds. Those that ordered very few copies are showing ratios as high as 11:1.

Jason Rekulak is in the news for his novel The Impossible Fortress (Simon & Schuster; S&S Audio), an Indie Next pick and one of Entertainment Weekly‘s “23 Most Anticipated Books of 2017,” inviting readers to “Revel in 1987 nostalgia in this debut about a teen boy, a coveted copy of Playboy and a computer-nerd girl.”

However, it is not exactly a debut, as the NYT points out in a profile. Rekulak, the publisher of Quirk Books has written several other books, but rarely puts his real name on their covers. Moreover, he gives away some of his best ideas to others, as he did with Pride and Prejudice and Zombies, hiring a then unknown Seth Grahame-Smith for the actual writing, “for a $5,000 advance.” The book has sold over 1.8 million copies.

“I get credited with creating the mash-up, but it was Jason’s idea,” Grahame-Smith told the paper. “It was at once the best and dumbest idea I’ve ever heard in my life, and it came from Jason’s brain.”

Rekulak is also the force behind Grady Hendrix’s Horrorstör and “has nurtured fledgling writers who turned into breakout stars, including Ben H. Winters [Underground Airlines] and Ransom Riggs.”

The profile offers more details about the life of an independent publisher, including that he keeps a file of ideas that might be worth doing, labeled “unicorns.”

Donald Trump may have read fewer books than he has written, but, as we’ve noted before, his administration is having an effect on book sales.  Frederick Douglass’s autobiography got a boost after Trump lauded him this week (although, based on his comments, some question if he has a firm handle on who Douglass was). The number of titles is growing so rapidly that Lit Hub has begun a running list, which includes the Constitution. 

Trump is not the only one in the administration having an effect on sales. As we noted earlier, a NYT report that Trump senior advisor Bannon assigned David Halberstam’s The Best and the Brightest to everyone in the cabinet because it shows “how little mistakes early on can lead to big ones later,” caused that book to rise on Amazon’s sales rankings.

There’s no word on whether Trump is reading it.

This week, Dan Stevens returns to TV in Legion, a show set in a world very different from Downton Abbey.

He stars in the next iteration of Marvel’s X-men and plays, reports the NYT, “the son of Professor X and a powerful mutant with a multiple-personality disorder.”

Noah Hawley, creator of the TV series Fargo and author of the best seller Before the Fall, (Hachette/Grand Central; OverDrive Sample), directs the FX series which he says tells “a more existential story — what is it really like to have these abilities?” Producer Lauren Shuler Donner says she wanted this version of X-men to “be very, very different … There’s no way that anybody would watch Legion and go, ‘Ugh, I saw that already.’”

The NYT says fans of the superhero movies should instead expect something more like Twin Peaks or Hannibal, with “a heightened, dreamlike aesthetic … [and] a more abstract, elusive approach to storytelling … [the series is] about memory, identity and perception.”

It is getting solid reviews. Variety writes it “is not timid. It offers a jittery take on many of the genre’s familiar themes, and it hurls them together with such boldness that the entire concoction ends up carrying quite a kick … it won’t be for everyone, but those who are pulled into the surreal, jagged orbit of this distinctive drama are likely to stay there for the full eight-episode run. It is, literally and figuratively, a trip — and it’s often an exhilarating one.”

Collider says it is “A Stunning, Challenging, Fantastically Human Journey” and ComicBookMovie writes “FX May Have A Massive Hit On Its Hands.”

This is only the start of X-Men on TV. The NYT‘s says “The Fox network has already ordered its own series pilot set in the world of X-Men’s mutants (written by Matt Nix, the creator of Burn Notice, and directed by Bryan Singer), and Marvel hopes to create more shows for FX.”

The premiere episode debuts Feb. 8. There is no tie-in.

The second film in the expected trilogy adapting E.L. James’s novels arrives, like the first in the series, close to Valantine’s Day, Feb. 10.

Dakota Johnson and Jamie Dornan reprise their roles as Anastasia Steele and Christian Grey. Kim Basinger and Bella Heathcote join the cast as Grey’s ex-lovers.

There is a tie-in: Fifty Shades Darker (Movie Tie-in Edition): Book Two of the Fifty Shades Trilogy, EL James (PRH/Vintage; RH Audio; OverDrive Sample) also in Spanish Cincuenta sombras más oscuras (Movie Tie-In): Fifty Shades Darker MTI – Spanish-language edition, E L James (PRH/Vintage Espanol).

James has also promised a re-telling of Fifty Shades Darker from Christian’s perspective, following her re-vamp of Fifty Shades of Grey with the same twist. No date yet for its release.

Lord of the Rings director Peter Jackson has announced the first cast members for his next adaptation, based on Philip Reeve’s dystopian book series that begins with Mortal Engines (Scholastic; OverDrive Sample). Robert Sheehan (Fortitude) is set to star writes Variety  with Ronan Raftery (Fantastic Beasts and Where to Find Them, The Terror) in a supporting role. It is scheduled to open on Dec. 14, 2018.

Mortal Engines was published in 2003 and became an ALA Notable Children’s Book, an SLJ‘s best book as well as a YALSA Best Book for Young Adults.

The series features cities on caterpillar tracks that move about in search of other cities to attack in a quest for a dwindling amount of resources caused by a devastating global war. Two orphans finds themselves lost in this wasteland and are hunted by a cyborg.

In their starred review, PW wrote “Like the moving cities it depicts, Reeve’s debut novel is a staggering feat of engineering, a brilliant construction that offers new wonders at every turn.”

A stage adaptation of 1984, George Orwell’s famous vision of a dystopian future, is heading to Broadway.

The production team behind Harry Potter and the Cursed Child will open the play on June 22 in NYC, reports Variety. It is based on Robert Icke and Duncan Macmillan’s London production, which was a hit there in 2014.

Of the London run, the NYT wrote it was “willfully assaultive … Doublethink, a key notion in the Newspeak vocabulary that Orwell invented for 1984, spirals into quadruplethink and beyond.”

According to the paper it has already been staged in US theaters in California, Massachusetts, and Washington DC.

The story is being picked up widely, from the Rolling Stone to Paste.

New York Magazine says “Big Brother is arriving from overseas … from the land of Brexit to the land of Trump” and reports “it will arrive in New York with its London creative team intact, adding a new American cast of party members and proles.”

As we have noted, interest is booming for dystopian stories, which Paste recognizes in their headline, “1984 Comes to Broadway—With Excellent Timing.”

Below are samples from the London production:

There’s a new girl in town. Landing at #5 on the NYT‘s hardcover fiction list is JP Delaney’s psychological thriller, The Girl Before (PRH/Ballantine; RH Audio/BOT; OverDrive Sample).

Interviewed in the NYT‘s “Behind the Best Sellers” column, Delaney connects his novel to a nonfiction sensation, saying “he wanted to explore the ‘weird and deeply obsessive’ psychology of minimalism, evident in the fad for [Marie] Kondo” author of The Life-Changing Magic of Tidying Up.

“On the face of it,” he tells the paper, it “is baffling — all that focus on folding and possessions. But I think it speaks to something that runs deep in all of us: the desire to live a more perfect, beautiful life, and the belief that a method, or a place, or even a diet, is going to help us achieve that …But my book is about what happens when people follow it too far. As one of my characters says, you can tidy all you like, but you can’t run away from the mess in your own head.”

The book is cleaning up in libraries, showing heavy holds that have increased over the last several weeks. Demand is likely to grow stronger as word spreads about its appearance on lists. It is currently #15 on the USA Today list.

Librarians predicted the book’s success. It is the #1 LibraryReads pick for January 2017 with the following annotation:

“A page turner that is sure to be a hit. Each chapter alternates between two time periods. Back “then,” there is Emma, looking for the perfect flat. Her agent suggests One Folgate Street, built by architect Edward Monkford. In present day, Jane, a single thirty-something also ends up on Folgate Street. Both women learn the sinister history of the property and readers won’t know who to trust as Delaney’s debut clutches you by the throat and won’t let you go.” — Kara Kohn, Plainfield Public Library District, Plainfield, IL

It was a hit with our GalleyChatters as well. Jennifer Winberry, Hunterdon County Library (NJ) described it as “a high speed ride through a tale of obsessions with twists and turns that don’t stop until after the final page is turned.”

Book enthusiast Reese Witherspoon, behind several successful adult book adaptations, including Gone Girl, Wild, and the upcoming HBO series Big Little Lies, has turned her sights to a middle-grade novel. Her production team has acquired the rights to the National Book Award finalist The Thing About Jellyfish, (Hachette/Little, Brown Books for Young Readers).

Another actress/producer Gina Rodriguez is developing the Pura Belpré Award winner, Yaqui Delgado Wants To Kick Your Ass  by Meg Medina, (Candlewick, 2016) as a TV series. Deadline reports that the project has just been acquired by the streaming service Hulu.

From Saturday Night Live‘s opening skit last night, where he is portrayed as the Grim Reaper, to the cover of Time magazine, where he is called “The Great Manipulator,” Trump’s chief strategist Stephen K. Bannon has been all over the media.

He also happens to be behind the current rise of a book on Amazon sales rankings, The Best and the Brightest, David Halberstam’s 1972 examination, republished by PRH/Ballantine in 1993, of how, despite having some of the best minds in the country in the cabinet, the Kennedy administration got the country into the Vietnam War.

In a story in the NYT today, sports reporter Marc Tracy writes that, shortly after Christmas, he spotted Bannon carrying the book in an airport and asked if he was reading it. He replied that he’d assigned it to “everyone” on the transition team and that “It’s great for seeing how little mistakes early on can lead to big ones later.”

As Tracy concludes, it’s difficult to know if Bannon puts his latest moves into the category of “little mistakes.”

The week brings a dozen titles that are favorites among librarians and booksellers (see Peer Picks, below), including one that arrives to hefty holds lists, Sophie Kinsella’a My Not So Perfect Life, (PRH/Dial; BOT Audio;OverDrive Sample). The holds leader however is the 44th in J D Robb’s “In Death” series, Echoes in Death (Macmillan/St. Martin’s; OverDrive Sample). PW notes that Robb “is not only prolific but consistently inventive, entertaining, and clever in her crime series set in a near-future New York City.”

The titles covered in this post, as well as several other notable titles arriving next week, are listed with ordering information and alternate formats, on our downloadable spreadsheet, EarlyWord New Title Radar, Week of Feb. 6, 2017.

Media Magnets

This Close to Happy: A Reckoning with Depression, Daphne Merkin,(Macmillan/FSG; Blackstone Audio; OverDrive Sample).

Interviewed on NPR’s Weekend Edition Saturday, Merkin, described as “a productive and admired professional, a writer and critic for the New Yorker and the New York Times Magazine, a novelist and essayist,” has nevertheless struggled with depression all her life. Her memoir is reviewed on the cover of this week’s NYT BR by Andrew Solomon, a clinical psychologist acclaimed for his own memoir of depression, The Noonday Demon. Denotes that Merkin writes this “long-awaited chronicle of her own consuming despair” with “insight, grace and excruciating clarity, in exquisite and sometimes darkly humorous prose,”adding that “Merkin is unlikely to cheer you up, but if your misery loves company, you will find no better companion.”

Make Your Kid A Money Genius (Even If You’re Not): A Parents’ Guide for Kids 3 to 23, Beth Kobliner, (S&S; S&S Audio; OverDrive Sample)

Giving voice to the implied hope of the title is the New York Post’s story headlined, “Your child is an untapped gold mine.” The author is scheduled to be interviewed next week on Fox Business Mornings with Maria and on NPR’s Here & Now.

Black Edge: Inside Information, Dirty Money, and the Quest to Bring Down the Most Wanted Man on Wall Street, Shellac Kolhatkar (PRH/Random House)

The stories of underhanded hedge fund dealings are depressingly endless but, like Tolstoy’s unhappy families, each is fascinating in its own way. This week’s NYT Book Review says this one “is many things: a Wall Street primer; a procedural drama; a modern version of Moby-Dick, with wiretaps rather than harpoons.” The author is scheduled for an interview on NPR’s Fresh Air on Tuesday.

Peer Picks

There’s a dozen titles to take special note of this week. Four of them are LibraryReads:

Garden of Lamentations, Deborah Crombie (HC/William Morrow; HarperAudio).

“Picking up where To Dwell In Darkness left off, Crombie’s new mystery resolves unresolved issues from that book while telling a compelling new story. Gemma is investigating the puzzling death of a nanny while Duncan is dealing with what looks disturbingly like corruption in the police force. As always in Crombie’s novels the look we get at the domestic lives of Duncan, Gemma and their children is as interesting as the mystery. Another fine entry in this excellent series.” — Beth Mills, New Rochelle Public Library, New Rochelle, NY

Additional Buzz: The StarTribune counts it among their “7 mysteries to chill your soul on a wintry night,” writing “The tricky balance of the personal and the professional has always been one of the stellar aspects of  Deborah Crombie’s exceptional series … The novel’s title suggests sorrow, deep and debilitating, the kind of grief that chokes. It also alludes to Gethsemane and all that garden implies — betrayal, sacrifice and forgiveness. It’s all here.”

Norse Mythology, Neil Gaiman (W. W. Norton; HarperAudio).

“After reading Gaiman’s account of Norse mythology, I doubt that I will ever forget how the gods of Asgard acquired their treasures. Thor’s hammer that never misses its mark, Frey’s incredible ship that shrinks to the size of a pocketable silk scarf, Odin’s powerful spear, all came to be because of Loki’s mischief. Above all, I will not forget the ill-gotten and ill-treated children of Loki who bring about Ragnarok, the end of earth and heaven and the death of the gods. Everything feels very real and very now when told by someone who has obviously drunk of the ‘mead of the poets.’” — Catherine Stanton, Madison Library District, Rexburg, IL

Additional Buzz: Nobody sells Gaiman’s enthusiasms better than Gaiman himself, as he illustrates in the book trailer below.  The NYT offers a very early feature in which he says “Those Norse tales have accompanied me through pretty much everything I’ve done.” 

My Not So Perfect Life, Sophie Kinsella (PRH/Dial; RH Audio/BOT; OverDrive Sample).

“Katie Brenner has moved from her family’s farm to the big city. She goes to great lengths to present the face that she thinks the world wants to see. When she’s fired from her job and forced to return home she helps her family get their new venture up and running. Learning the truth about herself and those around her leads to the realization that nobody’s life is as perfect as it seems from the outside. Kinsella never loses her sense of humor, even when her characters are facing serious situations. She makes you believe in them and leaves you wanting to know what happens next.” — Kristen Gramer, Lewes Public Library, Lewes, DE

All Our Wrong Todays, Elan Mastai (PRH/Dutton; Penguin Audio/BOT; OverDrive Sample).

“Mastai’s debut is a clever and funny time travel romp which turns into an, action-packed science fiction thriller. Tom Barren stumbles through life and accidentally ruins the glittering jetpack and flying car future of 2016, replacing it with the one you and I know. The world may be worse off, but Tom’s life is better than ever. That is, until his mind starts splitting between the two realities and he must track down the genius who invented the other future. Tom’s journey through the past, across realities, and inside his mind make for a thrilling conclusion.” — Dan Brooks, Wake County Public Libraries, Cary, NC

Additional Buzz: Entertainment Weekly picks it as one of “The 23 Most Anticipated Books of 2017.” It is also the #1 Indie Next book for February and we featured the title as part to of our EarlyReads series.

There are eight additional Indie Next titles coming out this week:

Desperation Road, Michael Farris Smith (Hachette/Lee Boudreaux Books; Blackstone Audio; OverDrive Sample).

“Russell, just released from an 11-year prison sentence, finds anger and revenge waiting for him on the outside. Maben, homeless, broken, and walking along the interstate in the blazing Mississippi heat toward McComb, is forced to make a decision that puts her and her young daughter on the run from the police. In a desperate moment of chance or fate, Russell and Maben’s paths cross, their shared past is revealed, and Russell is left to make the ultimate choice. Smith’s novel is mesmerizing from its opening pages; you will have to pace yourself while reading it to fully enjoy and appreciate the pitch-perfect language and descriptions that can only come from one who has a masterful command of storytelling.” —Matt Kelly, Lemuria Bookstore, Jackson, MS

A Separation, Katie Kitamura (PRH/Riverhead Books; Penguin Audio/BOT; OverDrive Sample).

“We all have a secret self, parts of our personalities that are unknowable, even to the people closest to us. In A Separation, Kitamura stays largely inside the narrator’s head, musing on a great many things: the muddled truth that can exist between married couples, the precise pain of infidelity, the myriad tiny betrayals we commit every day. Her prose is perfect, spare and beautiful, and her observations are spot-on. Some of her sentences were so good they startled me out of the story, which might sound like a bad thing, but it really isn’t. It just meant I spent a little longer with this book, my mind wandering like the narrator’s.” —Lauren Peugh, Changing Hands Bookstore, Tempe, AZ

Additional Buzz: Entertainment Weekly picks it as one of “The 23 Most Anticipated Books of 2017.”

The Lonely Hearts Hotel, Heather O’Neill (PRH/Riverhead Books; Penguin Audio/BOT; OverDrive Sample).

“If there is Canadian magical realism, this is it! The Lonely Hearts Hotel is the charming story of Rose and Pierrot, two children raised in a Montreal orphanage in the early 20th century. O’Neill traces their romance from their childhood of entertaining rich people in their homes to their less salubrious post-orphanage careers. When Rose and Pierrot meet again as adults, magic happens—but can this magic survive the rigors of the real world? Fantastic and fabulous in the truest sense of both words.” —Susan Taylor, Book House of Stuyvesant Plaza, Albany, NY

The Refugees, Viet Thanh Nguyen (PGW/Grove Press; OverDrive Sample).

“This eloquent and detailed collection of aspirations and dreams tells of those torn between two worlds, the country and family left behind in trade for a distant place of hope and desires fulfilled. Each chapter is an experience of memory suffused with subtle moments that will leave you breathless.” —Shannon Alden, Literati Bookstore, Ann Arbor, MI

Additional Buzz: While the term “timely” seems overused these days, it clearly applies to this book by the winner of the Pulitzer Prize in Fiction last year for The Sympathizer. The author is scheduled to be interviewed next week on NPR’s All Things Considered as well as on Late Night with Seth Meyers. Holds are growing.

Pachinko, Min Jin Lee (Hachette/Grand Central; Hachette Audio).

“A father’s gentle nature, a mother’s sacrifice, a daughter’s trust, and a son’s determination are the cornerstones of this grand, multilayered saga. Pachinko follows one family through an ever-changing cultural landscape, from 1910 Korea to 1989 Japan. As the bonds of family are put to the test in the harsh realities of their world, Sunja and those she holds dear manage to carve themselves a place to call home with hard work, self sacrifice, and a little kimchi. Through it all is a message about love, faith, and the deep-rooted bonds of family. Min Jin Lee gives us a phenomenal story about one family’s struggle that resonates with us today. It will take hold of you and not let go!” —Jennifer Steele, Boswell Book Company, Milwaukee, WI

Additional Buzz: It is also on the Chicago Review of Books list of “The 10 Best New Books to Read This February.”

The Impossible Fortress, Jason Rekulak (Simon & Schuster; S&S Audio).

“You don’t have to remember the 1980s to deeply ‘get’ this sweet memory trip back to the decade when video games, personal computers, and mixtapes were new. But if you did come of age in the 1980s, look out. All those awkward boy/girl moments, all those songs that comprised the soundtracks of your make-out sessions and your break-ups, all the wonder of your first encounters with MS-DOS buried deep in a far corner of your memory… Jason Rekulak will bring it all back to you.” —Carol Spurling, BookPeople of Moscow, Moscow, ID

Additional Buzz: Another of Entertainment Weekly‘s “The 23 Most Anticipated Books of 2017” picks. They write “Revel in 1987 nostalgia in this debut about a teen boy, a coveted copy of Playboy and a computer-nerd girl.”

300 Arguments: Essays, Sarah Manguso (Macmillan/Graywolf Press; OverDrive Sample).

“Sarah Manguso is a master of the minimalist form. She can do more with a sentence than many authors can do with an entire book. In this collection of brief ruminations, she covers everything from sex and mortality to ambition, mental illness, writing, desire, and motherhood. These ‘arguments’ are aphoristic gems in which a seemingly random thought has hardened into a bold, cutting, crystalline truth. There is no exposition. Manguso lets these minute statements stand on their own, and the reader is left with nowhere to hide from direct engagement with a most remarkable literary mind.” —Keaton Patterson, Brazos Bookstore, Houston, TX

Additional Buzz: It is among The Millions “Most Anticipated: The Great 2017 Book Review.”

Swimming Lessons, Claire Fuller (Norton/Tin House).

“With Swimming Lessons, Claire Fuller confirms her place as a writer of exceptional insight and warmth. This tale of a marriage, of a family, and especially of children bearing the brunt of the fallout of betrayals and abandonment, pulls you in and refuses to let you emerge from the lives of its characters until the tale is finished. Even then, it takes time to shake the spell the book creates. A wonderful follow-up to Our Endless Numbered Days that explores similar themes through an entirely different story, Swimming Lessons will be a great book for fans of Fuller’s first novel and will bring her new fans as well.” —Anmiryam Budner, Main Point Books, Wayne, PA

Additional Buzz: The Guardian calls it a “poignant multilayered tale of love and loss” and BuzzFeed counts it as one of the “27 Brilliant New Books You Need To Read This Winter.” It is also on the Chicago Review of Books list of “The 10 Best New Books to Read This February.”

Tie-ins

Before I Fall Movie Tie-in Edition, Lauren Oliver (HarperCollins; HarperAudio; OverDrive Sample).

Debuting at Sundance, Before I Fall is based on Lauren Oliver’s 2010 bestselling YA novel about a teen who relives the last day of her life over and over again.

The Hollywood Reporter says “this neatly written Heathers-meets-Groundhog Day high-concept package delivers both technical polish and a toothsome yet likeable cast. Better still, it has just enough tragic edge to draw young adults, and young-at-heart adults, with melancholy temperaments, a sizeable constituency judging by the popularity of dying teen stories.”

It opens in theaters on March 3 and stars Zoey Deutch, Halston Sage, Logan Miller, Kian Lawley, Jennifer Beals, Diego Boneta, and Elena Kampouris.

Charlie and the Chocolate Factory: Broadway Tie-In, Roald Dahl, illustrated by Quentin Blake (PRH/Puffin Books; Listening Library).

 Charlie and the Chocolate Factory: The New Musical, opens on Broadway March 28 (previews, full roll out on April 23).

NYT‘s ArtsBeat blog writes that the show, which has been running in London since 2013, will be revamped for its US debut, to make it more familiar to fans of the Gene Wilder film version, including songs made famous by the movie. Two-time Tony winner Christian Borle plays Wonka.

The Zookeeper’s Wife: A War Story, Diane Ackerman (W. W. Norton; Blackstone; OverDrive Sample).

This nonfiction adaptation stars Jessica Chastain, Johan Heldenbergh, Michael McElhatton, and Daniel Brühl.

It is set in the Warsaw Zoo during WWII, and tells the heroic story of a zookeeper and his wife who harbored 300 Jews from the Nazis.

The film debuts March 31.

Big Little Lies (Movie Tie-In), Liane Moriarty (PRH/Berkley trade pbk; February 7, 2017; mass market; OverDrive Sample).

HBO’s adaptation of Liane Moriarty’s 2014 best seller, Big Little Lies, begins airing on February 19. It stars Reese Witherspoon, Nicole Kidman, Laura Dern, and Shailene Woodley.

Glamour calls it “The Mom Version of Pretty Little Liars You’ve Been Waiting For.”

Deadline Hollywood dubs it the “Murderous Moms of Monterey.”

 I Am Not Your Negro: A Companion Edition to the Documentary Film Directed by Raoul Peck, James Baldwin, Raoul Peck (PRH/Vintage; OverDrive Sample).

 A documentary based on James Baldwin’s unfinished manuscript Remember This House, I Am Not Your Negro  reflects on the lives and assassinations of Medgar Evers, Malcolm X, and Martin Luther King, Jr. Samuel L. Jackson narrates the film, which includes stunning archival footage.

Entertainment Weekly gives it an A- and Variety says “Raoul Peck’s transcendent documentary takes a kaleidoscopic journey through the life and mind of James Baldwin, whose voice speaks even more powerfully today than it did 50 years ago.”

The NYT ranks it as as one of the 10 best films of 2016, writing “In his thrilling documentary, Raoul Peck closes the divide between the personal and political through a portrait of James Baldwin. Expressively narrated by Samuel L. Jackson, the movie largely draws on Baldwin’s own writing — as well as material like his F.B.I. files — to create a portrait of a man that turns into a harrowing indictment of his country.”

The film is nominated for an Oscar in the Best Documentary category and opens on Feb. 3.

Another tie-in to a Broadway play is Jitney: A Play – Broadway Tie-In Edition, August Wilson (The Overlook Press). Part of August Wilson’s 10-play The American Century Cycle, it was the only one that had yet to be preformed on Broadway until its debut on January 19th of this year.

It is directed by Ruben Santiago-Hudson and stars Harvy Blanks, Anthony Chisholm, Brandon J. Dirden, André Holland, Carra Patterson, Michael Potts, Keith Randolph Smith, Ray Anthony Thomas, and John Douglas Thompson.

The Manhattan Theater Club offers a summary: “Set in the early 1970s, this richly textured piece follows a group of men trying to eke out a living by driving unlicensed cabs, or jitneys. When the city threatens to board up the business and the boss’ son returns from prison, tempers flare, potent secrets are revealed and the fragile threads binding these people together may come undone at last.”

The NYT raves, writing “Conversation sings and swings, bends and bounces and hits heaven smack in the clouds, in the glorious new production of August Wilson’s Jitney … words take on the shimmer of molten-gold notes from the trumpets of Louis and Miles.”

Wilson, Daniel Clowes (Macmillan/Drawn and Quarterly).

The live-action adaptation of Clowes’s 2010 graphic novel Wilson, starring Woody Harrelson, Laura Dern, and Judy Greer also premiered at Sundance. Unfortunately, it was not a hit with the critics there. Variety writes, that it “boasts some funny vignettes but fails in the crucial test of making us care much about the title character.”

It opens March 24.

For our full list of upcoming adaptations, download our Books to Movies and TV and link to our listing of tie-ins.

Macmillan’s 2017 YALSA & RUSA Award Winners

Congratulations to all of the amazing Macmillan authors who won awards or were selected for YALSA and RUSA’s various reading lists this year!

Ever alert to trends, the publishing powerhouse of James Patterson has announced the release of a YA dystopian novel on May 22, Crazy House (Hachette/Jimmy Patterson; Hachette Audio).

Announcing the book, Patterson tells Entertainment Weekly, “I promise you that [it] is even more exciting, scarier, and of course, crazier—in the best way—than anything I’ve written.”

EW has an excerpt and offers this lead-in:

“Brainy Cass and wild Becca are twin sisters living in a world controlled by The United, an all-powerful government that commands a ‘separate but equal’ society. Suddenly, Becca is thrown into prison, forced to fight her fellow inmates for survival. Cass is determined to save her sister, but she is in danger herself: the captors took the wrong twin, and when they find out they’ll be coming for her.”

The novel was written with Gabrielle Charbonnet, who has co-written other novels with Patterson,  Sundays at Tiffany’s and Witch & Wizard.

Originally the novel was titled Dragonflies, which still shows on the cover art in Edelweiss.

If you choose the Puppy Bowl over the Super Bowl this weekend, you will miss an ad for Hulu’s adaptation of Margaret Atwood’s dystopian novel The Handmaid’s Tale (Houghton Mifflin, 1986). Good news, it has been released on YouTube, so you can have both. [UPDATE: as a result, the book shot to #1 on Amazon’s rankings on Monday].

The Super Bowl clip features more backstory as well as footage of the terror the handmaid’s face.

Two tag lines emerge. Elizabeth Moss, playing the handmaid Offred says: “My name is Offred — and I intend to survive.”

Joseph Fiennes, playing Commander Waterford, officially empowered to imprison and force Offred to bear his child, says: “We only wanted to make the world better, but ‘better’ never means better for everyone.”

Entertainment Weekly reports on the trailer in detail.

The series will premiere on April 26, 2017. A tie-in comes out in late March: The Handmaid’s Tale (Movie Tie-in), (PRH/Anchor, trade pbk; March 28, 2017). The book is rising on best seller lists and some see that as having more to do with protests against the Trump administration than with the upcoming series. The producer and the cast themselves have called the 20-year-old dystopian novel it is based on “prescient.”

Known for her satirical Facebook posts as “The Honest Toddler,” Bunmi Laditan just announced that she is publishing a novel this summer, Confessions of a Domestic Failure (HC/MIRA; May 2, 2017), sending it soaring to #16 on Amazon’s sales rankings.

The publisher bills it as a witty “lambasting [of] the societal pressures placed upon every new mother” and seals that with a blurb from satiric-blogger-turned-best-selling author Jenny Lawson, “Freaking hilarious. This is the novel moms have been waiting for.” No pre-pub reviews have appeared so far.

Only a few of the libraries we checked have placed orders.

Laditan also wrote The Honest Toddler: A Child’s Guide to Parenting (S&S/Scribner; Tantor Media; OverDrive Sample) and Toddlers are A**Holes: It’s Not Your Fault (Workman; RH Audio/BOT; OverDrive Sample).