EarlyWord

Robert M. Pirsig, author of Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values, (HC/William Morrow; BBC Audio), died on Monday. He was 88.

Pirsig, a college writing instructor, became an overnight sensation in 1974 when Zen was published. It sold a million copies in its first year, remained a bestseller for a decade, and earned him a Guggenheim fellowship. Reading it became a right of passage for many and remains so to this day.

The NYT writes that the book “ranged widely in its concerns, contemplating the relationship of humans and machines, madness and the roots of culture … in seeking to reconcile humanism with technological progress, [it was] perfectly timed for a generation weary of the ’60s revolt against a soulless high-tech world dominated by a corporate and military-industrial order.”

In seeking to explain the book’s popularity and cult-like following, the NYT quotes Pirsig himself, who wrote on his website, “I expressed what I thought were my prime thoughts … and they turned out to be the prime thoughts of everybody else.”

The New Yorker linked the book to Herman Melville while The New York Times earlier connected it to Thoreau.

Pirsig wrote only one other book, the less successful Lila: An Inquiry into Morals (PRH/Bantam).

The Washington Post, L.A. Times, and NPR also offer remembrances.

It may be the most eagerly awaited title of the upcoming season, so the daily NYT brings their popular-fiction critic Janet Maslin out of semi-retirement to do an early review of Paula Hawkins’s second novel after her breakout best seller The Girl on the Train.

Unfortunately, Maslin is disappointed. Acknowledging that Hawkins “could have published a book of 386 blank pages and hit the best-seller lists,” she dismantles Into the Water (PRH/Riverhead; RH Audio/BOT), writing “If The Girl on the Train seemed overplotted and confusing to some readers, it is a model of clarity next to this latest effort … jam-packed with minor characters and stories that go nowhere … [a] three-ring circus.”

Trade reviews range from a starred Booklist to a middling Publishers Weekly that says it juggles “a few too many story lines for comfort, but the payoff packs a satisfying punch” and a damning Kirkus which concludes, “Let’s call it sophomore slump and hope for better things.”  Maslin, whose rave review for Hawkins’s debut helped solidify the already growing word of mouth that launched it onto best seller lists, is in the Kirkus camp, asking,”What happened to the Paula Hawkins who structured The Girl on the Train so ingeniously?”

The book doesn’t arrive until next week, so there are few other reviews, but one echoes and goes beyond Maslin’s criticisms. Slate critic Laura Miller, who was no fan of Hawkins’s first, writes “Into the Water isn’t an impressive book. Its tone is uniformly lugubrious and maudlin, and Hawkins’ characters seldom rise to the level of two dimensions, let alone three.”

For her part, Maslin works hard to find redeeming qualities. “Many of us are going to read this novel anyway … So on the bright side for those who insist … while [the novel] chugs off to a slow, perplexing start, [it] develops a head of steam at an unlikely moment. It has exactly one smart, perfectly conceived Hitchcockian page: its last.”

Several highly anticipated TV shows begin their runs this week, including Hulu’s adaptation of Margaret Atwood’s The Handmaid’s Tale and the Starz adaptation of Neil Gaiman’s American Gods.

The Handmaid’s Tale starts on April 26 and runs for ten episodes, staring Elisabeth Moss as Offred, the central character and a rarity in her world, a fertile woman, or ‘handmaid,” she becomes the property of the state, forced to conceive against her will. Joseph Fiennes stars as The Commander, to whom Offred is assigned.

Reviews are glowing. The A.V. Club headlines, “Praise be to the arresting, topical nightmare of The Handmaid’s Tale.” Entertainment Weekly gives it an A, writing it “plays like true prestige television: A masterfully unnerving vision of a near future … Moss is a brilliant muse, a fantastically unsettling alloy of fury and stillness; if this doesn’t earn her the Emmy she was robbed of for her years on Mad Men, the voting Academy should sue itself for gross negligence.” IndieWire says it is “The Scariest TV Show Ever Made, Because It Feels So Real.” Time calls it “masterful … hits exactly the right note … [and] The more you learn about Offred, the more she looks like TV’s great new heroine.” The Hollywood Reporter says it is “A thrillingly dystopian escape from our modern dystopia.”

The tie-in edition comes out this week, with an eerie photo of Elizabeth Moss on the cover: The Handmaid’s Tale (Movie Tie-in), Margaret Atwood (PRH/Anchor; OverDrive Sample).

American Gods starts its 8-episode run on April 30. It has an all-star cast including Ian McShane as Mr. Wednesday, Ricky Whittle as Shadow Moon, Gillian Anderson as Media, and Kristin Chenoweth as Easter.

Early reviews are largely positive. Entertainment Weekly gives it an A-, with the reviewer writing that he was “consistently engrossed.” Den of Geek writes “The American Gods TV show is something special — for anyone who has ever believed in anything or simply questioned the structure of existence. This show is for you.”

However, Comics Beat headlines that it is “a beautiful mess” and says the show lacks a needed “sense of urgency” and that its “thematic superficiality is heartbreaking.”

The tie-ins hit shelves in late March: American Gods, Neil Gaiman (HC/William Morrow; also in mass market; HC Audio; OverDrive Sample).

Genius begins its 10-episode run on the National Geographic channel on April 25. It is the first scripted series from the cable network, reports Deadline Hollywood, and is part of a planned “anthology drama– telling the stories of the world’s most brilliant innovators.”

This opener is based on Walter Isaacson’s best-selling biography, Einstein: His Life and Universe and stars Academy Award-winner Geoffrey Rush as Einstein. Johnny Flynn (Lovesick) plays the younger Einstein while Emily Watson (The Theory of Everything) is Elsa, his second wife. Brian Grazer and Ron Howard are the series executive producers.

It is getting some good buzz. The NYT says “this is not your father’s biopic. It’s about time to meet the real guy behind the cuddly accent and the curvature of space-time … it’s a tense binge-worthy psychological thriller full of political and romantic melodrama.” Forbes writes the series may “inspire a new generation of thinkers and dreamers to expand our knowledge of the world” and calls it impressive and attention grabbing.

The tie-in came out in early April: Einstein TV Tie-In Edition: His Life and Universe, Walter Isaacson (S&S; S&S Audio; OverDrive Sample).

Only one theatrical film opens this week, The Circle, premiering on the 28th and starring Emma Watson, Tom Hanks and and John Boyega (Star Wars: The Force Awakens). It is based on the novel of the same name by Dave Eggers, who also co-wrote the script for the film.

There are no reviews yet but Entertainment Weekly ran a story recently, opening with a reminder that the plot of The Circle, about technology and privacy, is very timely:

“Imagine a world where everything you do is tracked online. Where privacy doesn’t exist. Where corporations have the government’s blessing to extract whatever information they want about you. Welcome to that world. Thanks to a recent party-line vote in Congress, you live in it.” They continue saying, “All of this makes the The Circle … look a lot less like a thriller and more like prophecy.”

Watson tells the magazine, “This is not a dystopian future that’s set in, you know, 2050 or something. This could basically be tomorrow. This is kind of an uncomfortably close film about where, if we aren’t careful, we could very easily go.”

There is no-tie in.

Mozart owned a pet starling bird, one he bought in 1784 just after finishing his Piano Concerto No. 17 in G. It could sing part of his new composition.

The story of that bird and Mozart’s relation to it is one of the subjects of Mozart’s Starling by Lyanda Lynn Haupt (Hachette/Little, Brown; Hachette Audio; OverDrive Sample).

Haupt tells NPR that in researching the book she followed suit and adopted her own pet starling, rescuing a five-day-old from a nest about to be destroyed.

Haupt tells NPR that her bird Carmen, like Mozart is smart,  mischievous and an amazing mimic, anticipating the household routine,  “I wake up in the morning … and she looks at me and says, ‘Hi Carmen,’ which is the first thing I would say to her. And then the cat comes downstairs and she says ‘Meow.’ And then I go to make the coffee, and before I grind the beans she goes, ‘Rrrrr.'”

Mozart wrote an elegy for it upon its death and more than one musical critic believes at least one of his compositions is is based on the starling’s song.

In a starred review Booklist calls the book a “hard-to-put-down, charming blend of science, biography, and memoir.”

Some libraries we checked are running 5:1 hold ratios on light orders. Several others have not ordered it.

Hulu has given a pilot order for an adaptation of the Eisner-winning comic Locke & Key reports Deadline Hollywood, in what they call a “very competitive situation.” The hourly drama will be based on Joe Hill and Gabriel Rodriguez’s hit series.

Hill along with Carlton Cuse (Lost, Bates Motel, The Strain) are running the project, with Hill writing the script. The director of Doctor Strange, Scott Derrickson, is on board to direct the series if the pilot is approved.

Two earlier efforts to adapt the horror/fantasy blend have failed. The Hollywood Reporter points out that Rodriguez’s fantastic art is difficult to translate to the screen, but the group running the project this time may be able to carry if off. Hulu is ready for more ambitious content, THR maintains, and Cuse is skilled and proven in the genre, as is Derrickson. Finally Hill, more than anyone, should be able get the script right while also honoring his comic readers.

Also in its favor, a hit audio adaptation was a huge success in 2016, winning an Audie as well as several nominations.

The comic, which ranges across multiple releases plus collected editions, tells the complicated story of the Locke family, the Keyhouse estate, demons, possession, and keys. Tor.com offers a reread of the first volume which gives a taste of the story. The newest volume will come out in August, Locke & Key: Heaven and Earth (PRH/IDW).

The next drama by Shonda Rhimes, to premiere at the end of May on ABC, is something of a departure for the hitmaker behind Scandal and Grey’s Anatomy. Set in the world of Shakespeare’s Romeo and Juliet, after the two doomed lovers have died, Still Star Crossed is based on the novel Still Star-Crossed by Melinda Taub (PRH/Delacorte, 2013 – currently listed as OP). Kirkus gave the YA novel a starred review, calling it “A perfect blend of the intimate and the epic, the story both honors its origin and works in its own right … [a] spectacular sequel.”

The date is delayed from its expected midseason launch reports Deadline Hollywood.

No tie-in has been announced.

The holds leader for the upcoming week is John Sandford’s Golden Prey (PRH/Putnam; RH Large Type; Penguin Audio/BOT; OverDrive Sample), which has also received strong prepub reviews.

A distant second is Iris Johansen’s No Easy Target (Macmillan/St. Martin’s; Recorded Books; OverDrive Sample), in which one of the supporting characters from her best selling Eve Duncan books gets her own book.

The titles covered in this column, and several other notable titles arriving next week, are listed with ordering information and alternate formats, on our downloadable spreadsheet, EarlyWord New Title Radar, Week of April 24, 2017

Advance Attention 

Borne, Jeff VanderMeer (Macmillan/MCD; Blackstone Audio; OverDrive Sample).

The new book by the author of the award-winning dystopian Southern Reach Trilogy arrives with three starred prepub reviews (Kirkus calls it an “odd, atmospheric, and decidedly dark fable for our time“) and film rights already sold to Paramount. In addition, in late March, CinemaCon attendees were treated to footage of the adaptation of Annihilation, the first book in the Southern Reach Trilogy. Directed by Ex Machina‘s Alex Garland, it stars Natalie Portman and Oscar Isaac, release is expected in 2018.

UPDATE: Laura Miller gives Borne a thoughtful review, in the context of the recent popularity of post-apocalyptic novels, in the New Yorker.

Media Magnets

Option B, Sheryl Sandberg and Adam Grant (PRH/Knopf; RH Audio/BOT).

The COO of Facebook, famous for her book on women in the workplace, Lean In, writes about what she learned after the sudden, unexpected death of her husband in 2015 at age 47. She will be featured on CBS Sunday Morning this weekend, in a segment that promoted today on CBS This Morning. More will follow, with appearances on Good Morning America, the Late Show with Stephen Colbert, and NPR’s All Things Considered.

The Secrets of My Life, Caitlyn Jenner (Hachette/Grand Central; Hachette Audio/Blackstone Audio).

Excerpts in People magazine are making headlines in the gossip mags. It seems that Jenner’s daughters feel that the section about her gender surgery is TMI, even for them.

Peer Pick,

Two LibraryReads selections come out this week:

Anything Is Possible (PRH/RH; RH Audio/BOT; OverDrive Sample) is the #1 Library Reads selection for April:

“Strout does not disappoint with her newest work. Her brilliant collection takes up where her novel, My Name is Lucy Barton, leaves off. The chapters read like short stories with Lucy Barton as the thread that runs between them. The characters populate Amgash, Illinois and their stories are woven together carefully and wonderfully. No one captures the inner workings of small town characters better than Strout. Written to be read and enjoyed many times, I highly recommend for readers of fine literary fiction.” — Mary Vernau, Tyler Public Library, Tyler, TX

Additional Buzz: It is a February GalleyChat title and an Indie Next pick and has made the Spring Reading Lists of New York magazine, The Washington Post, the Amazon Editor’s Top 20 titles, and Vogue‘s “The Must-Read Books of Spring 2017.” All four prepub review sources star, with Kirkus calling it “radiant” and PW deeming it “masterful.” The Millions features it in their “Most Anticipated (The Month),” Elle says it is one of “7 Great Books to Read in April,” and InStyle calls it one of “5 Totally Brilliant Books You Need to Read in April 2017.”

Beartown, Fredrik Backman (S&S/Atria; S&S Audio).

“Backman’s most complex novel to date takes place in the small, hockey-crazed village of Beartown. He deftly weaves together the stories of the players, the coaches, the parents, and the fans as Beartown’s hockey team chases its dream of winning a championship. Weighty themes are explored. How high a price is too high for success? How deadly is silence? Who can you trust with your secrets? How far will you compromise your beliefs in the name of friendship? There are no easy answers. A great book club choice.” — Janet Lockhart, Wake County Public Library, Cary, NC

Additional Buzz: It is one of our GalleyChat picks and an Indie Next selection. AARP includes it on their list of “Spring Books for Gownups.”

The Standard Grand, Jay Baron Nicorvo (Macmillan/St. Martin’s Press; OverDrive Sample) is another Indie Next pick hitting shelves:

“Jay Baron Nicorvo’s novel envelops you in a world most civilians never know, where homeless veterans gather to work on regaining their hearts and minds. The reader is a listener, learning about these characters through each of their voices, accents, idioms, and military jargon — sometimes mean and ugly, sometimes only vaguely understood. Even in their hidden Catskills retreat, there is a realization that they are not beyond the reach of a sinister corporate world waging another, more personal war for oil. The Standard Grand is sculpture, a work of art with every word, every detail, perfect.” —Diane Marie Steggerda, The Bookman, Grand Haven, MI

Additional Buzz: Booklist stars itwith reviewer Bill Kelly writing “Alongside Billy Lynn’s Long Halftime Walk (2012) and Yellow Birds (2012), The Standard Grand is an important and deeply human contribution to the national conversation.” LJ counts it among its picks of the “Great First Acts: Debut Novels.”

Tie-ins

Just one tie-in comes out this week, Official Handbook (Captain Underpants Movie) by Kate Howard (Scholastic; OverDrive Sample). The animated film is based on the beloved book series of the same name, written by Dav Pilkey.

It stars Kevin Hart, Jordan Peele, Thomas Middleditch, Ed Helms, Nick Kroll, and Kristen Schaal and opens on June 2, just in time to delight kids looking forward to summer vacation.

For our full list of upcoming adaptations, download our Books to Movies and TV and link to our listing of tie-ins.

The premium cable network, HBO has discovered the temperature at which paper burns, moving forward with a film adaptation of Ray Bradbury’s dystopian masterpiece Fahrenheit 451 (S&S; Tantor; OverDrive Sample).

The novel, first published in 1953, depicts a future world where books are outlawed and, if found, burned by firemen. Written during the McCarthy era it has found a new readership following the 2016 election.

The movie will star Michael B. Jordan (Creed) and Michael Shannon (Nocturnal Animals) reports Deadline. Adds Tor, Jordan will play “Montag, the young fireman who has a crisis of conscience when he begins to believe that burning books is wrong, and Michael Shannon as Beatty, Montag’s captain and mentor.”

Assessing the novel in 2008, over 50 years after it was first published, a writer for The Guardian attested to the novel’s continuing appeal, saying it is “often startling and poetic … almost as memorable for its imagery as its ideas … As far as ideas go, the effect was just as powerful when I read the book anew.”

It won a Retrospective Hugo in 2004 and was adapted by François Truffaut in a 1966 film starring Oskar Werner and Julie Christie and was adapted as a graphic novel in 2009: Ray Bradbury’s Fahrenheit 451: The Authorized Adaptation by Tim Hamilton (Macmillan/Hill and Wang).

Netflix is adapting Shirley Jackson’s iconic horror novel, The Haunting of Hill House into a series reports Variety. It is being described as “a modern reimagining.”

Mike Flanagan (Hush, Oculus, and Ouija: Origin of Evil) is on board to direct the planned 10-episode run. This is his second horror adaptation for Netflix. He is currently in post-production on Netflix’s movie adaptation of Stephen King’s Gerald’s Game.

GQ is excited about Flanagan’s role, saying “he knocks it out of the park every damn time … [and] has already been responsible for beloved modern horrors … The Haunting of Hill House is a tense, almost unbearable book at times. It will be great to see how the director works with dread over the course of several episodes rather than just a few hours.”

io9 says “Flanagan’s flair for making even ordinary things intensely spooky—this is a guy who made a sidewalk tunnel into a place of sheer terror in 2011’s excellent Absentia—suggests he’s an ideal choice for this project.”

Jackson’s novel is considered a classic of the genre, and has its own Penguin’s classic edition to prove it. Published in 1959, it was a finalist for the National Book Award. The story follows four people who spend time in the creepy halls of Hill House, known for its supernatural phenomena. One of the four becomes subject to the house’s menacing hold.

Stephen King wrote, in the introduction of one of the many editions of the novel, “it seems to me that [The Haunting of Hill House] and James’s The Turn of the Screw are the only two great novels of the supernatural in the last hundred years.”

Tor re-visits the novel on the 100th anniversary of Jackson’s birth, writing “It’s a masterpiece, truly, and for myriad different reasons—but above all else it’s frightening, a slow and anxious and steady sort of frightening.” The Guardian says it is “a chilling and highly accomplished piece of writing.”

It has already been adapted, twice, as feature films released in 1963 and 1999. The Netflix’s version will be another marker in the recent up swing of attention to Jackson, who also wrote the masterful short story “The Lottery.” A critically acclaimed biography of the author was published last October, Penguin is issuing Classics versions of her work with introductions by authors such as Francine Prose, Ottessa Moshfegh, and Kevin Wilson. Last year “The Lottery” was adapted into a graphic novel and Random House issued a collection of previously unpublished and uncollected works, Let Me Tell You: New Stories, Essays, and Other Writings.

A new trailer for Sofia Coppola’s upcoming movie, The Beguiled has been released in advance of the Cannes Film Festival, where it has been entered into competition. Starring Nicole Kidman, Colin Farrell, Elle Fanning, and Kirsten Dunst, it is based on a 1966 Southern Gothic novel, A Painted Devil by Thomas Cullinan.

Set during the Civil War, the plot involves a group of women sequestered in a girls boarding school in the South, whose lives are turned upside down by the appearance of a wounded Union soldier. The movie is scheduled to debut in theaters on June 30th. Based on the trailer, IndieWire ventures that, “Coppola might just have the indie hit of the summer on her hands.”

Cullinan’s book was adapted before, also under the title The Beguiled.  Released in 1971, it starred Clint Eastwood and Geraldine Page. Considered a flop, it reportedly has developed a cult following since. The trailer for that movie works hard to attract audiences to the story of “a man who becomes prisoner to these man-deprived women, these man-eager girls.”

Coppola told Entertainment Weekly earlier this year that hers will be quite a different movie.  She shifts the focus away from he soldier to “the dynamics between a group of women all stuck together, and then also the power shifts between men and women.”

Little information is available about the 1966 novel, which has been out of print for 30 years. For the upcoming tie-in edition, the publisher quotes Stephen King from his book on horror novels and films, Danse Macabre, calling it “[A] mad gothic tale . . . The reader is mesmerized with horror by what goes on in that forgotten school for young ladies.” There are a few, mostly positive reviews on GoodReads, from film buffs who managed to snag out-of-print copies.

The Beguiled: A Novel (Movie Tie-In)
Thomas Cullinan
PRH/Penguin Books, Trade Paperback; OverDrive
On Sale Date: June 6, 2017

Kory Stamper has something of a following. Terry Gross, the host of NPR’s Fresh Air is one, as she makes clear in her interview with the associate editor at Merriam-Webster’s about her book Word by Word: The Secret Life of Dictionaries (PRH/Pantheon; RH Audio/BOT; OverDrive Sample).

This is the second wave of attention for the book. As we posted in March, detailed coverage by the NYT sent the book soaring on Amazon‘s sales rankings. The Fresh Air interview does that again, sending the book back up in to the Top 100.

Most libraries are now on top of demand, but the interview is great fun for any word nerd.

Bill O’Reilly is out at Fox News but not at Macmillan imprint Holt.

USA Today reports that the ex-broadcaster has the backing of his book publisher. “Our plans have not changed,” says Holt publicity director Patricia Eisemann, of the next book in the highly profitable Killing series that O’Reilly writes with co-author Martin Dugard.

The Killing books, which examine the deaths of public figures such as Killing Kennedy (2012) and  Killing Patton (2014), have made a killing for Holt. They have also been the source of money-making movies for National Geographic. The cable network has also announced that they plan to continue to develop a TV movie based on Killing Patton.

The NYT reports that “more than 17 million copies [of the series are] in print and [it] is a reliable source of annual revenue for the [publisher]. In recent years, new books in the series have sold 1.1 million copies in the first few months after release.”

Recent press stories about the reasons behind O’Reilly’s ouster shine an ironic light on his newest book, Old School: Life in the Sane Lane (Macmillan/Holt; Macmillan Audio; OverDrive Sample), which Janet Maslin described in her NYT review as “meant to set forth the code of decency, honor and determination that made O’Reilly what he is today.” It debuted at #2 on the USA Today best-seller list, moving down slightly to #5 this week.

The NYT questions whether that will continue, writing “Even if Holt sticks with Mr. O’Reilly, sales of his books will almost certainly decline without his perch at Fox, which he used to promote his books to millions of viewers.” That seems borne out by Amazon’s sales rankings where the book has slipped to #19.

The next Killing book is set for a Sept. 2017 publication. With no title, no cover art, no advance reviews and no description on the publishers site, there is no information on what subject it addresses.

Untitled O’Reilly
Bill O’Reilly, Martin Dugard
On Sale Date: September 19, 2017
Hardcover | 304 pages |
$30.00 USD, $38.99 CAD
ISBN 9781627790642, 1627790640

The first trailer for the film adaptation of Vince Flynn’s thriller American Assassin carries some extra interest. It’s the first on-screen appearance of Dylan O’Brien since he suffered injuries while filming another adaptation, The Maze Runner: Death Cure. He plays the lead character, CIA operative Mitch Rapp. Michael Keaton plays the man assigned to train him as a killer.

The film is set for release on Sept. 15.

American Assassin is the eleventh title in the series, chosen because it moves back in time to depict Rapp’s first assignment. A tie-in has yet to be announced. The paperback (S&S/Pocket) experienced a bump on Amazon’s sales rankings as a result of the trailer’s release.

Terry Gross interviewed Alyssa Mastromonaco yesterday on NPR’s Fresh Air, sending her memoir Who Thought This Was a Good Idea?: And Other Questions You Should Have Answers to When You Work in the White House (Hachette/Twelve; OverDrive Sample) into Amazon’s Top 50, currently at $37.

President Obama’s deputy chief of staff for operations. Mastromonaco shares insider details about his administration, often in contrast with Trump’s, including how the president’s personal travel budget works, the threats that face presidents in the post-9/11 world, and the selection process for Cabinet positions.

Seemingly small details underscore that women are still newcomers in the world of politics, such as the lack of women’s bathrooms in the West Wing.

The book spent two weeks on the NYT Hardcover Nonfiction list and got attention when it was published last month. People reviewed it, saying it is “brimming with … humorous, behind-the-scenes anecdotes, as well as up-close-and-personal moments with Obama that shed new light on who he is as a leader, man and friend.” New York Magazine ran an interview, as did USA Today.

Holds remain strong in most libraries we checked, several running at 4:1 and a few others topping 7:1.

Todd Haynes’s adaptation of Brian Selznick’s middle grade novel Wonderstruck (Scholastic, 2011) has been selected to enter the competition at the Cannes Film Festival to be held May 17-28.

Haynes, whose films to date have been for adults, won the Queer Palm at the 2015 Cannes Film Festival, for Carol based on Patricia Highsmith’s The Price of Salt. This is Haynes’s first film based on a children’s book.

Starring Julianne Moore, Michelle Williams and Okes Fergley Wonderstruck is produced by Amazon studios. A section of the novel is set in 1927 and features a deaf child, Rose, to be played by newcomer Millicent Simmonds, a 13-year-old deaf actress. Haynes has chosen to film her section as a silent movie, using what Deadline calls “an unprecedented number of deaf actors in roles that would normally go to hearing actors.”

This will be the second Selznick book adapted by a celebrated director, after Martin Scorsese’s Oscar-winning Hugo, based on The Invention Of Hugo Cabret.

Wonderstruck spent 25 weeks on the NYT Children’s Middle Grade Hardcover best seller list, won the 2012 Schneider Family Book Award and was named an ALA Notable Children’s Book.

No news yet on a release date or a tie-in.