Archive for the ‘2013/14 – Winter/Spring’ Category

Holds Alert: THE HOUSE GIRL

Monday, February 11th, 2013

The House GirlSometimes the first line of a book “just grabs you,” says Rachel Martin on NPR’s Weekend Edition yesterday. That is true for The House Girl, (HarperCollins/Morrow; Thorndike Large Print), she says introducing her interview with the author, Tara Conklin.

The line is, “Mister hit Josephine with the palm of his hand across her left cheek and it was then she knew she would run.”

The book tells the alternating stories of a modern-day lawyer, working on a slavery reparations class-action suit, and that of a slave who may be the real artist behind the paintings attributed her white owner. It is the #1 IndieNext pick for February and was reviewed in the Seattle Times.

Libraries show growing holds lists.

The War in Vietnam On MOYERS & COMPANY

Monday, February 11th, 2013

Killy Anything That MovesThe “almost unfathomable suffering” caused by American troops during the war in Vietnam was described by journalist Nick Turse on Bill Moyers’ show on Friday. His book,  Kill Anything That Moves: The Real American War in Vietnam  (Macmillan/Holt/Metropolitan Books), is based on documents that were “buried deep in the recesses of the National Archives.”

Moyers calls the book a “Beautifully written account of real horrors in Vietnam, ” adding, “Nick Turse has given us a fresh holistic work that stands alone for its blending of history and journalism, for the integrity of research brought to life through the diligence of first-person interviews. Those interviews skillfully unlock the memories of American warriors and expose the wounds that to this day still scar the hearts and minds of villagers who survived the scorched earth of Vietnam. Here is a powerful message for us today, a reminder of what war really costs.”

Libraries are showing holds, as high as 8:1 on modest orders.

GHOSTMAN: Michiko Likes It!

Monday, February 11th, 2013

978-0-307-95996-6The NYT‘s hard-to-please critic, Michiko Kakutani, goes uncharacteristically ga-ga over a thriller, saying that Roger Hobbs, whose debut novel, Ghostman, (RH/Knopf; RH Audio; BOT; Thorndike Large Print) arrives tomorrow, “seizes our attention and holds it tight, not so much through his plotting or his characters but through his sheer, masterly use of details, and the authoritative, hard-boiled voice he has fashioned for [main character] Jack.”

She does find a flaw, however. Jack seems “cobbled together from random traits pasted onto a deliberately enigmatic core that lacks the existential power of Stark’s Parker or Lee Child’s Reacher. Ghostman would have been way more powerful with a more potent and coherent hero, but weirdly this lapse does not prevent the novel from holding the reader’s attention.”

Check your holds.

New Title Radar, Week of Feb. 11

Friday, February 8th, 2013

This week’s “Watch List” is in the previous post.

Reviewer Favorite

Vampires in the Lemon GroveVampires in the Lemon Grove: Stories, Karen Russell, (RH/Knopf; BOT; Thorndike Large Print)

Russell’s novel, Swamplandia! was on most of the Best Books lists for 2011 and was one of three finalists for the 2012 Pultizer Prize in fiction, a year when the Academy infamously chose not to award a winner. Expect many reviews for this one,  beginning with the NYT‘s formidable Michiko Kakutani, who says that Russell can “make magic ” of any subject. A feature is planned for the upcoming NPR Weekend Edition Saturday.

Media Magnets

Life CodeLife Code: The New Rules for Winning in the Real World, Phil McGraw, (Bird Street Books)

It happens that the publisher of TV talk show host McGraw’s latest book is owned by his son, Jay McGraw. Also available is a companion DVD, Beyond Life Code. Both will, of course, be promoted on The Dr. Phil show next week. They are also being advertised in People magazine and USA Today.

CoolidgeCoolidge, Amity Shlaes, (Harper; HarperAudio; HarperLuxe)

Surprised that a biography of a president who is generally known only as the butt of jokes is hot? The interest has more to do with the author than the subject. Amity Shlaes’ recent book, The Forgotten Manhas been called  the bible of the conservative, anti-Obama, free-market movement. Unsurprisingly, The Wall Street Journal and Fox News are big supporters. UPDATE: It is scheduled for the cover of the Feb. 17 NYT Book Review.

Living and Dying in Brick City

Living and Dying in Brick City: An E.R. Doctor Returns Home, Sampson Davis, (RH/Spiegel & Grau; Blackstone Audio)

Media attention for this memoir by a doctor who returned to his hometown of Newark to help the city’s poor and forgotten begins with a four-star review in People magazine. It is also scheduled for a feature on the NPR’s upcoming Weekend Edition Saturday.

Drinking and Tweeting   Long Shot   Days That I'll Remember

Drinking and Tweeting: And Other Brandi Blunders, Brandi Glanville, (S&S/ Gallery Books) — One of the “Real” House Wives of Beverly Hills dishes on her life, loves, etc. The tabloid press can’t get enough.

Long Shot, Mike Piazza, (Simon & Schuster) — A memoir by “the greatest hitting catcher in the history of baseball.”  He’s scheduled for appearances on the upcoming NPR Weekend Edition and to do BOTH Bill O’Reilly and Jon Stewart’s shows next week.

Days That I’ll Remember: Spending Time with John Lennon and Yoko Ono, Jonathan Cott, (RH/Doubleday; Tantor Audio; Center Point Large Print) — By a contributing editor at the Rolling Stone, who knew the couple since 1968.

These titles, and more, including “Usual Suspects” on our downloadable Excel spreadsheet.

New Title Radar: Watch List, Week of Feb. 11

Friday, February 8th, 2013

So many titles are arriving next week, that we are publishing the Watch List separately. We will post the rest of New Title Radar later in the day.

Watch List

The DinnerThe Dinner, Herman Koch, (RH/Hogarth; AudioGo; Thorndike Large Print)

The Wall Street Journal heralds this as the next big thing with the headline “A European Gone Girl.” They’re not the only fans. Librarians have been enthusiastic about it on our GalleyChat, it’s on the February IndieNext list and the Huffington Post picked it as a Best of 2013; ” This barbed tale of two families is entirely set over one evening in an expensive restaurant. A smash hit overseas, Gillian Flynn called it ‘chilling, nasty, smart, shocking and unputdownable,’ and she ought to know. We enjoyed it a lot.”

ARC readers say the comparison to Gillian Flynn works in a some ways; both stories are told by unreliable narrators, dirty scerets are revealed and it’s “terrific page-turner.” The subject is quite different, however, and has more in common with Lionel Shriver’s We Need to Talk about Kevin or William Landay’s Defending Jacob.

New York Times reviewer Janet Maslin is the one holdout, saying the story is “executed with a joylessly heavy hand.”

978-0-307-95996-6Ghostman, Roger Hobbs, (RH/Knopf; RH Audio; BOT; Thorndike Large Print)

This debut from 24-year-old Hobbs arrives with much prepub attention and a movie deal. It is an IndieNext pick for February, a Costco Buyers Pick for Feb, a PW “Most Anticipated for Spring” title in the Crime/Mystery/Thriller, as well as an Oprah Must-Read; “In this stylishly gritty and fast-paced thriller, a career criminal is summoned from his off-the-grid hiding place to assist in an Atlantic City casino robbery that goes awry.” Check your holds; the libraries we checked already showed growing queues. UPDATE: Michiko Kakutani reviews it in Monday’s New York Times, calling it “smoking fast.”

The House GirlThe House Girl, Tara Conklin, (HarperCollins/Morrow; Thorndike Large Print)

This debut is the #1 IndieNext pick for February. Former lawyer Conklin’s protagonist is also a lawyer, working on a class-action suit that involves slavery reparations. In her research, she discovers the story of a slave who may be the real artist behind the paintings attributed her white owner. The novel unfolds in alternating narrations that reveals hidden similarities in lives separated by time and class.

Calling Me HomeCalling Me Home, Julie Kibler, (Macmillan/St. Martin’s; Thorndike Large Print)

Another debut novel that contrasts the lives of two women; one balck and one white. In this case, the setup is a long car journey during which the two women open up about their lives. Prepub reviews say, “Kibler’s unsentimental eye makes the problems faced unflinchingly by these women ring true” (Kirkus) and “Kibler relays a familiar story in a fresh way” (PW).

We Live in WaterWe Live in Water: Stories, Jess Walter, (Harper Perennial Original Trade Paperback)

Following quickly on Walter’s comtinuing word-of-mouth success, Beautiful Ruins (Harper, June, 2012), comes the author’s first collection of short stories. Kirkus says it proves that Walter is “as skilled at satire and class commentary in the short form as in his novels.” PW puts it simply, “if you like to read, you’ll like this book.”

The audio of Beautiful Ruins (HarperAudio) has had an unprecedented level of sales in relation to the print. Salon’s Laura Miller named it the best audiobook narration of 2012AudioFile says, “As the sole voice for a veritable smorgasbord of characters, time periods and plotlines, Edoardo Ballerini works magic with this audio production.” The author is also a fan; listen here as he talks about the book’s genesis and describes why he loves Ballerini’s narration.

LIVE CHAT with Taiye Selasi

Wednesday, February 6th, 2013
 Live Chat with Taiye Selasi, GHANA MUST GO(02/06/2013) 
3:41
Nora - EarlyWord
Cover of Ghana Must Go; Chat Begins at 4 p.m., Eastern
Wednesday February 6, 2013 3:41 
3:46
Taiye Selasi: 
Hello. Taiye here!
Wednesday February 6, 2013 3:46 Taiye Selasi
3:47
Nora - EarlyWord: 
Hey, Taiye! We'll be starting in a few minutes. Thanks for coming early.
Wednesday February 6, 2013 3:47 Nora - EarlyWord
3:47
Taiye Selasi: 
Of course. So much looking forward.
Wednesday February 6, 2013 3:47 Taiye Selasi
3:49
Nora - EarlyWord: 
While we're waiting to begin, I'm going to post some news and background on GHANA MUST GO.

It has been getting some great pre-pub attention. In the UK, it was picked as a “Waterstone’s Eleven,” one of the most anticipated books of the year by that bookselling chain and Taiye was interviewed in the Telegraph. In the U.S., the book was picked by independent booksellers as an “Indie Next” pick for March.
Wednesday February 6, 2013 3:49 Nora - EarlyWord
3:49
Nora - EarlyWord
Wednesday February 6, 2013 3:49 
3:49
Nora - EarlyWord: 
And, here's the quote:
Wednesday February 6, 2013 3:49 Nora - EarlyWord
3:49
Nora - EarlyWord
Wednesday February 6, 2013 3:49 
3:50
Nora - EarlyWord: 
To help orient us to where many of the events in the book are set, here’s a map of the countries of West Africa:
Wednesday February 6, 2013 3:50 Nora - EarlyWord
3:50
Nora - EarlyWord
West African Countries
Wednesday February 6, 2013 3:50 
3:50
Nora - EarlyWord: 
And one that shows the cities:
Wednesday February 6, 2013 3:50 Nora - EarlyWord
3:50
Nora - EarlyWord
Map Showing Accra and Lagos
Wednesday February 6, 2013 3:50 
3:51
Nora - EarlyWord: 
The following are some of Taiye’s photos of Kokrobitey Beach in Ghana. a setting of some of the scenes in the book.
Wednesday February 6, 2013 3:51 Nora - EarlyWord
3:51
Nora - EarlyWord
Boat on Beach, Kokrobitey Beach, Ghana
Wednesday February 6, 2013 3:51 
3:51
Nora - EarlyWord
Fishing Boats, Kokrobitey Beach, Ghana
Wednesday February 6, 2013 3:51 
3:51
Nora - EarlyWord
Boat Launch, Kokrobitey Beach, Ghana
Wednesday February 6, 2013 3:51 
3:51
Nora - EarlyWord
Fleet of Fishing Boats, Kokrobitey Beach, Ghana
Wednesday February 6, 2013 3:51 
3:52
Nora - EarlyWord: 
And, here’s a shot of Taiye in Togo:
Wednesday February 6, 2013 3:52 Nora - EarlyWord
3:52
Nora - EarlyWord
Taiye in Lome, Togo, West Aftica
Wednesday February 6, 2013 3:52 
3:58
Nora - EarlyWord: 
I'm seeing some people gathering; welcome everyone. We're almost ready to begin. You can send your questions through at any time. They'll go into a queue, and I’ll submit as many of them as I can to Taiye before the end of the chat. Don’t worry about typos – and please forgive any on our part.
Wednesday February 6, 2013 3:58 Nora - EarlyWord
3:59
Nora - EarlyWord: 
Taiye -- You’re in Rome right now and it’s pretty late there. Thanks for joining us and for sending us some photos of Rome today, so we can all envy your surroundings.
Wednesday February 6, 2013 3:59 Nora - EarlyWord
3:59
Nora - EarlyWord
Wednesday February 6, 2013 3:59 
3:59
Taiye Selasi: 
my pleasure.
Wednesday February 6, 2013 3:59 Taiye Selasi
3:59
Nora - EarlyWord
Wednesday February 6, 2013 3:59 
4:00
Nora - EarlyWord: 
Unfortunately, we’re going to have to end this chat around 4:45, ET, so we need to move quickly. Apologies in advance if we don’t follow rules of punctuation and please forgive typos!
Wednesday February 6, 2013 4:00 Nora - EarlyWord
4:00
Taiye Selasi: 
its one of my favorite things to photograph, windows
Wednesday February 6, 2013 4:00 Taiye Selasi
4:00
Nora - EarlyWord: 
Taiye; we talked just before Christmas, when we recorded our podcast chat, which is now up on EarlyWord. Since then, advance attention has been building for GHANA MUST GO, as I noted above. Pretty amazing for a debut. Is it fun, or crazy-making?
Wednesday February 6, 2013 4:00 Nora - EarlyWord
4:00
Taiye Selasi: 
a bit of both!
Wednesday February 6, 2013 4:00 Taiye Selasi
4:01
Taiye Selasi: 
since i was four years old, i've wanted to publish a novel, and so to watch this dream coming true is a bit of a dream itself.
Wednesday February 6, 2013 4:01 Taiye Selasi
4:01
Nora - EarlyWord: 
And, what's driving you crazy?
Wednesday February 6, 2013 4:01 Nora - EarlyWord
4:01
Taiye Selasi: 
the waiting. i've always lacked a bit of patience.
Wednesday February 6, 2013 4:01 Taiye Selasi
4:02
Nora - EarlyWord: 
Ha! Welcome to the book publishing time line!
Wednesday February 6, 2013 4:02 Nora - EarlyWord
4:02
Taiye Selasi: 
just yesterday, i received the first hardcopy in the mail, a bit like seeing one's first child for the first time, i'd imagine. but there are still weeks to go until publication, and the waiting is a bit stressful.
Wednesday February 6, 2013 4:02 Taiye Selasi
4:02
Nora - EarlyWord: 
Where does the book’s title come from?
Wednesday February 6, 2013 4:02 Nora - EarlyWord
4:02
Taiye Selasi: 
the muses, i suspect.
Wednesday February 6, 2013 4:02 Taiye Selasi
4:03
Taiye Selasi: 
when i first began writing the novel in copenhagen, microsoft word asked me to save the document, as per usual.
Wednesday February 6, 2013 4:03 Taiye Selasi
4:03
Taiye Selasi: 
the first thing that came to mind was ghana go home, an alternative to the expression used often in nigeria.
Wednesday February 6, 2013 4:03 Taiye Selasi
4:04
Taiye Selasi: 
when i arrived in ghana a few months later, my mum -- to whom the book is dedicated -- suggested ghana must go instead.
Wednesday February 6, 2013 4:04 Taiye Selasi
4:04
[Comment From Your NameYour Name: ] 
Hello Taiye and Nora. I'm happy to be joining you to talk about this amazing book.
Wednesday February 6, 2013 4:04 Your Name
4:04
Taiye Selasi: 
she liked the alliteration, and ive never met an alliterated phrase i didn't love.
Wednesday February 6, 2013 4:04 Taiye Selasi
4:04
Nora - EarlyWord: 
Where does that phrase come from?
Wednesday February 6, 2013 4:04 Nora - EarlyWord
4:05
[Comment From CathereineCathereine: ] 
Oops. Forgot to add my name! Glad to be joining both of you and the others logging in.
Wednesday February 6, 2013 4:05 Cathereine
4:06
Nora - EarlyWord: 
Where does the phrase, GHANA MUST GO come from?
Wednesday February 6, 2013 4:06 Nora - EarlyWord
4:06
Taiye Selasi: 
in 1983 the nigerian government summarily deported over 2 million ghanaians from the country. nigerians were growing ansty about ghanaians' increasing commercial power, and it was a convenient way to distract from existing domestic political troubles. as the ghanaian population left, they packed their things in cheap plastic bags, and were taunted as they went: ghana must go, ghana go home.
Wednesday February 6, 2013 4:06 Taiye Selasi
4:06
[Comment From Your NameYour Name: ] 
Hello, I am Corinne and I am very happy to join the conversation
Wednesday February 6, 2013 4:06 Your Name
4:07
Nora - EarlyWord: 
So, it's fraught with many painful memories.
Wednesday February 6, 2013 4:07 Nora - EarlyWord
4:07
Taiye Selasi: 
as often happens with derogatory phrases, this one was adopted by ghanaians themselves, and is used cheerfully in ghana -- and by luis vuitton.
Wednesday February 6, 2013 4:07 Taiye Selasi
4:07
Nora - EarlyWord: 
When I googled it, I found the Vuitton bags...
Wednesday February 6, 2013 4:07 Nora - EarlyWord
4:07
Nora - EarlyWord
Wednesday February 6, 2013 4:07 
4:08
Taiye Selasi: 
amazing, no?
Wednesday February 6, 2013 4:08 Taiye Selasi
4:08
Nora - EarlyWord
Ghana Must Go on the Runway
Wednesday February 6, 2013 4:08 
4:08
[Comment From CorinneCorinne: ] 
Did you feel that Kweku Sai and Fola had to flee from their own situations like the Ghanaians?
Wednesday February 6, 2013 4:08 Corinne
4:09
Taiye Selasi: 
well, ghanaians were forced from nigeria, their adopted country, and in many ways, kweku and fola were forced from their adopted countries as well.
Wednesday February 6, 2013 4:09 Taiye Selasi
4:09
[Comment From BethMills2BethMills2: ] 
I've been talking about the book with the 2(!) librarians from Ghana on our staff and one of them filled me in on that background. They both want to read the book.
Wednesday February 6, 2013 4:09 BethMills2
4:09
Taiye Selasi: 
beth, i'm thrilled!
Wednesday February 6, 2013 4:09 Taiye Selasi
4:10
Nora - EarlyWord: 
Interesting, Beth -- you're in New Jersey, right?
Wednesday February 6, 2013 4:10 Nora - EarlyWord
4:10
Taiye Selasi: 
to be honest, one of the common anxieties of so-called afropolitan writers is that our work reach african readers as well.
Wednesday February 6, 2013 4:10 Taiye Selasi
4:10
Nora - EarlyWord: 
You coined the term Afropolitan – explain what that means
Wednesday February 6, 2013 4:10 Nora - EarlyWord
4:10
[Comment From BethMills2BethMills2: ] 
New Rochelle, NY
Wednesday February 6, 2013 4:10 BethMills2
4:10
Nora - EarlyWord: 
I knew that!
Wednesday February 6, 2013 4:10 Nora - EarlyWord
4:11
Taiye Selasi: 
in 2005 i wrote an article arguing that there was a new generation of africans, children of african professionals in the main, who were redefining their relationship to and their expecations of the continent.
Wednesday February 6, 2013 4:11 Taiye Selasi
4:11
Nora - EarlyWord: 
Here's a link...
Wednesday February 6, 2013 4:11 Nora - EarlyWord
4:11
Nora - EarlyWord: 
Afropolitans -- LIP magazine
Wednesday February 6, 2013 4:11 Nora - EarlyWord
4:12
[Comment From CorinneCorinne: ] 
I thought Kweku had a better relationship with his wife so why did he just leave. I know he was ashamed, but still.
Wednesday February 6, 2013 4:12 Corinne
4:12
Taiye Selasi: 
corinne, it's a wonderful question.
Wednesday February 6, 2013 4:12 Taiye Selasi
4:12
Taiye Selasi: 
kweku leaves out of shame, but i think it's important to note that he RETURNS -- to find fola gone.
Wednesday February 6, 2013 4:12 Taiye Selasi
4:12
Taiye Selasi: 
at the very end fola notes that she left him, too.
Wednesday February 6, 2013 4:12 Taiye Selasi
4:13
[Comment From Melanie HollesMelanie Holles: ] 
I haven't finished the book yet, but I'm curious why you chose to alternate chapter narrators?
Wednesday February 6, 2013 4:13 Melanie Holles
4:13
Taiye Selasi: 
it didn't feel like a choice, melanie, to be honest. it just sort of happened that way. but i can say, it was so difficult i doubt i'll ever do it again ;)
Wednesday February 6, 2013 4:13 Taiye Selasi
4:14
Nora - EarlyWord: 
Fola is Nigerian and her husband Kweku is Ghanian – does that say something in advance about their relationship?
Wednesday February 6, 2013 4:14 Nora - EarlyWord
4:14
Taiye Selasi: 
perhaps for nigerians and ghanaians, who believe that there are fundamental differences between the two, but no, not for me.
Wednesday February 6, 2013 4:14 Taiye Selasi
4:14
Taiye Selasi: 
i believe so much more strongly in human narrative, in personality, than i do in national identity.
Wednesday February 6, 2013 4:14 Taiye Selasi
4:15
Nora - EarlyWord: 
Here's one of the questions we received in advance from a participant:


As I was reading the novel I came across a number of passages that were so rhythmic that I felt as if I was reading poetry. Was this effect intended, or something that just evolved?
Wednesday February 6, 2013 4:15 Nora - EarlyWord
4:15
Taiye Selasi: 
again, it's hard to know exactly where one's writing style comes from.
Wednesday February 6, 2013 4:15 Taiye Selasi
4:16
Taiye Selasi: 
i've heard all my life that my prose tends to favor poetry, and i completely accept this. it's truly just the way the words come out, if you will.
Wednesday February 6, 2013 4:16 Taiye Selasi
4:16
Taiye Selasi: 
i once read that the best prose is that which most appropriates poetry, and i think i've taken it to heart.
Wednesday February 6, 2013 4:16 Taiye Selasi
4:16
Nora - EarlyWord: 
Here's another advance question:
At one point in the book, you include some graphic sexual details [Note: we’re trying to avoid spoilers here for those of you who may not have finished it yet. Those who have, know what we’re talking about]. Why did you choose to do that?
Wednesday February 6, 2013 4:16 Nora - EarlyWord
4:17
Taiye Selasi: 
writing to me never feels like a choice: it happens, it flows, it comes, and i try my best to keep up with it. i can remember writing that scene, crying the whole time, but not feeling completely in control of what was coming forth.
Wednesday February 6, 2013 4:17 Taiye Selasi
4:18
Taiye Selasi: 
months later, i asked my editor whether it was too much, and she said: no, it is true, it is honest. that is your only obligation: to tell the truth.
Wednesday February 6, 2013 4:18 Taiye Selasi
4:18
Nora - EarlyWord: 
Your photos are beautiful. I understand you’re at work on a photographic project?
Wednesday February 6, 2013 4:18 Nora - EarlyWord
4:18
Taiye Selasi: 
i am! my goal is to photograph 20somethings in every african country, all 54.
Wednesday February 6, 2013 4:18 Taiye Selasi
4:19
Taiye Selasi: 
i started last summer with a meager 5 countries, and intend to continue over the next 3 years.
Wednesday February 6, 2013 4:19 Taiye Selasi
4:19
Nora - EarlyWord: 
How did that come about and where can we see the photos?
Wednesday February 6, 2013 4:19 Nora - EarlyWord
4:20
Taiye Selasi: 
i was googling images of african families, looking for an appropriate image for the swedish cover, when i realized that images of young people in africa are incredibly rare in the united states.
Wednesday February 6, 2013 4:20 Taiye Selasi
4:21
Taiye Selasi: 
i decided to rectify this in my own small way, by creating a collective portrait of africa's youth, and so its future.
Wednesday February 6, 2013 4:21 Taiye Selasi
4:21
Nora - EarlyWord: 
Here's a couple of your photos of African children:
Wednesday February 6, 2013 4:21 Nora - EarlyWord
4:21
Nora - EarlyWord
Girl, Ghana
Wednesday February 6, 2013 4:21 
4:21
Taiye Selasi: 
the photos will be displayed on a dedicated website beginning in 2014! i'm so incredibly excited.
Wednesday February 6, 2013 4:21 Taiye Selasi
4:21
Nora - EarlyWord
Young Student, Ghana
Wednesday February 6, 2013 4:21 
4:23
Nora - EarlyWord: 
Your book opened my eyes to a world of hyphenated Africans; one that I hadn't been award of. Well-educated, worldly, and well-traveled.
Wednesday February 6, 2013 4:23 Nora - EarlyWord
4:23
Taiye Selasi: 
i'm happy!
Wednesday February 6, 2013 4:23 Taiye Selasi
4:23
[Comment From CatherineCatherine: ] 
Beautiful photos...and a fascinating project!
Wednesday February 6, 2013 4:23 Catherine
4:23
Taiye Selasi: 
thank you. it's thrilling to have such a huge effort on my hands.
Wednesday February 6, 2013 4:23 Taiye Selasi
4:24
[Comment From CorinneCorinne: ] 
I see the theme of injustice running through your book. Kweku being fired for his failed surgery, the scene where Kehinde and Taiwo are accused of sex is that part of your message to the reader?
Wednesday February 6, 2013 4:24 Corinne
4:25
Taiye Selasi: 
corinne, another wonderful question. i truly don't believe that i have a message -- one message, a coherent message -- to deliver. my goal in writing this novel was merely to render the humanity, the frailty, the beauty of this family as faithfully as possible.
Wednesday February 6, 2013 4:25 Taiye Selasi
4:25
Nora - EarlyWord: 
I was fascinated by the relationship of the twins -- twins seem exotic in the U.S.
Wednesday February 6, 2013 4:25 Nora - EarlyWord
4:25
Taiye Selasi: 
i know! being a twin is so important to me, and to yoruba (nigeria) culture.
Wednesday February 6, 2013 4:25 Taiye Selasi
4:26
[Comment From CorinneCorinne: ] 
I can say you did deliver your message with success.
Wednesday February 6, 2013 4:26 Corinne
4:26
[Comment From CorinneCorinne: ] 
The other feeling I got while reading is that your want the readers to know that the Africian academics are climbing the charts and surpassing the asian population.
Wednesday February 6, 2013 4:26 Corinne
4:26
Taiye Selasi: 
may i ask, corinne, what you felt the message was
Wednesday February 6, 2013 4:26 Taiye Selasi
4:27
Nora - EarlyWord: 
Big question. We'll let Corinne formulate her response and take another question.
Wednesday February 6, 2013 4:27 Nora - EarlyWord
4:27
[Comment From LilyLily: ] 
How much time have you spent in Ghana? Did you ever live there?
Wednesday February 6, 2013 4:27 Lily
4:27
Taiye Selasi: 
i haven't, no. i go every year, at least one time a year, and my mum has lived there for 11 years. so it feels like one of many homes.
Wednesday February 6, 2013 4:27 Taiye Selasi
4:28
Taiye Selasi: 
since 2008, i've been bouncing around between new york, accra, and new delhi, settling finally in rome in 2012.
Wednesday February 6, 2013 4:28 Taiye Selasi
4:28
Nora - EarlyWord: 
Your book made me think about love; what we're willing to forgive, what we can't and what we wish we had forgiven.
Wednesday February 6, 2013 4:28 Nora - EarlyWord
4:28
[Comment From CorinneCorinne: ] 
I felt that the message was to get rid of the stero-type of a poor uneducated country and to show your readers that this is the new population in Africia
Wednesday February 6, 2013 4:28 Corinne
4:29
Taiye Selasi: 
wonderful, corinne. thank you.
Wednesday February 6, 2013 4:29 Taiye Selasi
4:29
Nora - EarlyWord: 
Do you think that Afropolians will have an impact on their home countries?
Wednesday February 6, 2013 4:29 Nora - EarlyWord
4:30
Taiye Selasi: 
absolutely! many of them -- us -- live in their home countries to begin with.
Wednesday February 6, 2013 4:30 Taiye Selasi
4:30
Taiye Selasi: 
and the rest of us, scattered around the world, are always thinking about how to effect some sort of meaningful change vis-a-vis our continent.
Wednesday February 6, 2013 4:30 Taiye Selasi
4:30
[Comment From CatherineCatherine: ] 
I fell in love with your characters, Taiye. I could feel the messiness of family life and relationships, as well as the hope and despair each experienced.
Wednesday February 6, 2013 4:30 Catherine
4:30
[Comment From SusanSusan: ] 
I absolutely loved your work. It was the character development that fascinated me
Wednesday February 6, 2013 4:30 Susan
4:30
[Comment From SusanSusan: ] 
Did the characters arrive whole to you?
Wednesday February 6, 2013 4:30 Susan
4:31
Taiye Selasi: 
i'm so happy to hear that, susan and catherine. stories, characters, worlds, narratives always arrive that way: entire, whole. the struggle is not what happens or to whom, but how and with what music, on what timing.
Wednesday February 6, 2013 4:31 Taiye Selasi
4:31
[Comment From AnneAnne: ] 
I just want to thank you for this wonderful novel. Loved the lyrical writing, the multiple narrators and getting into their heads, each of the character's journeys. I was talking to the characters as I read the book - telling them just say that, just do that, or no don't do that. Just amazing!
Wednesday February 6, 2013 4:31 Anne
4:32
Taiye Selasi: 
anne, trust me, i was doing the same thing :)
Wednesday February 6, 2013 4:32 Taiye Selasi
4:32
Taiye Selasi: 
but these characters had minds of their own.
Wednesday February 6, 2013 4:32 Taiye Selasi
4:32
Nora - EarlyWord: 
Taiye, Toni Morrison is a mentor; what have you learned from her?
Wednesday February 6, 2013 4:32 Nora - EarlyWord
4:33
Taiye Selasi: 
so much! but the thing i remember most has nothing to do with writing. i asked her once whether she believed that we all have a soulmate, whether there's someone out there for all of us. do you have one true love? she answered: no, i think you have seven. but you have to travel.
Wednesday February 6, 2013 4:33 Taiye Selasi
4:33
Taiye Selasi: 
and so i have traveled :)
Wednesday February 6, 2013 4:33 Taiye Selasi
4:34
Nora - EarlyWord: 
I felt that Olu and Ling's relationship was less fraught then the other characters -- but theirs was a relatively young one. I kept wondering where they might end up.
Wednesday February 6, 2013 4:34 Nora - EarlyWord
4:34
Taiye Selasi: 
oh, i wouldnt call their relationship young, they've been together for over 14 years.
Wednesday February 6, 2013 4:34 Taiye Selasi
4:35
Taiye Selasi: 
but they fit. they work. they are in love. it happens :)
Wednesday February 6, 2013 4:35 Taiye Selasi
4:36
Nora - EarlyWord: 
Interestingly, they both have difficult relationships with their fathers.
Wednesday February 6, 2013 4:36 Nora - EarlyWord
4:36
Taiye Selasi: 
they do.
Wednesday February 6, 2013 4:36 Taiye Selasi
4:36
Taiye Selasi: 
they have so much in common. they are friends to each other, they are journeymates.
Wednesday February 6, 2013 4:36 Taiye Selasi
4:36
Taiye Selasi: 
in many ways, their relationship reminds me of mine with my twin.
Wednesday February 6, 2013 4:36 Taiye Selasi
4:37
Nora - EarlyWord: 
I always imagine that this will be the question that authors most hate -- are you working on another book?
Wednesday February 6, 2013 4:37 Nora - EarlyWord
4:37
Taiye Selasi: 
i am!
Wednesday February 6, 2013 4:37 Taiye Selasi
4:37
Nora - EarlyWord: 
Spill!
Wednesday February 6, 2013 4:37 Nora - EarlyWord
4:37
Taiye Selasi: 
it's set in rome, and it's another narrative that arrived whole, years ago.
Wednesday February 6, 2013 4:37 Taiye Selasi
4:37
Nora - EarlyWord: 
Also with a complex family?
Wednesday February 6, 2013 4:37 Nora - EarlyWord
4:37
Taiye Selasi: 
is there any other kind?
Wednesday February 6, 2013 4:37 Taiye Selasi
4:37
[Comment From CorinneCorinne: ] 
How about Sadie and Philae's relationship. Bulimia caused by the media in Sadie. Could you comment.
Wednesday February 6, 2013 4:37 Corinne
4:38
Taiye Selasi: 
certainly. i think sadie's relationship with food is very much influenced by sadie's relationship with her mother.
Wednesday February 6, 2013 4:38 Taiye Selasi
4:38
Taiye Selasi: 
but there are, of course, the pressures of being a young woman in american society.
Wednesday February 6, 2013 4:38 Taiye Selasi
4:39
Taiye Selasi: 
and i do believe that our society promotes the pursuit of a physical aesthetic that can be incredibly damaging to young girls, especially fragile ones.
Wednesday February 6, 2013 4:39 Taiye Selasi
4:40
[Comment From CorinneCorinne: ] 
All so true. Fola clings too much. That will cause a cry for control.
Wednesday February 6, 2013 4:40 Corinne
4:40
[Comment From CorinneCorinne: ] 
You have a model style to you, therefore, do you have the pressures of eating? Great style and beauty.
Wednesday February 6, 2013 4:40 Corinne
4:41
Taiye Selasi: 
thank you, corinne!
Wednesday February 6, 2013 4:41 Taiye Selasi
4:41
Taiye Selasi: 
in prep school and college, i suffered deeply for the ways in which i did not approximate the north american ideal of beauty.
Wednesday February 6, 2013 4:41 Taiye Selasi
4:41
Taiye Selasi: 
i have to say, living in italy has helped so much: this culture enjoys such a different relationship to women, beauty, and food.
Wednesday February 6, 2013 4:41 Taiye Selasi
4:43
Nora - EarlyWord: 
Ugh! I hate that the North American ideal affected even you -- there are so many kinds of beauty. The world is richer for that.
Wednesday February 6, 2013 4:43 Nora - EarlyWord
4:43
Taiye Selasi: 
nora, i could not agree more.
Wednesday February 6, 2013 4:43 Taiye Selasi
4:43
Taiye Selasi: 
and i hope that if i ever have a daughter, i'll be able to share this with her, this sense of self.
Wednesday February 6, 2013 4:43 Taiye Selasi
4:43
Nora - EarlyWord: 
OK, I am dying to post the photo of you in the Alexander McQueen jacket. Will you kill me?
Wednesday February 6, 2013 4:43 Nora - EarlyWord
4:43
Taiye Selasi: 
i will not.
Wednesday February 6, 2013 4:43 Taiye Selasi
4:44
Taiye Selasi: 
but only because it's such an exquisite work of art.
Wednesday February 6, 2013 4:44 Taiye Selasi
4:44
Nora - EarlyWord: 
Oh, no! I had decided not to use it, so I didn't save it. But folks can find it in the Telegraph interview!
Wednesday February 6, 2013 4:44 Nora - EarlyWord
4:44
[Comment From CorinneCorinne: ] 
We really need to address this problem of thin and the young girls who are affected by what they see in the mirror.
Wednesday February 6, 2013 4:44 Corinne
4:44
Taiye Selasi: 
corinne, we do.
Wednesday February 6, 2013 4:44 Taiye Selasi
4:44
Taiye Selasi: 
it's a public health crisis that goes often ignored.
Wednesday February 6, 2013 4:44 Taiye Selasi
4:45
Nora - EarlyWord: 
Taiye has to go -- am going to post just one more question...
Wednesday February 6, 2013 4:45 Nora - EarlyWord
4:45
[Comment From SusanSusan: ] 
I am going back to your comment on poetry. I thought throughout the work but particularly in the death scene that your work was poetical
Wednesday February 6, 2013 4:45 Susan
4:45
Taiye Selasi: 
susan, sometimes i think i might be a poet in love with narrative that cannot be confined to poetry -- leaving me in the curious position of having to render entire stories through metered prose.
Wednesday February 6, 2013 4:45 Taiye Selasi
4:46
Nora - EarlyWord: 
Thanks, Taiye and to all the First Flights members for joining us.

We hope you’ll enjoy recommending GHANA MUST GO when it is published on March 5. This chat is now available in the archive; tell your colleagues to check it out.
Wednesday February 6, 2013 4:46 Nora - EarlyWord
4:46
Nora - EarlyWord
Cover of Ghana Must Go; Chat Begins at 4 p.m., Eastern
Wednesday February 6, 2013 4:46 
4:47
Taiye Selasi: 
thank you so, so much to all of you for participating.
Wednesday February 6, 2013 4:47 Taiye Selasi
4:47
Nora - EarlyWord: 
Goodbye, everyone. This has been fun.
Wednesday February 6, 2013 4:47 Nora - EarlyWord
 
 

Shirley MacLaine On Her Daughter’s Memoir

Wednesday, February 6th, 2013

Shirley MacLaine had “no comment” for ABC’s 20/20 Show on Friday’s interview with her daughter Sachi Parker about her book, Lucky Me: My Life With–and Without–My Mom, Shirley MacLaine, (Penguin/Gotham), which releases tomorrow.

Lucky Me

It seems she’s changed her mind. A story in Entertainment Weekly‘s “Shelf Life” about some of the book’s “weirdest moments” includes this update:

EW has received a statement from MacLaine in response to allegations from the memoir: ‘It’s a painful moment for me as a mother and as someone who values the truth. I’m shocked and heartbroken that my daughter would make statements about me that are virtually all fiction. I’ve praised her lovingly and truthfully in my own autobiographies. I’m sorry to see such a dishonest, opportunistic effort from my daughter for whom I’ve only ever wanted the best.”

UPDATE: after reports that the video of the interview caused problems for those trying to browse using Internet Explorer, we have taken it down. Link to it here.

SUGAR IN THE BLOOD on Fresh Air

Tuesday, February 5th, 2013

Sugar in the blood“One side of my family had owned another, and that that was as bleak and as straightforward as it got,” Andrea Stuart, author of Sugar in the Blood (RH/Knopf), tells Terry Gross on NPR’s Fresh Air yesterday.

Stuart is descended from a Barbados slave owner and an unknown slave, a reality she wasn’t able to accept until four years into research for her book.

As a result of the show, the book is rising on Amazon’s sales rankings and is currently at #174. Library holds are in line with orders.

Kids New Tite Radar; Week of Feb 4

Monday, February 4th, 2013

This week is all about series; all but one of the titles we’re featuring below are either continuations or the beginning of series. Please note that Maurice Sendak’s final completed book, My Brother’s Book, featured on NPR’s Morning Edition today, was covered in New Title Radar, as were the children’s tie-ins to the forthcoming Disney movie Oz the Great and the Powerful.

You can download an Excel spreadsheet here, listing the following titles and even more arriving this week.

Young Adult

9780316101752 The Kiss (Witch & Wizard)

The Kiss (Witch and Wizard series), James Patterson and Jill Dembowski, (Hachette/Little, Brown Young Readers; Hachette Audio), ages 12 and up

Patterson’s books are catnip to kids who need a high-interest read. The cover of this, the fourth title in the series, features a new look for the series (which began with the paperback edition of The Fire in November).

ScarletScarlet, Marissa Meyer, (Feiwel & Friends; Macmillan Young Listeners), ages 12 to 17

The first title in the Lunar Chronicles series, Cinder, was on my list of top ten YA novels last year. As Cinder was a futuristic take on Cinderella, it is not much of a stretch to see Red Riding Hood in this one with a very scary wolf.

HysteriaHysteria, Megan Miranda, (Walker Childrens), Ages 14 to 19

When the galley came out of the box our hip, cool, fabulous cataloger Abbey Chapel snatched it from my hands. I need not say more, but I will quote YA GalleyChatters who say this is a great suspense story about a girl who has apparently killed her boyfriend but is not sure what happened.

Etiquette & Espionage

Etiquette & Espionage, Gail Carriger, (Hachette/Little, Brown BYR), ages 7 to 17

Carriger already has a strong following for her Parasol Protectorate steampunk novels. With this, the first in the Finishing School series, she steps into YA,. The school is housed in a massive airship and is not what the mothers who send their daughters there expect; in this case “finishing” means “finishing people off” (those scissors on the cover are not for cutting silk). It was the title that came up most when I asked people at MidWinter what I should be reading. Don’t miss it.

Middle Grade

Big Nate Flips Out

Big Nate Flips Out , Lincoln Peirce, HarperCollins, Ages 8 to 12

Big Nate….seriously, any children’s librarian who doesn’t automatically buy this series should be put out to pasture . This is for the Wimpy Kid crowd, as underscored in the  blurb from Jeff Kinney on the cover; “Big Nate is funny, big time.” Here, Nate tries to become a neat freak.

Seven Wonders Book 1: The Colossus RisesSeven Wonders Book 1: The Colossus Rises,  Peter Lerangis and Torstein Norstrand, (HarperCollins), ages 8 to 12

Lerangis wrote two of the books in the  39 Nine Clues series, and here begins a new series, with a different publisher, which features an unexplored theme in children’s books, with four kids on a life-or-death mission to find seven orbs, hidden in the ruins of antiquity’s seven wonders of the world.

TThe Fourth Stall Part IIIhe Fourth Stall Part III, Chris Rylander, (HarperCollins/Walden Pond Press), ages 8 to 12
Funny and a little wacked. Rylander is a unique voice in series fiction.
 

Better Nate than NeverBetter Nate Than Ever, Tim Federle, (S & S Books for Young Readers), Ages 9 to 13
There’s another Nate in Town, as I found out when someone handed this to me as I roamed the aisles of ALA, and I am so glad they did. Smart and funny, first time author, Federle takes us behind the scenes into the world of working child actors in Broadway musicals.

Treasure on Superstition MountainTreasure on Superstition Mountain, Elise Broach, Antonio Javier Caparo, (Macmillan/Holt BYR), ages 8 to 12

Elise Broach knows how to tell a story. She especially knows how to keep those middle grade readers on the edge of their seats. This is the continuation of the Superstition Mountain series. If you didn’t read the first title, Missing on Superstition Mountain, pick it up now and count your lucky stars that you don’t have to wait for the second.

Picture Books

Follow FollowFollow FollowMarilyn Singer, illus. by  Josee Masse, (Dial), ages 6 & up

Singer stunned the picture book world with Mirror, Mirror, her first book of clever reworkings of fairytales in reverso poetry format (the poem is presented forward and then backward using the same text in reverse order). If you own the first (as you should), you won’t want to be without the second one.

Froggy's Worst Play DateFroggy’s Worst Playdate, Jonathan London, illus. by Frank Remkiewicz, (Penguin/Viking Juvenile), ages 3 to 5

London kills me. No kidding. From the first Froggy Gets Dressed, he reflects back the everyday lives of young children and finds humor in seemingly disastrous circumstances. This series is read-aloud gold.

March IndieNext List

Monday, February 4th, 2013

BenedictionTopping the March IndieNext List is the forthcoming book by Kent Haruf, Benediction (RH/Knopf, 2/26; RH Audio; BOT)

Says Gayle Shanks of Changing Hands Bookstore in Tempe, AZ,

Any new novel by Haruf is cause for celebration, but for those of us who have been waiting patiently to reconnect with the Front Range of Colorado and its quirky inhabitants since reading Plainsong and Eventide, Benediction is the answer to our literary prayers. The main character is dying, but that doesn’t set a tone of great remorse or regret for a life in its last stages on Earth. Instead, it becomes a reflection of a family, of the place where they live, of the forces that formed them and made them into the strange, angry, resourceful, and engaging people who they have become. Haruf is a wonderful writer, and I can’t wait to celebrate the publication of this book with him and with our customers.

New Title Radar – Week of Feb. 4

Friday, February 1st, 2013

The season moves into full gear this week, with dozens of titles vying for attention (so many, that we’ve put together a downloadable spreadsheet that includes the following highlights plus nearly 30 other titles). On our Watch List is a Gatsby-esque debut that has been a hit on GalleyChat, Indiscretion by Charles Dubow. Movie tie-ins remind us that Disney’s Oz, The Great and the Powerful arrives in theaters on March 8.

Watch List

IndiscretionIndiscretion Charles Dubow, (HarperCollins/ Morrow; Blackstone Audio; HarperLuxe)

We fell in love with this debut and asked GalleyChatters to read the ARC. They came back with equal enthusiasm, enjoying the “Gatsby-ness [it’s told from the perspective of an outsider, who suffers years of unrequited love for one of the main characters] and the twist at the end.” It’s on the February Indie Next list and is one of 16 Oprah Must-Reads for February. One library is betting big on it; Cuyahoga bought 210 copies.

LATE ADDITION:
Schroder Schroder, Amity Gaige, (Hachette/Twelve)

A People Pick in the new issue, this in-house favorite is reviewed by Danielle Trussoni (Angelogy) who calls it “a chilling story about an obsessional father who deceives his wife and kidnaps their only child…Gaige’s writing is surprising and original, but the real pull of this magnetic novel is the moral ambiguity the reader feels.”

The City of DeviThe City of Devi, Manil Suri, (W. W. Norton)

The Washington Post‘s reliable Ron Charles says, “Even amid the wondrous variety of contemporary Indian fiction, Suri’s work stands apart, mingling comedy and death, eroticism and politics, godhood and Bollywood like no one else.” It is scheduled for coverage on NPR’s Weekend Edition.

Review Magnet 

See Now Then, Jamaica Kincaid,  (Macmillan/FSG ; Macmillan Audio)

Kincaid’s first novel in ten years is sure to draw many reviews. Entertainment Weekly kicks it off with a middling B grade, saying that the story of a divorce is heavily reminiscent of Kincaid’s own, and that she “captures the stuck rhythms of marriage as she repeatedly cycles back to the same fights…As a literary device, it’s affecting, but actually reading the words, again and again, can get tiring.”

Usual Suspects

Deadly StakesDeadly Stakes, J.A. Jance, (S&S/Touchstone; S&S Audio; Thorndike Large Print)

The eighth in the series, Booklist gives it kudos for, “Fast pacing, multiple plotlines, a fascinating look at online research, and sympathetic characters … [all tied into a] suspenseful story,” but PW demurs that it exhibits “…awkwardly contrived linkages and a lack of narrative drive, [making] this a lesser effort.” Nevertheless, it is showing the most holds in libraries of all the titles coming out this week.
Touch & GoTouch & Go, Lisa Gardner, (Penguin/Dutton; Brilliance Audio; Thorndike Large Print)

People reviews this stand-alone about kidnapped couple Justin and Libby Denbe, saying “The suspense crackles as the Denbes grapple with their captors’ bewildering brutality. But what gives the story heart is Libby’s dawning realization that her family may have been broken long before their kidnappers appeared.”

Media Magnets

From Mama's TableFrom Mama’s Table to MineBobby Deen & Melissa Clark, (RH/Ballantine paperback original)

Paula Deen’s kids know how to make diet lemonade out of lemons. Their mother, who has made millions from comfort food, suddenly admits she’s had diabetes for years and the entire family goes on a diet. Rather than becoming Weight Watchers spokepeesons, son Bobby publishes a book and the entire family appears on cover of People Magazine (2/4 issue) . The book will be featured on several shows in the upcoming week; NBC’s Today Show; FOX-TV’s Fox and Friends; ABC’s The Dr. Oz Show; ABC’s The Chew and The Rachael Ray Show.
Lucky MeLucky Me: My Life With–and Without–My Mom, Shirley MacLaine, Sachi Parker, Penguin/Gotham

Shirley MacLaine, of course, is back in the spotlight because of her scene-stealing turns on Downton Abbey. She gets less flattering attention in her daughter’s memoir, which with will be featured on ABC’s 20/20 show tonight, on a segment titled, Stars, Scars and Showbiz Kids (10:00-11:00 p.m., ET).  The show’s press release states, “Parker says MacLaine neglected her while instead focusing on her own career and life.”
Citizenville: How to Take the Town Square Digital and Reinvent Government, Gavin Newsom and Lisa Dickey, (Penguin Press)

Clearly, there are high hopes for this book, which is embargoed with a one-day laydown on Tuesday. California Lieutenant Governor Newsom writes about using technology to improve local government (it is billed as an attempt to create “Angry Birds for Democracy”).

My Brother’s Book, Maurice Sendak, HarperCollins

As we noted earlier, Sendak’s final completed book is previewed on the Vanity Fair Web Site. Expect more coverage as the book arrives next week.

Movie Tie-ins

Disney’s Oz, The Great and the Powerful arrives in theaters on March 8. Disney is investing considerable bucks to promote this prequel via a spot during the SuperBowl on Sunday (ten-second preview below — to see longer trailers go to  the Official Web Site).

Publishing is also pulling out all the stops with re-releases of the original book:

The Wonderful Wizard of Oz, L. Frank Baum, Disney Press — This re-release features “beautifully repainted Denslow artwork, original Stromberg imagery, and an introduction by one of the stars of Oz The Great and Powerful, James Franco.”

Audio: Dreamscape is releasing new recordings of the first two Oz books (also on OverDrive):
The Wonderful Wizard of Ozread by Tara Sands (Jan 22)

The Marvelous Land of Oz read by Tara Sands (Feb 19)

Disney Press is releasing several tie-ins :

Oz The Great and Powerful, Elizabeth Rudnick — the junior novel adaptation

The Art of Oz The Great and Powerful by Grant Curtis — behind-the-scenes book

Oz The Great and Powerful: The Movie Storybook by Scott Peterson — movie stills

Oz The Great and Powerful: Witches of Oz, Scott Peterson, Disney Press– picture book

Oz The Great and Powerful: Land of Oz Disney Press — Level 2 World of Reading title.

WSJ Heralds A European GONE GIRL

Friday, February 1st, 2013

The DinnerMore drum rolls arrive today for The Dinner by Dutch author Herman Koch (RH/Hogarth; AudioGo; Thorndike Large Print coming soon). Following an “Exclusive First Read” on the NPR Web site on Tuesday (see our earlier story) , the Wall Street Journal, calls it “A European GONE GIRL,” saying this “sly psychological thriller that hinges on a horrific crime and its consequences for two families, has become one of this spring’s most anticipated suspense novels.”

The book doesn’t arrive until Feb. 12, but it’s time for libraries to re-order. Holds are already as high as 15:1 on modest orders.

THE HOUR OF PERIL In USA TODAY

Thursday, January 31st, 2013

The Hour of PerilUSA Today devotes several column inches to a book that explores the “Baltimore Plot” to kill president-elect Lincoln and describes “how detective Allan Pinkerton and America’s first female private eye, a 23-year-old widow named Kate Warne, saved Lincoln from assassination in 1861.”

The Hour of Peril: The Secret Plot to Murder Lincoln Before the Civil War by Daniel Stashower (Macmillan/Minotaur; Macmillan Audio; Thorndike Large Print) was released on Tuesday.

THE SIXTH STATION On The TODAY SHOW

Thursday, January 31st, 2013

The Sixth StationOn the Today Show this morning, New York Post TV columnist Linda Stasi discussed her first novel The Sixth Station (Macmillan/Forge) released last week. It is described as a “religious thriller” about “one journalist’s exploration into a man who is either the Second Coming or Revelation’s anti-Christ.”

Booklist called it a ” riveting first novel” noting that “Dan Brown and Steve Berry fans have another controversial novel in which to lose themselves.” Indeed, the cover carries a quote from Berry, “Mayhem, madness, passion…you’ll be gripping the pages so tight you knuckles will turn white.” It is also blurbed by Bill O’Reilly. Personal friend Liz Smith gushed over it (admitting she only is half-way through it) in the Huffington Post.

Kirkus was less enthusiastic, calling the protagonist “overly plucky” and saying the author, “trots out the usual tricks in this provocative but often clunky thriller.”

Libraries have ordered it cautiously and holds are in line with ordering. Excerpt here.

Visit NBCNews.com for breaking news, world news, and news about the economy

Early Attention: THE DINNER

Wednesday, January 30th, 2013

The DinnerNPR backs up raves on GalleyChat for The Dinner by Dutch author Herman Koch (RH/Hogarth; AudioGo; Thorndike Large Print coming soon), by giving it an “Exclusive First Read” on their Web site. It’s about two brothers and their wives  who get together for a fancy dinner in Amsterdam. This is not a celebratory dinner, however; they have come together to discuss a grisly crime perpetrated by their sons, for which they remain uncaught. As the meal progresses, the parents regress, revealing carefully hidden insecurities and resentments. When it was published in the UK in August, The Economist headlined its review, “The best beach read of the season is finally published in English.” It also notes that the translation is “seamless.”

It was featured at the Random House MidWinter Buzz session and is  available as a digital review copy on Edelweiss, as are many of the other RH Buzz titles.