Delia Ephron’s latest, Siracusa (PRH/Blue Rider Press; Penguin Audio/BOT; OverDrive Sample) may bring her to a new level of popularity. The novel is getting strong media attention and is rising on Amazon, currently just outside the top 100. Deadline Hollywood reports a film deal is in the works.

In a review titled “Delia Ephron writes her own version of Heartburn” referring to her sister Nora Ephron’s famous novel, The Washington Post summarizes the plot, “The story centers on two couples vacationing together in Italy. The four of them take turns telling the story, and their views of events rarely coincide.”

However, says the reviewer, “Siracusa takes a more expansive look at matrimony and its discontents,” adding,

“For much of the way, Siracusa is a sophisticated, elegantly written, delightfully cynical look at four middle-aged Americans, not unlike people most of us know, as they struggle to make sense of their lives. Then, abruptly, the story darkens. All readers may not share my admiration for its shocking conclusion, but it’s that sudden glimpse of tragedy, even of evil, that gives Ephron’s novel the feel of a classic.”

The LA Times says it is “skillfully wrought,” comparing it to “Akira Kurosawa’s 1950 film Rashomon … Ford Madox Ford’s 1915 modernist masterpiece The Good Soldier and Showtime’s ongoing dramatic series The Affair. There’s even an echo of Ian McEwan’s 2001 novel, Atonement about passion, guilt and how writers distort lives for literary ends.”

However, the review adds a note of caution, saying “In the end, Siracusa, like life, is a tad disappointing, its culminating disaster coming as something of an anticlimax.”

The book was featured on multiple summer reading lists. Ephron was recently interviewed on NPR’s Diane Rehm Show.

Holds are spiking at the majority of libraries we checked, some topping 7:1 ratios.

Stephenie Meyer will release her second novel for adults this fall, a thriller starring a female secret-agent, The Chemist  (Hachette/Little, Brown on November 15).

The Wall Street Journal, Entertainment Weekly, and USA Today are all reporting the story based on a press release.

As quoted in the WSJ Meyer says:

“The Chemist is the love child created from the union of my romantic sensibilities and my obsession with Jason Bourne/Aaron Cross … I very much enjoyed spending time with a different kind of action hero, one whose primary weapon isn’t a gun or a knife or bulging muscles, but rather her brain.”

It will be the first thriller by the author most famous for her YA Twilight saga novels and will her second adult novel after her SF  novel, 2008’s The Host.

Although it’s getting snowy and cold in the North of HBO’s Game of Thrones, the series is focused on summer. According to multiple sources including Vanity Fair, season seven will air in summer 2017 and consist of only seven episodes. The previous six seasons have featured 10 episodes each and they aired in the spring.

Perhaps even more troubling for fans, Vanity Fair also reports that the final season, #8, will be even shorter, just six episodes. Sources such as Variety have confirmed those numbers, leaving fans only 13 hours more to enjoy.

Showrunner David Benioff explains the truncated seasons to Deadline Hollywood:

“It’s not just trying not to outstay your welcome … We’re trying to tell one cohesive story with a beginning, middle and end … Daenerys is finally coming back to Westeros, Jon Snow is king of the North and Cersei is sitting on the Iron Throne. And we know the Night King is up there, waiting for all of them … The pieces are on the board now. Some of the pieces have been removed from the board and we are heading toward the end game.”

Showrunner D.B. Weiss tells Variety that the high production values of the series are also part of the reason for shorter season because hey simply cannot make ten episodes in 12-14 months of shooting, “It’s crossing out of a television schedule into more of a mid-range movie schedule.”

The NYT points out that the late start might change future award seasons: “If the seventh season begins later than May, it will not be eligible for next year’s Emmy Awards,” continuing “Game of Thrones has garnered the most Emmy nominations of any TV show for three consecutive years, and last year it took home the Emmy for best drama for the first time.” This year, reports USA Today, it racked up 23 nominations, the most of any show in 2016.

As if to temper the disappointment over the delayed start and shorter seasons, Vanity Fair speculates that the schedule might give George R.R. Martin enough room to complete The Winds of Winter in time for inclusion in the TV series. Martin, who always has much to say on his blog, is completely mum on that point.

Check your holds for They May Not Mean To, But They Do by Cathleen Schine (Macmillan/FSG; Macmillan Audio; OverDrive Sample). It is rising on Amazon, up to #346 from #4,077, and demand is spiking in several libraries.

The rise coincides with a feature on NPR’s Fresh Air yesterday. In a long conversation host Terry Gross asks Schine about her newest book and how it reflects the novelist’s own life.

Their conversation centers upon the difficulties of middle-age kids dealing with their aging and ill parents and the feelings of guilt that arise from living far away from them.

The publicity for the book paints it as far more comedic than the interview suggests, a take many reviews reinforce. NPR’s book critic Maureen Corrigan asked, “who needs a novel about colostomy bags and grief? … you do if you’re a reader who relishes acute psychological perceptions and lots of laughs to leaven the existential grimness.”

Author Penelope Lively, reviewing for the NYT BR, says the novel “combines black comedy with shrewd observation of family dynamics,” continuing that “Despite its subject matter [it] is a very funny novel.”

Entertainment Weekly gave it a strong B+, writing that the “deliciously quirky multigenerational novel … manages to be funny and heartbreaking at the same time; Schine has a gift for transforming the pathos and comedy of everyday life into luminous fiction.”

In a coup of galactic proportions, the cable network Starz acquired the TV rights to the blockbuster Star Wars: The Force Awakens and will premiere the movie beginning September 10, reports Deadline Hollywood.

The next Star Wars film, a stand-alone spin-off, Rogue One, debuts in theaters on Dec. 16, 2016.

Following the precedent set by The Force Awakens, the official novelizations for Rogue One will not be released until at least a month after the film premieres. Edelweiss currently lists adult and junior novelizations.

Releasing in November is a prequel to Rogue One, the Catalyst (Star Wars): A Rogue One Novel, (PRH/Del Rey, Nov. 15, 2016) written by James Luceno, the author of a number of earlier Star Wars titles. At the time of the movie, several companion books as well as childrens titles will be released, see our list of tie-ins to upcoming movies.

Even more Stars Wars related titles are being released, as outlined by Comicbook.com.

A special, not yet public clip featured at the just-concluded “Star Wars Celebration” fan conference held in London, confirms that Darth Vader is in the film, reports Deadline Hollywood, (not a big surprise, since he is listed in the credits). Below is the recently released “Celebration” trailer (sans Vadar).

It follows the first teaser trailer, released in April:

If, like us, the long-running and multiple story lines make your heads spin, B&N offers a guide to what to read (or suggest) while waiting for Rogue One to appear.

Rose Byrne (Damages) will play Rebecca Skloot, starring opposite Oprah Winfrey in HBO Films production of The Immortal Life of Henrietta Lacks, reports Deadline Hollywood.

As we noted earlier,  Oprah will play Deborah Lacks, Henrietta’s daughter and the character through whom the story is told.

Skloot is the author of the bestselling nonfiction account and her character in the book forms what Deadline calls “a close bond” with the character Oprah plays.

George C. Wolfe (Angels In America) wrote the adaptation and will direct, also reports Deadline. With these critical roles filled, the film is moving closer to full production.

Heard of Five Nights at Freddy’s? If you haven’t, you soon will.

It is a popular point-and-click video horror game in which the player takes the role of a night security guard trying to stay alive while a gang of roaming animatronic creatures, possessed by the ghosts of murdered children, stalk the hallways of a pizza parlor.

The game will also have book and potentially movie components. In late June, Scholastic announced plans to start a new series based on the game. In 2015, Entertainment Weekly reported that Warner Bros. optioned the games for a possible film project. Mashup master Seth Grahame-Smith is involved as a producer and told The Hollywood Reporter that he is looking forward to making “an insane, terrifying and weirdly adorable movie.” Deadline Hollywood had news about a year ago that Gil Kenan (in charge of the remake of Poltergeist) is on board to direct. GameNGuide updated the story at the start of this month, speculating a 2018 air date.

The first book based on the series, a 2015 self-published novel titled Five Nights at Freddy’s: The Silver Eyes by Scott Cawthon, is currently soaring on Amazon, sitting just outside the top 100, moving up from a sales rank of 2,226. It will be re-issued by Scholastic in late September and is set ten years after the murders as a group of teens return to the boarded up pizza parlor.

Several libraries bought the self-pub edition and currently show hold ratios hovering around 3:1.

The major theatrical release this week is the family movie Ice Age: Collision Course, opening Friday July 22. The fifth in the series, it features all the usual characters, plus a few more, as they try to save the world from an asteroid collision (and do battle at the box office with The Secret Life of Pets and Finding Dory).

There’s a wide range of tie-ins which we wrote about in Titles to Know for the week of June 6.

Key titles include Ice Age: Collision Course: The Junior Novel, J.E. Bright (S&S/little bee books), the storybook Volcano to the Rescue!, Mike Teitelbaum (S&S/little bee books) and two leveled readers by Suzy Capozzi: Scrat’s Space Adventure (S&S/little bee books; also in paperback) and Welcome to Geotopia (S&S/little bee books; also in paperback).

Also coming is Into the Forrest, an adaptation of Jean Hegland’s 1996 novel about two sisters trying to survive after a massive power outage. When it premiered at the 2015 Toronto Film Festival Variety called it “heartfelt but under-realized,” and did not think much of its commercial prospects. It did not get picked up for a major release. Instead it premieres on DirectTV on June 23 (and in NY/LA theaters) before opening in wider release at the end of the month.

No tie-in for this one.

Tony-winning Daveed Diggs, who earned the coveted statue for his origination of the roles of Thomas Jefferson and the Marquis de Lafayette in Lin Manuel-Miranda’s Hamilton, is heading to the Stephen Chbosky film Wonder, based on the long-running middle-grade bestseller by R.J. Palacio, Wonder (RH/ Knopf Young Readers, 2012).

The critically acclaimed novel is about a 10 year-old boy with facial abnormalities who has been homeschooled and what happens when he enters a public school. Diggs will play Mr. Browne, says Deadline Hollywood, “an English teacher at the school whose approach to literature is to teach what it means to be human.”

He will star alongside Jacob Tremblay and Julia Roberts.

The novel is still on the NYT bestseller list, currently #3 on the Children’s Middle Grade Hardcover list.

Missing, Presumed by Susie Steiner (PRH/Random House; RH Audio/BOT; OverDrive Sample) got a big boost from NPR’s Weekend Edition Saturday, causing  the book to jump on Amazon’s sales rankings from 4,426 to 146.

The police procedural, a June LibraryReads pick, was inspired by Kate Atkinson’s approach to the Jackson Brodie mysteries, which Steiner says have “all the propulsion of mystery — so there’s that page-turning grit making you want to go back to it — but along with that is all the riffing and meandering and depth and relationship of a literary novel.”

The “riffing and meandering” in her case it is the character of detective inspector Manon Bradshaw, a very lonely woman who is suffering in her personal life, “in particular the tribulations of Internet dating, which she finds particularly miserable, as a lot of people do.”

The NPR interview also focused on Steiner’s process of writing. “I’m a huge rewriter,” she says, which helps her dose out the clues: “I do draft upon draft upon draft, and that provides an opportunity to backlay clues. So there was an awful lot of putting clues in, taking them out again, putting them back in, worrying it was then obvious … that’s a delicate balance because the reader wants to be co-sleuth — that’s part of the joy — but also not to work it out too early.”

NPR has been an early fan. In addition to the interview, Bethanne Patrick wrote an online only review in early July, saying “If you’ve binge-watched Happy Valley, The Fall or Prime Suspect, have I got a book for you … You might come to Missing, Presumed for the police procedural; you’ll stay for the layered, authentic characters that Steiner brings to life.”

Asked if there is a sequel in the works, Steiner told Weekend Edition, “There’s certainly another one.”

Holds are spiking at several libraries we checked, with ratios topping 5:1 in some locales.

We have a new name among holds leaders for books arriving this week, Ruth Ware for her second novel, The Woman in Cabin 10 (S&S; S&S Audio; OverDrive Sample). Refreshingly, this psychological thriller does not have a girl in the title. Ware’s first book, last year’s In A Dark, Dark Wood, was a LibraryReads pick, as is this one (see Peer Picks, below). Her debut also appeared on the NYT Hardcover Best Seller list for a week and has since developed a larger audience in trade paperback, currently on that NYT list at #6 after 7 weeks.

Ware follows authors with much longer track records, each of whom is releasing her seventeenth novel. The top title in holds for the week is Iris Johansen’s crime novel, Night and Day (Macmillan/St. Martin’s; Recorded Books; OverDrive Sample), followed by Jane Green’s romance, Falling (Penguin/Berkley; Penguin Audio; BOT; OverDrive Sample).

The titles covered here, and several more notable titles arriving next week, are listed with ordering information and alternate formats, on our downloadable spreadsheet,EarlyWord New Title Radar, Week of July 18, 2016

Consumer Media Picks

Not Pretty Enough, Gerri Hershey, (Macmillan/FSG).

People magazine’s “Book of the Week” — “This rollicking, Masterful biography celebrates a woman who had the audacity to tell us something we secretly knew already: Sex matters.” It is also reviewed in both the daily NYT and in the NYT Sunday Review, under the headline “Was She a Feminist? The Complicated Legacy of Helen Gurley Brown,” along with Enter Helen: The Invention of Helen Gurley Brown and the Rise of the Modern Single Woman by Brooke Hauser (HarperCollins/Harper; April). As the story points out much more will be coming on Brown, including a possible movie based on Enter Helen.

People also picks Delia Ephron’s Siracusa (PRH/Blue Rider Press; Penguin Audio/BOT; OverDrive Sample), a LibraryReads pick that we covered last week as well as Nina Stibbe’s Paradise Lodge (Hachette/Little Brown). Of the latter, People comments, “You won’t find a funnier, more original confidante than Lizzie Vogel, a teen who’s taken a job in a nursing home.” Stibbe is the author of Love, Nina, an early LibraryReads pick and Man at the Helm, in which Lizzie first appears.

Peer Picks

Two July LibraryReads titles hit shelves this week.

The Hopefuls, Jennifer Close (PRH/Knopf; RH Audio; OverDrive Sample).

“When Beth and Matt, an aspiring politician, move from NYC to DC, Beth initially hates it. But things start to turn around for her when they befriend another “transplant” couple, Ashleigh and Jimmy. Beth’s loyalty is tested when she is forced to admit to herself that Matt is just not quite as attractive, magnetic or charismatic as his rival-friend, Jimmy…..who harbors similar political aspirations. The Hopefuls is on point in its descriptions of young marriage, career ambition, and complicated friendships. The characters are completely compelling. I was overdue for a great read and this was it!” — Amy Lapointe, Amherst Town Library, Amherst, NH

It is a summer reading favorite from Entertainment Weekly, Elle, Glamour, and the St. Louis Post-Dispatch.

The Woman in Cabin 10, Ruth Ware (S&S/Gallery/Scout Press; S&S Audio; OverDrive Sample).

“An intruder in the middle of the night leaves Lo Blacklock feeling vulnerable. Trying to shake off her fears, she hopes her big break of covering the maiden voyage of the luxury cruise ship, the Aurora, will help. The first night of the voyage changes everything. What did she really see in the water and who was the woman in the cabin next door? The claustrophobic feeling of being on a ship and the twists and turns of who, and what, to believe keep you on the edge of your seat. Count on this being one of the hot reads this summer!” — Joseph Jones, Cuyahoga County Public Library, OH

It is also an August Indie Next pick as well as a summer reading selection by Entertainment Weekly and Amazon. EW said, “Call it THE GIRL ON THE BOAT.”

Another Indie Next pick out this week is The Secret Language of Stones, M. J. Rose (S&S/Atria Books), part of the Daughters of La Lune series.

“World War I Paris is a dangerous place for the young witch Opaline Duplessi. Still in denial about the true extent of her powers and hopelessly in love with a man she can never have, Opaline becomes caught up in a Russian émigré’s plan to save a Romanov from Bolshevik spies on the windswept English coast. Magic and intrigue collide in this captivating follow-up to The Witch of Painted Sorrows.” —Paula Longhurst, The King’s English Bookshop, Salt Lake City, UT

Tie-ins

Two tie-ins come out this week, both connecting to revamps of older projects.

Suicide Squad Vol. 4: The Janus Directive, John Ostrander (PRH/DC Comics) is the next collected edition featuring the super villain strike team who serve as covert agents on specialized black op missions.

The comic series was originally created by Ross Andru and Robert Kanigher in 1959. The movie adaptation is based on the newer 1987 series by John Ostrander.

There have been three previous collections:

Vol 1: Trial by Fire (Sept. 2015 — 9781401258313)

Vol. 2: The Nightshade Odyssey (Dec, 2015– 9781401258337)

Vol. 3: Rouges (April, 2016 — 9781401260910)

The movie was featured on the cover of the July 15 issue of Entertainment Weekly and boasts a large ensemble cast including Will Smith, Jared Leto, Margot Robbie, Joel Kinnaman, Viola Davis, Jai Courtney, Jay Hernandez, Adewale Akinnuoye-Agbaje, Ike Barinholtz, Scott Eastwood, and Cara Delevingne. It opens on Aug. 5.

Also pubbing is Ben-Hur: A Tale of the Christ, Carol Wallace (Tyndale House; also in trade paperback and in Spanish).

It is an adaptation of the 1880 novel, which has already served as the basis of several movies, including the Charlton Heston film from the late 50s.

This new version of the text is not the 1880’s edition but, as the publisher says, an update by “Lew’s great-great-granddaughter [who] has taken the old-fashioned prose of this classic novel and breathed new life into it for today’s audience.”

The film stars Jack Huston and Morgan Freeman and opens Aug. 19.

For our full list of upcoming adaptations, download our Books to Movies and TV and link to our listing of tie-ins.

Two literacy researchers have published a study that shows poor American communities are “book deserts.” Their work, covered in a story in The Atlantic, gives public and school librarians much to ponder.

Susan Neuman, a researcher at New York University who was in charge of implementing No Child Left Behind during the Presidency of George W. Bush, and co-author Naomi Moland, an assistant professor at Columbia University’s Teachers College, found that, in poor communities there is little access to print resources for “kids of any age, including fiction and nonfiction books and newspapers.”

Scouring sample communities they found that roughly “2 percent of all the businesses in those neighborhoods” sold print resources, making it nearly impossible for parents to buy books for their children. A 2014 study of the Anacostia neighborhood of Washington DC found the community did not “have a single store selling a book for preschoolers, and there were only five books available for kids in grades K-12. In other words, 830 children would have to share a single book in the impoverished Washington neighborhood.”

“How do you become literate when there are no available resources?” asked Neuman.

The study does not include libraries, because, as The Atlantic reports “Statistically, poor families are far less likely to utilize public libraries, whether it’s because they’re not acclimated to using them or because they’re worried about being charged late fines, or because they’re skeptical of putting their name on a card associated with a government entity. Neuman has found that only 8 percent of such families report they have taken advantage of library resources.”

Equally as troubling are the long-term effects of book deserts. According to the study, “When there are no books, or when there are so few that choice is not an option, book reading becomes an occasion and not a routine.”

The latest in the Chief Inspector Gamache mystery series, A Great Reckoning by Louise Penny (Macmillan/Minotaur) is the #1 LibraryReads pick for August.

“Armand Gamache is back, and it was worth the wait. As the new leader of the Surete academy, Gamche is working to stop corruption at its source and ensure the best start for the cadets. When a copy of an old map is found near the body of a dead professor, Gamache and Beauvoir race against the clock to find the killer before another person dies. A terrific novel that blends Penny’s amazing lyrical prose with characters that resonate long after the book ends. Highly recommended.” — David Singleton, Charlotte Mecklenburg Library, Charlotte, NC

Additional Buzz: It has earned a rare all-star sweep from Booklist, Kirkus, Library Journal, and Publishers Weekly.

The Dollhouse, Fiona Davis (PRH/Dutton; Penguin Audio/BOT; OverDrive Sample).

“This is the story of the women who stayed in the Barbizon Hotel in the 1950’s. A reporter is tipped off about one of the women, who still lives in the building over 60 years later. As she tries to research a murder and a case of switched identities, she starts becoming part of the story. The narration switched between 2016 and 1952 and as I read the novel, I soon got caught up in the next piece of the puzzle. It had history, romance, and a way to view the changing roles of women. Enjoyed it very much!” — Donna Ballard, East Meadow Public Library, East Meadow, NY

Additional Buzz:  See our chat with the author here. It is also one of B&N‘s summer reading picks.

The Book That Matters Most, Ann Hood (Norton).

“A recently separated woman seeks solace and purpose in a local book group, while her daughter is dealing with her own life-changing problems that just might be resolved with a little literary assistance. The juxtaposition of the idyllic small town and the harsh reality of the seedier side of Paris, the weight of memory and regret, and the power of human connection, along with the engaging characters all work together to create an enthralling read. Readers will be carried away with the hope that these lovely and damaged characters can find their own happy ending.” — Sharon Layburn, South Huntington Public Library, South Huntington, NY

Additional Buzz: An Indie Next pick for August (one of several overlaps this month between booksellers and librarians’s selections), it is also a B&N summer reading pick.

The full list of ten selections is available now.

The NEA announces today a new focus for the Big Read program,  the national version of the Nancy Pearl invention “If All Seattle Read the Same Book.” The new focus, “Reflects Diversity of Contemporary Lives and Authors.”

As a result, several titles have been dropped, reports a syndicated story by the AP, including a staple of One Book programs, Harper Lee’s To Kill a Mockingbird, as well as poetry by Emily Dickinson, Ray Bradbury’s Fahrenheit 451, F. Scott Fitzgerald’s The Great Gatsby, and John Steinbeck’s The Grapes of Wrath.

13 titles have been added. Among the new entries are more works by women, works in translation, poetry, short stories, memoirs, as well as  genre titles. Updated selections for three authors already on the list, Louise Erdrich, Marilynne Robinson, and Tobias Wolff, are also included..

The new titles are:

Five Skies, Ron Carlson (PRH/Penguin)

The Round House, Louise Erdrich (Harper/Harper Perennial)

How We Became Human: New and Selected Poems 1975-2002, Joy Harjo (Norton)

To Live, Hua Yu, translated by Michael Berry (PRH/Anchor)

Pretty Monsters, Kelly Link (PRH/Speak)

Station Eleven, Emily St. John Mandel (PRH/Knopf)

Everything I Never Told You, Celeste Ng (PRH/Penguin)

Citizen: An American Lyric, Claudia Rankine (Macmillan/Graywolf Press)

Gilead, Marilynne Robinson (Macmillan/Picador)

This Boy’s Life: A Memoir, Tobias Wolff (Perseus/PGW/Legato/Grove Press)

The Latehomecomer: A Hmong Family Memoir, Kao Kalia Yang (Consortium/Coffee House)

Book of Hours, Kevin Young (PRH/Knopf)

Ways of Going Home, Alejandro Zambra, translated by Megan McDowell (Macmillan/FSG)

The full list of Big Read titles is available online.

The books were selected by a range of readers, including a librarian, following a criteria that stressed the “capacity to: inspire lively and deep discussion; expand the voices, stories, and genres represented; generate interest from lapsed and/or reluctant readers while also challenging avid readers; and encourage innovative programming for communities.”

In the NEA’s statement, Amy Stolls, director of literature, says: “We hope that this new direction will inspire folks to discover new books and enjoy talking about them with family and friends, neighbors and peers, and especially people they have yet to meet.”

In her NYT review of Belgravia, the novel by Downton Abbey creator Julian Fellowes, Daisy Goodwin speculates on whether it will satisfy the legions who are still mourning the end of the TV series.

Curiously, Goodwin herself is in the running to fill that hole, as the writer and co-executive producer of an 8-part TV series Victoria, about the early years of the queen’s reign. It will run in January on PBS Masterpiece in the very time slot Downton once occupied (in the UK, it begins this fall on ITV, also in the time slot that Downton once ruled).

In addition, in late November, Goodwin will publish Victoria: A Novel (Macmillan/St. Martin’s Press). It’s not clear that the book is the source for the series. The publisher description simply says, “Drawing on Victoria’s diaries as well as her own brilliant gifts for history and drama, Daisy Goodwin, author of the bestselling novels The American Heiress and The Fortune Hunter as well as the new PBS/Masterpiece drama Victoria, brings the inner life of the young queen even more richly to life in this magnificent novel.”

Goodwin’s The Fortune Hunter (Macmillan/St. Martin’s, 2014) drew comparison from People magazine to Fellowes, “Downton Abbey fans will gallop like Thoroughbreds through this entertaining historical novel.”

Doctor Who alum Jenna Coleman will star in the TV series as Victoria, reports Entertainment Weekly, “beginning from her ascension to the throne in 1837, through to her courtship and marriage to Prince Albert,” played by Tom Hughes (About Time).

ITV has posted several clips, a longer first look and a teaser that reveals some of the lush costuming.

Masterpiece executive producer Rebecca Eaton enthuses to Entertainment Weekly, “Victoria has it all: a riveting script, brilliant cast, and spectacular locations. And it’s a true story! This is exactly the kind of programming Masterpiece fans will love.”