A sleeper hit from the fall is doing well on multiple bestseller lists, rising as spring titles start to replace many others from 2016.

A Gentleman in Moscow, Amor Towles (PRH/Viking; Penguin Audio/BOT; OverDrive Sample), is not only still on best seller lists, it is climbing.

With media attention and the largest wave of publisher PR over, it is word of mouth that is propelling the novel upward.

It debuted at #82 on the Sept. 22nd USA Today list. This week, five month later, it rose to #40 . The Indie Bestsellers Lists currently has it at #3 and the novel has never fallen out of their top 11. On the LA Times list it has ranged from a low of #18 to a current high of #2. The NYT list is not as strong but does show a steady rise from outside the top 15 to its current position at #10.

Ron Charles, book reviewer for The Washington Post, and clearly an admirer, wrote upon its publication:

“How delightful that in an era as crude as ours this finely composed new novel by Amor Towles stretches out with old-World elegance. [It] offers a chance to sink back into a lost attitude of aristocracy — equal parts urbane and humane … this is a story designed to make you relax, to appreciate your surroundings, to be a person on whom nothing is lost. And don’t worry: There’s some gripping derring-do in the latter parts. (Hollywood: Why haven’t you snapped this up?).”

Library patrons are also interested. Holds remain above a 3:1 ratio in most systems we checked.

As we noted earlier, this marks a significant leap for Towles. His debut, Rules of Civility, did not break into the NYT top ten, rising only as high as #16 and holding that position for just one week. Beyond its continued success on bestseller lists, Gentleman was both an Indie Next pick and a Fall Reading favorite from Entertainment Weekly.

The literary world is holding its collective breath for the publication on Tuesday of George Saunders’ first novel, Lincoln in the Bardo, as we reported earlier. At that time, we were surprised to find that holds were relatively low. They have been growing since and more will come, as Saunders has several media appearances coming up, including the Late Show with Stephen Colbert on Wednesday. More on the title below, under Peer Picks.

The holds leader for the is week Heartbreak Hotel, Jonathan Kellerman, (PRH/Ballantine; OverDrive Sample).

The next in the best selling series featuring child psychologist Alex Delaware series, prepub reviewers were not impressed. Publisher Weekly says, “The psychological insights Alex typically displays are few and barely relevant to the inquiry or its solution.”

The titles highlighted in this column, and several other notable titles arriving next week, are listed with ordering information and alternate formats, on our downloadable spreadsheet, EarlyWord New Title Radar, Week of Feb. 13, 2017

Peer Picks

Three LibraryReads titles hit shelves this week.

We Were the Lucky Ones, Georgia Hunter (PRH/Viking; Penguin Audio/BOT).

“When Georgia Hunter learns that she is a descendant of large family of Holocaust survivors, she knows that she is destined to be the recorder of their story. This is the result of years of research to gather as much detail about her relatives as she possibly can. How this group of people manages to survive years of persecution and imprisonment is astounding. It is an inspiring read, and one that honors the memory and struggle of not just the author’s family, but all of the people who suffered during the war.” — Mary Coe, Fairfield Woods Branch Library, CT

Additional Buzz: Glamour picks it as one of the “Best Books to Read in 2017,” writing “Love in the face of global adversity? It couldn’t be more timely.” Bustle says Hunter is one of “15 New Authors You’re Going To Be Obsessed With This Year.”

Gilded Cage, Vic James (PRH/Del Rey; RH Audio/BOT; OverDrive Sample).

“Welcome to a world where magic grants you access to all the benefits of wealth and power. This is the story of two families, one from magic and one not. When Abi comes up with a plan to help her family by having them serve one of the most powerful magical families, she thinks it will save them. But when her brother is sent to one of the harshest work camps, the plan seems less likely to keep them alive. Her brother must face the dangers of slavery while Abi and the others will see grandeur and wealth but also see the rotten core that is gilded in gold.” — Suzanne Christensen, Spanish Fork Public Library, Spanish Fork, UT

Additional Buzz: The Washington Post says it is one of the “Best science fiction and fantasy books to read in February,” writing “one can’t help but anticipate the next novel in the series.” The Guardian lists it in their SFF roundup, saying “Beautifully characterised and compellingly plotted, Gilded Cage is an impressive debut.”

The Chilbury Ladies’ Choir, Jennifer Ryan (PRH/Crown; RH Audio/BOT; OverDrive Sample).

“The Chilbury Ladies’ Choir is a powerful story of both hope and despair. Told through diary entries, this is a wonderful glimpse into life in a small British town during WWII. Ryan is a skilled writer who gives each diary entry a clear voice: Mrs. Paltry is dishonest and scheming, Venetia, the self-centered young woman in love with a mysterious man, Kitty, the love struck teenager with big dreams, and Mrs. Tilling, the midwife and moral compass of the town. Through their entries, you really see them grow. The power of music brings them strength that they didn’t know that they had.” — Shari Suarez, Genesee District Library, Goodrich MI

Additional Buzz: Based on holds, word seems to have leaked about this debut which was a success in the UK. Prepub reviews were not positive, so libraries have ordered cautiously. Kirkus, damns it with faint praise, calling it, “Mildly entertaining, Ryan’s debut novel seems overfamiliar and too intent on warming the heart,” but nevertheless says that  “readers may find themselves furiously turning pages even if they can easily predict what’s coming next.” Proving that, it is also an Indie Next selection for February.

Booksellers add to the critical anticipation for Lincoln in the Bardo, George Saunders (PRH/Random House; RH Audio/BOT; OverDrive Sample) by making it an Indie Next for the month.

“Saunders’ first novel has a steep entry curve. It’s not a novel that reveals itself quickly and easily, but if you give it your attention, if you burrow deep into the book, you’ll be eminently rewarded. There is a richness and depth of humanity here. There is the strange and wonderful. There is love and grief and mystery all brought together in the story of Abraham Lincoln’s dead son, the Civil War, and what may happen to us all after we leave the mortal coil. It’s a beautiful and moving book that will stay with you for a long, long while.” —Jason Vanhee, University Book Store, Seattle, WA

Additional Buzz: It is an all-star, receiving starred reviews from all four trade sources. As we wrote earlier, it is getting wide attention. On this week’s NYT Book Review Podcast, Saunders says that he originally wrote it as a play, which makes it particularly appropriate that the audio version features 166 narrators, many of them well-known Hollywood names. Saunders is scheduled to be interviewed on tomorrow’s NPR Weekend Edition Saturday and on Wednesday on the Late Show w/ Stephen Colbert.

Tie-ins

Four tie-ins come out this week.

Their Finest, Lissa Evans (HC/Harper Perennial; HarperAudio; OverDrive Sample) is the tie-in edition for the film of the same name. The novel was originally published as Their Finest Hour and a Half.

The film stars Gemma Arterton, Sam Claflin, and Bill Nighy and is set in London during WWII. It features filmmakers creating patriotic flicks during the war.

Critics are glowing. The Hollywood Reporter calls it a “stealth charmer” and Variety says it is “a relentlessly charming romantic comedy … the sort of crowd-pleaser that knows the difference between satisfying its viewers and flattering them, all the while showcasing surprising performances from Gemma Arterton and Sam Claflin, and an entirely unsurprising one from Bill Nighy — a master scene-stealer pulling off yet another brazen heist.” Entertainment Weekly says it is “Comedic, poignant, and delightful.”

The movie opens April 7.

Wolverine: Old Man Logan, Mark Millar, illustrated by Steve McNiven (Hachette/Marvel; OverDrive Sample) arriving this week ties in to the March 3 movie, Logan, the 10th X-Men film and the final Wolverine solo film. It is not a pure adaptation of the comics, but rather inspired by them.

There are few reviews yet but CinemaBlend loved the trailer, writing it is “Brutal, Vicious, and Outstanding.”

The LEGO® Batman Movie: The Making of the Movie, DK (PRH/DK Children).

One of the best characters from the animated LEGO Movie gets his own feature in the next installment of the Batman saga.

Critics are raving. RollingStone calls it “a superfun time,” USA Today says it is “joyously bonkers,” and The Washington Post says it is better than the first one, writing “it is that rare sequel that outdoes the original.”

The film stars the voice work of Will Arnett, Zach Galifianakis, Michael Cera, Rosario Dawson and Ralph Fiennes. Channing Tatum, Jonah Hill and Cobie Smulders.

It opens Feb. 10. Expect more tie-ins to come.

The Boss Baby Junior Novelization, Tracey West (S&S/Simon Spotlight; also trade paperback) is is a novelization of the movie script.

The movie is described as “inspired” by Marla Frazee’s picture book Boss Baby (S&S/Beach Lane, 2010) and adds several story lines.

As we posted, it screened at the Annecy International Animation Festival in the French Alps where it was a huge success. Both Variety and The Hollywood Reporter praised the director’s use of CGI to mimic classic hand drawn cartoons. Variety reports that the screening “had the audience in stitches” and brought “whoops of applause.”

Directed by Tom McGrath (Madagascar). it features Alec Baldwin as the voice of the Baby, with Jimmy Kimmel and Lisa Kudrow playing as his parents.

It opens March 31.

Netflix has renewed its hit animated show Trollhunters for a second 13-episode season.

Entertainment Weekly says it is “a bingeable creation” that is “shaping up to be its most-watched children’s series ever.”

The show is based on the novel of the same name, written by Guillermo del Toro and Daniel Kraus, illustrated by Sean Murray (Hachette/Disney-Hyperion; Recorded Books; OverDrive Sample).

The series is described by EW as following the adventures of “a teenager-turned-warrior called upon by an underground civilization of trolls to defend their way of life from both humans and evil trolls alike.”

It stars the late Anton Yelchin, who played Chekov in the new Star Trek movies, before his death. Del Toro, who is serving as the show runner, filled in some of Yeltsin’s parts with previously recorded tracks and has more audio in the wings. The cast also includes Kelsey Grammer (Frasier, Transformers: Age of Extinction), Ron Perlman (Hellboy), and Steven Yeun (The Walking Dead).

Season one premiered in December and earned a 93% fresh rating on Rotten Tomatoes. To accompany it, the paperback edition of the book was released, with a sticker identifying it as, “the book that inspired Dreamworks TrollHunters.”

The book itself also got strong reviews. School Library Journal says “Featuring plenty of edge-of-your-seat action, this offering … won’t disappoint … More gruesome than scary, this title will be a hit with teens and adults who love action-packed, dark fantasy adventures.”

Historian Ron Chernow is moving from the Revolutionary War era to the Civil War era with a biography of Ulysses S. Grant (PRH/Penguin; ISBN 9781594204876) coming October 17, 2017. The book will be massive, running 928 pages.

The Associated Press reports that it will be “the most high-profile effort yet to change the reputation of the country’s 18th president” from what was, as described by the publisher, that of “a chronic loser and inept businessman … whose tenure came to symbolize the worst excesses of the Gilded Age” to being regarded by Ta-Nehisi Coates as a literary hero.

Chernow has had some luck in refurbishing historical figures. His 2004 biography of Alexander Hamilton (PRH/Penguin) was the basis for Lin-Manuel Miranda’s Tony Award-winning sensation. Chernow attributed its success to spurring him on to finish the new book.

Continuing his literary salon, Seth Meyers hosted Pulitzer Prize-winner Viet Thanh Nguyen on Late Night yesterday.

Meyers opens by saying he is a fan of Nguyen’s writing and loved The Sympathizer (Grove Press, April 2015) before it won the Pulitzer. His newest book is a short story collection entitled The Refugees (Grove; OverDrive Sample). Nguyen came to the US with his parents from Viet Nam when he was four years old. He says refugees face the double sorrow of being “unwanted where they come from, unwanted when they arrive.”

The two-part interview, below:

The new book is stocked at Costco, a sure sign, says Nguyen. that he has “made it.” The reviews give further proof:

The Washington Post writes it “couldn’t come at a better time,” and that it is “as impeccably written as it is timed … an important and incisive book written by a major writer with firsthand knowledge of the human rights drama exploding on the international stage — and the talent to give us inroads toward understanding it.”

NPR calls it “an urgent, wonderful collection that proves that fiction can be more than mere storytelling.”

The Guardian says it an “accomplished collection,” continuing it is “With anger but not despair, with reconciliation but not unrealistic hope, and with genuine humour that is not used to diminish anyone, Nguyen has breathed life into many unforgettable characters, and given us a timely book.”

Writing for The New Yorker, Joyce Carol Oates calls it “beautiful and heartrending.”

Isak Dinesen’s memoir Out of Africa (PRH/Modern Library; BOT; OverDrive Sample), made famous on the big screen by Sydney Pollack’s 1995 multiple Oscar-winning film starring Robert Redford and Meryl Streep, is in development, reports Deadline, as a TV series.

Some big names are involved. Producer David Heyman (Harry Potter, Gravity) is working on the adaptation for NBCUniversal with Emmy winning director Susanne Bier (The Night Manager).

Dinesen’s classic memoir, written under the pseudonym Karen Blixen [Correction: As pointed out in the comments, it’s the other way around. Dinesen was the pseudonym], recounts her years living on a farm in Kenya during the twilight of the British Empire. Heyman says “the long form series offers us the chance to explore not only Karen’s world, but also the perspective of the Kenyans she encounters.”

Time magazine listed the book at #62 on their list of 100 best and most influential works of nonfiction written since 1923, saying:

“Her memoir depicts the close relationships she fostered among the men who worked for her, giving African characters a complexity and dignity not found in other colonial texts. The occasional brutality and profound loss that characterize colonial life do not overshadow the serenity with which Blixen-Finecke writes, fostering wanderlust in anyone who reads her book.”

It’s part of a trend of adapting popular films  to TV, notes The Hollywood Reporter. Recent examples include “redos of Lethal Weapon, The Exorcist, Training Day and Taken.”

The first promo for the Netflix adaptation of the childrens classic Anne of Green Gables, was released at a press event yesterday reports Entertainment Weekly. It begins with images of other redheaded stars from the streaming service, including Stranger Things‘ Barb and Orange Is the New Black‘s Red.

Perhaps that’s an effort to signal that this Anne, despite her 1908 setting, is relevant to today. Netflix says the production, created with the CBC, will explore topics beyond Lucy Maud Montgomery’s novel, “Anne and the rest of the characters will experience adventures reflecting timeless issues including themes of identity, sexism, bullying, prejudice, and trusting one’s self.”

Showrunner Moira Walley-Beckett (Breaking Bad) tells CBC News, “I feel that this Anne is entirely different … We’re off-book. We’re the essence of the book … and we’re telling a new story … This is a very grounded, real version of the story. Life in Prince Edward Island in the late 1800s was a hard, gritty, scrappy life. It was messy, it was covered in red mud … It’s not doilies and teacups, it’s life.”

Praising the relatively unknown 14-year-old star, Irish-Canadian actress Amybeth McNulty, Walley-Beckett says she is “riveting on screen, She’s translucent. You can see every thought and every emotion.”

The eight-episode first season debuts on May 12. No tie-in has been announced, but the book is in print in multiple editions from various publishers.

Alex Award-winner Hannah Tinti’s second novel, The Twelve Lives of Samuel Hawley (PRH/The Dial Press), is the number one pick by librarians for the March LibraryReads list.

“Meet Samuel Hawley, a man in a constant struggle with his violent past, doing the best he can to raise his daughter. Meet Loo, his daughter, a girl with an obscure past and an uncertain future, on the cusp of adulthood. And meet Lily, the dead woman who connects them both. In this finely woven novel, the past and the present gradually illuminate the story of a man’s life through the bullet wounds he carries with him and makes readers consider what it is to be both good and evil.” — Dawn Terrizzi, Denton Public Library, Denton, TX

Additional Buzz: Elle names it as one of the “25 Most Anticipated Books by Women for 2017” and it makes The Millions “The Great 2017 Book Preview” as well. In the UK, CultureFly includes it on their list of “10 Books To Look Forward To In 2017.”

The Women in the Castle, Jessica Shattuck (HC/William Morrow).

“Three German women’s lives are abruptly changed when their husbands are executed for their part in an attempt to assassinate Hitler. They band together in a crumbling estate to raise their children and keep each other standing. Rich in character development, this book is narrated by each of the women, giving us a clear understanding of their sense of loss, inner strength and the love they have for each other. This story examines the human side of war, where the lines are blurred between hero and victim.” — Kimberly McGee, Lake Travis Community Library, Austin, TX

Additional Buzz: Book trailer, below:

The Wanderers, Meg Howrey (PRH/G.P. Putnam’s Sons; Penguin Audio/BOT).

“A private space exploration company is mounting a manned mission to Mars. To prepare for the actual event, the company plans an elaborate training program to match the conditions and potential problems the team might face. The ordeal, though simulated, is no less dramatic for the astronauts, their families, and the crew. The lines cross between fiction and reality and none of the participants is left unchanged. Part literary fiction, part sci-fi, all amazing.” — Marie Byars, Sno-Isle Libraries, Oak Harbor, WA

Additional Buzz: It is an Indie Next pick. The publisher is calling it “Station Eleven meets The Martian.” Both Publishers Weekly and Kirkus give it starred reviews. Kirkus says it is “A lyrical and subtle space opera.”

The full list of ten picks is available now.

Drawing attention to a Senate vote this week to force her to stop talking, Elizabeth Warren announces that she will publish a new book, due April 18, This Fight Is Our Fight: The Battle to Save America’s Middle Class (Macmillan/Metropolitan Books).

The Associated Press reports “It will offer a mini-history of the American middle class, from the New Deal of the 1930s to what the publisher calls President Donald Trump’s ‘phony promises’ that endanger it now.”

It will also include, says the publisher, “eye-opening stories about her battles in the Senate and vividly describes the experiences of hard-working Americans who have too often been given the short end of the stick.”

As Fortune points out, potential presidential candidates “often write books about their experiences to burnish their credentials prior to a presidential run. Former President Barack Obama wrote Dreams of My Father and The Audacity of Hope, and former Secretary of State Hillary Clinton wrote Hard Choices in 2014.” All were bestsellers.

Warren has written other books, including her 2014 title, A Fighting Chance, which became a bestseller.

Fans of quickly paced novels filled with twisty plots can look forward to two John Grisham titles in 2017 reports Entertainment Weekly.

He will release a heist thriller in June, Camino Island (PRH/ Doubleday; RH Audio), followed by a legal thriller on October 24, 2017 (that title has not yet been announced).

EW says the heist story will circle around a literary topic:

“thieves pilfer five handwritten F. Scott Fitzgerald manuscripts from the Princeton Library and send them into the rare books black market. As the FBI and a secret underground agency hunt them down, a young writer embarks on her own investigation into a prominent bookseller who is believed to have the precious documents.”

Knopf head Sonny Mehta tells EW that Camino Island “is a caper of the highest form … John has outdone himself.”

Grisham, who collects first editions, says the idea for the book came to him while he and his wife were on a 10-hour drive to Florida.

As his 30th novel,Camino Island is somewhat of a landmark for Grisham. 

Called by Laura Miller of Slate part of “a new and still fairly accidental genre: the on-the-ground Trump explainer,” Glass House: The 1% Economy and the Shattering of the All-American Town by Brian Alexander (Macmillan/St. Martin’s Press; OverDrive Sample) jumped into the top 100 on Amazon’s sales rankings today.  

Yesterday, Alexander was interviewed on NPR’s Fresh Air about his book on Lancaster, Ohio and the Anchor Hocking glass factory which powered the city through the 40s, 50s, and 60s. He explains that the wives of the company’s executives “threw themselves into the town … they made sure the sidewalks got repaired, the streets got paved, they attended city council meetings. This was a core of civic leadership.”

Then, in the 1980s, Carl Icahn began a highly profitable move to extract money from the company. As a result, details Alexander, it eventually suffered a hostile takeover. The first thing the new owners did was “fire all of the executives and close down the headquarters … So you’ve taken away the executives, you’ve taken away their wives, their families. … [It was] devastating for the town.”

Miller calls the book part of a genre of nonfiction “illuminating the desperation driving white small-town Americans, as told by a native son. The vanguard title in this pack is J.D. Vance’s surprise success Hillbilly Elegy.”

Glass House she says “is less personal, less tortured, a work of journalism far more willing to indict … This book hunts bigger game … [it] reads like an odd—and oddly satisfying—fusion of George Packer’s The Unwinding and one of Michael Lewis’ real-life financial thrillers.”

The debut novel by acclaimed short story writer George Saunders,  Lincoln in the Bardo (PRH/RH; RH Audio/BOT; Overdrive Sample), is rising on Amazon in advance of its release next week.

It has enjoyed an enviable range of critical coverage, including the cover of in the upcoming NYT Book Review written by Colson Whitehead. He says:

“It’s a very pleasing thing to watch a writer you have enjoyed for years reach an even higher level of achievement … George Saunders pulled that off with The Tenth Of December, his 2013 book of short stories. How gratifying and unexpected that he has repeated the feat with Lincoln in the Bardo, his first novel and a luminous feat of generosity and humanism.’’

The novel centers around the death of President Lincoln’s 11 year-old son Willie, who is laid to rest in a crypt in a DC graveyard populated by a number of people in a kind of limbo, including the President himself. Whitehead explains “The bardo of the title is a transitional state in Buddhism, where consciousness resides between death and the next life.”

Michiko Kakutani, in a NYT daily review published today, says the novel is like:

“a weird folk art diorama of a cemetery come to life. Picture, as a backdrop, one of those primitively drawn 19th-century mourning paintings with rickety white gravestones and age-worn monuments standing under the faded green canopy of a couple of delicately sketched trees. Add a tall, sad mourner, grieving over his recently deceased son. And then, to make things stranger, populate the rest of the scene with some Edward Gorey-style ghosts, skittering across the landscape — at once menacing, comical and slightly tongue-in-cheek.”

Critics compare it to multi-voiced works such as Edgar Lee Masters’s Spoon River Anthology, Thornton Wilder’s Our Town, and Sherwood Anderson’s Winesburg, Ohio. New York magazine, however, says that “polyphonic approach can be dizzying … it can be hard to follow and tricky to keep in your head” and calls the book “very, very weird” with a “premise loaded with pathos but thin on dramatic tension.”

In his ultimately positive review, Washington Post critic Ron Charles says it is “a strikingly original production, a divisively odd book bound either to dazzle or alienate readers … an extended national ghost story, an erratically funny and piteous seance of grief … [it] confounds our expectations of what a novel should look and sound like.”

Expect more to come. Already Zadie Smith has called it a “masterpiece” in a “By the Book” column in the NYT and the WSJ provides a mix of review and interview.

For such a heavily anticipated novel, libraries have ordered surprisingly few copies and are showing 1:1 holds. Those that ordered very few copies are showing ratios as high as 11:1.

Jason Rekulak is in the news for his novel The Impossible Fortress (Simon & Schuster; S&S Audio), an Indie Next pick and one of Entertainment Weekly‘s “23 Most Anticipated Books of 2017,” inviting readers to “Revel in 1987 nostalgia in this debut about a teen boy, a coveted copy of Playboy and a computer-nerd girl.”

However, it is not exactly a debut, as the NYT points out in a profile. Rekulak, the publisher of Quirk Books has written several other books, but rarely puts his real name on their covers. Moreover, he gives away some of his best ideas to others, as he did with Pride and Prejudice and Zombies, hiring a then unknown Seth Grahame-Smith for the actual writing, “for a $5,000 advance.” The book has sold over 1.8 million copies.

“I get credited with creating the mash-up, but it was Jason’s idea,” Grahame-Smith told the paper. “It was at once the best and dumbest idea I’ve ever heard in my life, and it came from Jason’s brain.”

Rekulak is also the force behind Grady Hendrix’s Horrorstör and “has nurtured fledgling writers who turned into breakout stars, including Ben H. Winters [Underground Airlines] and Ransom Riggs.”

The profile offers more details about the life of an independent publisher, including that he keeps a file of ideas that might be worth doing, labeled “unicorns.”

This week, Dan Stevens returns to TV in Legion, a show set in a world very different from Downton Abbey.

He stars in the next iteration of Marvel’s X-men and plays, reports the NYT, “the son of Professor X and a powerful mutant with a multiple-personality disorder.”

Noah Hawley, creator of the TV series Fargo and author of the best seller Before the Fall, (Hachette/Grand Central; OverDrive Sample), directs the FX series which he says tells “a more existential story — what is it really like to have these abilities?” Producer Lauren Shuler Donner says she wanted this version of X-men to “be very, very different … There’s no way that anybody would watch Legion and go, ‘Ugh, I saw that already.’”

The NYT says fans of the superhero movies should instead expect something more like Twin Peaks or Hannibal, with “a heightened, dreamlike aesthetic … [and] a more abstract, elusive approach to storytelling … [the series is] about memory, identity and perception.”

It is getting solid reviews. Variety writes it “is not timid. It offers a jittery take on many of the genre’s familiar themes, and it hurls them together with such boldness that the entire concoction ends up carrying quite a kick … it won’t be for everyone, but those who are pulled into the surreal, jagged orbit of this distinctive drama are likely to stay there for the full eight-episode run. It is, literally and figuratively, a trip — and it’s often an exhilarating one.”

Collider says it is “A Stunning, Challenging, Fantastically Human Journey” and ComicBookMovie writes “FX May Have A Massive Hit On Its Hands.”

This is only the start of X-Men on TV. The NYT‘s says “The Fox network has already ordered its own series pilot set in the world of X-Men’s mutants (written by Matt Nix, the creator of Burn Notice, and directed by Bryan Singer), and Marvel hopes to create more shows for FX.”

The premiere episode debuts Feb. 8. There is no tie-in.

The second film in the expected trilogy adapting E.L. James’s novels arrives, like the first in the series, close to Valantine’s Day, Feb. 10.

Dakota Johnson and Jamie Dornan reprise their roles as Anastasia Steele and Christian Grey. Kim Basinger and Bella Heathcote join the cast as Grey’s ex-lovers.

There is a tie-in: Fifty Shades Darker (Movie Tie-in Edition): Book Two of the Fifty Shades Trilogy, EL James (PRH/Vintage; RH Audio; OverDrive Sample) also in Spanish Cincuenta sombras más oscuras (Movie Tie-In): Fifty Shades Darker MTI – Spanish-language edition, E L James (PRH/Vintage Espanol).

James has also promised a re-telling of Fifty Shades Darker from Christian’s perspective, following her re-vamp of Fifty Shades of Grey with the same twist. No date yet for its release.

Lord of the Rings director Peter Jackson has announced the first cast members for his next adaptation, based on Philip Reeve’s dystopian book series that begins with Mortal Engines (Scholastic; OverDrive Sample). Robert Sheehan (Fortitude) is set to star writes Variety  with Ronan Raftery (Fantastic Beasts and Where to Find Them, The Terror) in a supporting role. It is scheduled to open on Dec. 14, 2018.

Mortal Engines was published in 2003 and became an ALA Notable Children’s Book, an SLJ‘s best book as well as a YALSA Best Book for Young Adults.

The series features cities on caterpillar tracks that move about in search of other cities to attack in a quest for a dwindling amount of resources caused by a devastating global war. Two orphans finds themselves lost in this wasteland and are hunted by a cyborg.

In their starred review, PW wrote “Like the moving cities it depicts, Reeve’s debut novel is a staggering feat of engineering, a brilliant construction that offers new wonders at every turn.”