The Holy Trinity of Trap
Gucci Mane, who The New York Times calls “one of hip-hop’s most prolific and admired artists” is releasing his memoir, The Autobiography of Gucci Mane (S&S, Sept. 19, 2017).
Given his large social media presence (over 3 million followers on Twitter alone), his announcement of the book and its arresting jacket sent it climbing on Amazon where it is now in the Top 100 (at #100).
The publisher says “In his extraordinary autobiography, the legend takes us to his roots in Alabama, the streets of East Atlanta, the trap house, and the studio where he found his voice as a peerless rapper. He reflects on his inimitable career and in the process confronts his dark past—years behind bars, the murder charge, drug addiction, career highs and lows—the making of a trap god. It is one of the greatest comeback stories in the history of music.”
For those unfamiliar with “trap music,” the Guardian described the Atlanta-based genre last year, calling Gucci Mane one of the “holy trinity of trap”
The announcement was covered by Billboard and New York Magazine, along with a number of pop culture and music sites.