Readers’ Advisory: Comics
NPR’s Weekend Edition Sunday offers a capsule overview of the state of comics, interviewing George Gene Gustines, of the NYT‘s Arts Beat blog, about the format’s allure, both for readers and for authors.
The brief interview gives insight into the value of all the mixes, mash-ups, alliances, and re-issues for readers and the big-name authors being drawn to the format.
Gustine delineates the current audience for comics, pointing out that all age groups are fans but the sweet spot right now are readers in their 40s who grew up on comics and have followed every significant character evolution and story line. He says that publishers are trying to appeal to kids again with a lot of new material to ensure the format does not age out.
Gustines also discusses the trend for prose authors to move to comics. As we reported, Ta-Nehisi Coates is topping the charts with his new version of Black Panther (the graphic novel compiling issues #1-4 is forthcoming: Black Panther: A Nation Under Our Feet Book 1 by Ta-Nehisi Coates, illustrated by Brian Stelfreeze (Hachette/Marvel; Sept. 27, 2016; ISBN: 9781302900533; $16.99).
Brad Meltzer (bestselling author of thrillers such as The Tenth Justice) had a highly successful turn as well says Gustines, creating a run of the Justice League of America and the comic series Identity Crisis that Gustines says “sold like gangbusters.”
Another thriller author, Greg Rucka, has written dozens of comics for both DC and Marvel including work on Batman and Spider-Man and Michael Chabon created stories for the Casanova comic with Matt Fraction, the Eisner and Harvey award-winning author of such popular series as Sex Criminals and Hawkeye.
Due in September is, Margaret Atwood’s Angel Catbird (PRH/Dark Horse; Sept. 6, 2016; ISBN: 9781506700632; $14.99), the first in an . The Guardian quotes Atwood, “I have concocted a superhero who is part cat, part bird. Due to some spilled genetic Super-Splicer, our hero got tangled up with both a cat and an owl; hence his fur and feathers, and his identity problems.”
Dark Horse acquiring editor said it will be “a humorous, action-driven, pulp-inspired story … [with] …a lot of cat puns …. a strange mix of Will Eisner’s The Spirit, Grant Morrison and Chas Truog’s Animal Man, and Ryan North and Erica Henderson’s Squirrel Girl.”
All this, of course, on top of what is also a busy market of adapting print only books into comics, such as Paul Auster’s City of Glass, Donald E. Westlake’s Parker novels, and both Game of Thrones and Outlander.